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Author: Charles Reid Publisher: Penguin ISBN: 0593327845 Category : Art Languages : en Pages : 130
Book Description
Problem Solved! Expert fixes for not-quite-right watercolors. As one of today's most sought-after workshop instructors, Charles Reid knows the most common stumbling blocks faced by artists and the best ways to overcome them. With expert advice on everything from drawing and design to fine-tuning figure and landscape paintings, Charles Reid's Watercolor Solutions will help you identify shortcomings in your paintings, fix recurring problems, and become a better watercolorist—no matter what your skill level. Inside, you'll find masterful insights from one of North Light's best-selling authors: • Advice for successful color mixing, tips to avoid overworking and other straightforward information you can take straight to your easel • 10 step-by-step demonstrations make the lessons easy to understand and implement • Student work with critiques that call out strengths, weaknesses and tips on how the paintings can be improved Whether your portraits feel contrived, your landscapes lack depth, or your colors look unnatural, this book holds the secrets to stronger, looser and livelier paintings.
Author: Charles Reid Publisher: Penguin ISBN: 0593327845 Category : Art Languages : en Pages : 130
Book Description
Problem Solved! Expert fixes for not-quite-right watercolors. As one of today's most sought-after workshop instructors, Charles Reid knows the most common stumbling blocks faced by artists and the best ways to overcome them. With expert advice on everything from drawing and design to fine-tuning figure and landscape paintings, Charles Reid's Watercolor Solutions will help you identify shortcomings in your paintings, fix recurring problems, and become a better watercolorist—no matter what your skill level. Inside, you'll find masterful insights from one of North Light's best-selling authors: • Advice for successful color mixing, tips to avoid overworking and other straightforward information you can take straight to your easel • 10 step-by-step demonstrations make the lessons easy to understand and implement • Student work with critiques that call out strengths, weaknesses and tips on how the paintings can be improved Whether your portraits feel contrived, your landscapes lack depth, or your colors look unnatural, this book holds the secrets to stronger, looser and livelier paintings.
Author: Charles Reid Publisher: ISBN: 9781626543836 Category : Languages : en Pages : 146
Book Description
Learn to figure paint in watercolor with a world-renowned instructor! The Natural Way to Paint will teach you a natural approach to seeing and painting the human form in watercolor. By learning to carefully observe and capture the basic shapes and subtle nuances in human figures, you'll be able to infuse your work with newfound life and energy. Reid begins with lessons and practical exercises in contour and gesture drawing, which will help you learn to see and capture the essence of your subject. Once you've established a strong foundation of drawing skills, it's time to pick up your brush! Reid will guide you through detailed lessons on:* Painting technique and color theory* Moving from silhouettes to three-dimensional forms* Capturing and rendering facial features* Composing and designing a variety of figure paintingsPacked with examples, demonstrations, and detailed assignments, The Natural Way to Paint is the ultimate guide to beautiful figure painting in watercolor.
Author: Charles Reid Publisher: Watson-Guptill Publications ISBN: 9780823038794 Category : Art Languages : en Pages : 144
Book Description
If you've ever wanted to control your art so that you can paint anything—and paint it well—this is the book for you! The mediums are oil, watercolor, and contour drawing but this is a book about making good paintings, not learning a particular medium. The subject matter is broad, ranging from still lifes to figures and portraits, to landscapes. Again, the point is that if you can paint, you can paint anything! But you must never feel compelled to paint what is before you. You must feel free to paint not what you see, but what you want to see—the way you want it to look—and this book shows you how. Paint What You Want to Seeis a complete course in painting and "seeing." It even includes critiques of student work and problem paintings—you learn where the paintings went wrong and how they can be improved. There are also numerous assignments to practice at home, with examples of how to do them, and valuable lessons on the essentials of values, color, and composition. You will learn how to make a contour drawing, how to layer your washes until you get the right value, and how to use "local value" and color-values to make strong statements. You will also learn how to mix subtle colors such as greens, grays, flesh-tones, and darks; paint with analogous and complementary colors; paint light, shadows, and negative shapes; and see tubed paint in terms of value. Lessons on composition include directing the eye with edges; vignetting; placing darks and other colors; advice on handling patterns; integrating subject and background; subduing or emphasizing contours; and hints on loosening up your painting style. The book concludes with a review of famous artists' painting, with suggestions on applying their "lessons" to your own work. Painting What You Want to Seeis for artists of all levels of ability, particularly for intermediate and advanced students who already know how to paint and want to make better, more expressive paintings. The instructions are clear and simple, with numerous examples, excellent illustrations, informative captions, and many useful assignments to help you develop your own style. Except for sections on drawing and values, the entire book is in color. All in all, a most extraordinary book!
Author: Charles Reid Publisher: ISBN: 9781626543218 Category : Art Languages : en Pages : 146
Book Description
Charles Reid is beloved as a teacher for his ability to guide students beyond the superficial and straight into the heart of what makes good painting good. In Painting by Design he explains how seeing your painting subjects in terms of light, shadow, shape, value, and color, will help you create striking works that embody effective design while capturing the intangible essence of the subject. A firm believer in drawing as an ideal tool for understanding a subject as an abstract form, Reid opens this book with lessons in contour and rhythm drawing, providing photographs for you to work from. Next comes a chapter on effective and reliable ways to treat color and value in your work. With clear and easy-to-follow pointers on working with oils and watercolors, Painting by Design explains how color functions as an important design element. Reid goes on to cover figure painting and the difficult art of rendering faces with realistic detail and expression, neatly demonstrating how the techniques and strategies learned in earlier chapters can be used to create specific effects. Finally, Reid shares his method of properly balancing a painting. Explaining how to combine what he refers to as "the effect" (sharp-focus, high-contrast compositional elements) with "the big blur" (softer edges, lighter values) to create interesting and dynamic artwork. Packed with assignments, detailed demonstrations, and illuminating examples, Painting by Design provides big-picture strategies and techniques alongside tips for identifying and addressing specific compositional problems. Ideal for any artist who wants to hone their skills and develop their sense of composition, Painting by Design stands out among Reid's impressive catalog of painting books. Readers interested in related titles from Charles Reid will also want to see: Flower painting in oil (ISBN: 9781626543805), Painting What (You Want) to See (ISBN: 9781626543782), Pulling Your Paintings Together (ISBN: 9781626543843), The Natural Way to Paint (ISBN: 9781626543829).
Author: Charles Reid Publisher: ISBN: 9780715318737 Category : Watercolor painting Languages : en Pages : 128
Book Description
The painter Charles Reid gives insight to his work through critique of his sketchbook. Including what works, what doesn't and why, his own illustrations are annotated and demonstrations included.
Author: Duncan Elphinstone Cooper Publisher: National Library Australia ISBN: 0642104107 Category : Art Languages : en Pages : 176
Book Description
The nineteenth century squatter and painter Duncan Elphinstone Cooper spent about thirteen years of his life in the Western District of Victoria where he painted the fifty-four pictures presented in this volume. Most of these are from Cooper's The Challicum Sketch Book, now a treasured part of the collections of the National Library of Australia; the paintings deal almost exclusively with the grazing property of that name — from tent to house and beyond.
Author: Charles Reid Publisher: ISBN: Category : Art Languages : en Pages : 168
Book Description
Guides the reader through a complete, step-by-step tour of the watercolor materials and methods needed to create expressive, masterful portraits.
Author: James O. Young Publisher: Routledge ISBN: 113451929X Category : Philosophy Languages : en Pages : 196
Book Description
Almost all of us would agree that the experience of art is deeply rewarding. Why this is the case remains a puzzle; nor does it explain why many of us find works of art much more important than other sources of pleasure. Art and Knowledge argues that the experience of art is so rewarding because it can be an important source of knowledge about ourselves and our relation to each other and to the world. The view that art is a source of knowledge can be traced as far back as Aristotle and Horace. Artists as various as Tasso, Sidney, Henry James and Mendelssohn have believed that art contributes to knowledge. As attractive as this view may be, it has never been satisfactorily defended, either by artists or philosophers. Art and Knowledge reflects on the essence of art and argues that it ought to provide insight as well as pleasure. It argues that all the arts, including music, are importantly representational. This kind of representation is fundamentally different from that found in the sciences, but it can provide insights as important and profound as available from the sciences. Once we recognise that works of art can contribute to knowledge we can avoid thorough relativism about aesthetic value and we can be in a position to evaluate the avant-garde art of the past 100 years. Art and Knowledge is an exceptionally clear and interesting, as well as controversial, exploration of what art is and why it is valuable. It will be of interest to all philosophers of art, artists and art critics.
Author: Charles Reid
Author: Charles Reid
Author: Charles Reid
Author: Charles Reid
Author: Charles Reid
Author: Charles Reid
Author: Charles Reid
Author: Charles Reid
Author: Duncan Elphinstone Cooper
Author: Charles Reid
Author: James O. Young