Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
Dwell
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
Earthworks
Author: Suzaan Boettger
Publisher: Univ of California Press
ISBN: 9780520241169
Category : Architecture
Languages : en
Pages : 340
Book Description
Her examination of Earthworks relationship to the ecology movement perceptively corrects a popular misconception about the artists goals while acknowledging the social and cultural complexities of the period."
Publisher: Univ of California Press
ISBN: 9780520241169
Category : Architecture
Languages : en
Pages : 340
Book Description
Her examination of Earthworks relationship to the ecology movement perceptively corrects a popular misconception about the artists goals while acknowledging the social and cultural complexities of the period."
The Michigan Alumnus
Author:
Publisher: UM Libraries
ISBN:
Category : Cooking
Languages : en
Pages : 780
Book Description
In volumes1-8: the final number consists of the Commencement annual.
Publisher: UM Libraries
ISBN:
Category : Cooking
Languages : en
Pages : 780
Book Description
In volumes1-8: the final number consists of the Commencement annual.
Sculpture from the Sheldon Memorial Art Gallery
Author: Karen O. Janovy
Publisher: U of Nebraska Press
ISBN: 080327629X
Category : Art
Languages : en
Pages : 299
Book Description
"All of the 90 pieces selected from more than 350 works in the collection are presented here in full color, each accompanied by a brief discussion of the artist and his or her work by leading scholars in the field as well as authorities on the collection. The essays examine the works of sculptors represented in the Sheldon's collection, including Barlach, Brancusi, Calder, Duchamp, Moore, and Rodin, and present a concise yet comprehensive overview of pertinent scholarship that will be of value to both students and experts in the field."--BOOK JACKET.
Publisher: U of Nebraska Press
ISBN: 080327629X
Category : Art
Languages : en
Pages : 299
Book Description
"All of the 90 pieces selected from more than 350 works in the collection are presented here in full color, each accompanied by a brief discussion of the artist and his or her work by leading scholars in the field as well as authorities on the collection. The essays examine the works of sculptors represented in the Sheldon's collection, including Barlach, Brancusi, Calder, Duchamp, Moore, and Rodin, and present a concise yet comprehensive overview of pertinent scholarship that will be of value to both students and experts in the field."--BOOK JACKET.
Eye of the Sixties
Author: Judith E. Stein
Publisher: Macmillan + ORM
ISBN: 0374715203
Category : Biography & Autobiography
Languages : en
Pages : 293
Book Description
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Publisher: Macmillan + ORM
ISBN: 0374715203
Category : Biography & Autobiography
Languages : en
Pages : 293
Book Description
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Hans Van de Bovenkamp
Author: Hans van de Bovenkamp
Publisher: Hudson Hills
ISBN: 9781555952488
Category : Art
Languages : en
Pages : 170
Book Description
This vivid monograph examines the often surprising and stunning sculpture of Hans Van de Bovenkamp. He is best known for his groundbreaking work in public sculpture. His art covers a myriad of sculptural objects located in accessible open places. 92 colour & 35 b/w illustrations
Publisher: Hudson Hills
ISBN: 9781555952488
Category : Art
Languages : en
Pages : 170
Book Description
This vivid monograph examines the often surprising and stunning sculpture of Hans Van de Bovenkamp. He is best known for his groundbreaking work in public sculpture. His art covers a myriad of sculptural objects located in accessible open places. 92 colour & 35 b/w illustrations
Art from the Swamp
Author: Bruce Cole
Publisher: Encounter Books
ISBN: 1594039976
Category : Political Science
Languages : en
Pages : 126
Book Description
Few Americans are aware that Washington is the country’s largest single patron of art. Every year a group of unelected federal bureaucrats and congressmen spends millions of taxpayer dollars on monuments, sculptures, buildings, plays, and exhibitions, largely without public knowledge or involvement. Frank Gehry’s outlandish memorial to President Eisenhower, an installation that blinks quotes from Eleanor Roosevelt in Morse code at a cash-strapped Veterans Administration hospital, a giant $750,00 wood sculpture whose fumes sickened workers in an FBI building in Miami, FL, and funding for research on the visual cultures of tea consumption in Imperial India are just a few of the hundreds of unwanted and wasteful projects supported annually by the General Services Administration, the National Endowments for the Arts and Humanities, and their enablers on Capitol Hill. In this book, Bruce Cole, the longest serving chairman of the National Endowment for the Humanities, exposes the programs and policies responsible for this glut of unsupervised bureaucratic pork and offers suggestions for their reform or elimination.
Publisher: Encounter Books
ISBN: 1594039976
Category : Political Science
Languages : en
Pages : 126
Book Description
Few Americans are aware that Washington is the country’s largest single patron of art. Every year a group of unelected federal bureaucrats and congressmen spends millions of taxpayer dollars on monuments, sculptures, buildings, plays, and exhibitions, largely without public knowledge or involvement. Frank Gehry’s outlandish memorial to President Eisenhower, an installation that blinks quotes from Eleanor Roosevelt in Morse code at a cash-strapped Veterans Administration hospital, a giant $750,00 wood sculpture whose fumes sickened workers in an FBI building in Miami, FL, and funding for research on the visual cultures of tea consumption in Imperial India are just a few of the hundreds of unwanted and wasteful projects supported annually by the General Services Administration, the National Endowments for the Arts and Humanities, and their enablers on Capitol Hill. In this book, Bruce Cole, the longest serving chairman of the National Endowment for the Humanities, exposes the programs and policies responsible for this glut of unsupervised bureaucratic pork and offers suggestions for their reform or elimination.
Department of the Interior and Related Agencies Appropriations for 1978
Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 860
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 860
Book Description
Object Lessons and the Formation of Knowledge
Author: Kerstin Barndt
Publisher: University of Michigan Press
ISBN: 0472130277
Category : Business & Economics
Languages : en
Pages : 377
Book Description
Comprehensive overview of the University of Michigan's Museums, Libraries, and collections
Publisher: University of Michigan Press
ISBN: 0472130277
Category : Business & Economics
Languages : en
Pages : 377
Book Description
Comprehensive overview of the University of Michigan's Museums, Libraries, and collections
Annual Report
Author: National Endowment for the Arts
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Reports for 1980- include also the Annual report of the National Council on the Arts.
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Reports for 1980- include also the Annual report of the National Council on the Arts.