Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Charango Capriccioso PDF full book. Access full book title Charango Capriccioso by . Download full books in PDF and EPUB format.
Author: Publisher: ISBN: 9781540061935 Category : Music Languages : en Pages : 0
Book Description
(Peermusic Classical). Many of Miguel del Aguila's works reflect on South America and its history. Here, his evocation of the charango, a lute-like Andean stringed instrument, plays a central part. The meditative opening section seems to invite us to a remote, pre-Columbian place high in the Andes. A hint of sadness is interrupted by an upbeat Andean-inspired theme introduced by the charango (the piano). This theme gathers momentum and builds in intensity through shifting rhythms and colorful orchestrations. Before the dance flies out of control, the solo cello reappears with the meditative theme as distant bells (also played by the piano) restore the peace.
Author: Publisher: ISBN: 9781540061935 Category : Music Languages : en Pages : 0
Book Description
(Peermusic Classical). Many of Miguel del Aguila's works reflect on South America and its history. Here, his evocation of the charango, a lute-like Andean stringed instrument, plays a central part. The meditative opening section seems to invite us to a remote, pre-Columbian place high in the Andes. A hint of sadness is interrupted by an upbeat Andean-inspired theme introduced by the charango (the piano). This theme gathers momentum and builds in intensity through shifting rhythms and colorful orchestrations. Before the dance flies out of control, the solo cello reappears with the meditative theme as distant bells (also played by the piano) restore the peace.
Author: Publisher: ISBN: 9781540070012 Category : Music Languages : en Pages : 0
Book Description
(Peermusic Classical). Program Notes: Charango Capriccioso for piano and string quartet was written in 2016. It is based on a previous version of the work which was commissioned by the Austin Chamber Music Center, where it was premiered on July 11, 2006 by Cuarteto Latinoamericano, Felicity Coltman, Heather Coltman and Margaret Coltman. The previous version is scored for piano 4-hands, string quartet and a second cello. As with many of my works, Charango Capriccioso reflects on South America and its history. The work opens with a mysterious theme, which - in an enigmatic tongue - seems to invite us to a remote place high in the Andes. The piano and later the solo viola take us to a quiet beautiful landscape where soon the solo viola meditates about the sad events that took place there starting with the Spanish conquest. A charango (suggested by the piano) introduces an Andean-inspired upbeat theme which gains momentum after dancing through shifting rhythms and colorful orchestrations. At this point, the engimatic theme returns with a new, almost disturbing character. Before the dance flies out of control, the solo cello reappears with the meditative theme as distant bells (played by the piano) restore the peace. Miguel del Aguila
Author: Fernando Rios Publisher: Oxford University Press ISBN: 0190692294 Category : Music Languages : en Pages : 272
Book Description
Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing "El Cóndor Pasa" at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many "world music" fans when they recall their early encounters with Andean music groups. Ensembles of this type known as "Andean conjuntos" or "pan-Andean bands" have long formed part of the world music circuit in the Global North. In the major cities of Latin America, too, Andean conjuntos have been present in the local music scene for decades, not only in Peru, Bolivia, and Ecuador (i.e., in the Andean countries), but also in Argentina, Chile, Colombia, and Mexico. It is solely in Bolivia, however, that the Andean conjunto has represented the preeminent folkloric-popular music ensemble configuration for interpreting national musical genres from the late 1960s onward. Despite its frequent association with indigenous villages, the music of Andean conjuntos bears little resemblance to the indigenous musical expressions of the Southern Andes. Created by urban criollo and mestizo folkloric artists, the Andean conjunto tradition represents a form of mass-mediated folkloric music, one that is only loosely based on indigenous musical practices. Panpipes & Ponchos reveals that in the early-to-mid 20th century, a diverse range of musicians and ensembles, including estudiantinas, female vocal duos, bolero trios, art-classical composers, and mestizo panpipe groups, laid the groundwork for the Andean conjunto format to eventually take root in the Bolivian folklore scene amid the boom decade of the 1960s. Author Fernando Rios analyzes local musical trends in conjunction with government initiatives in nation-building and the ideologies of indigenismo and mestizaje. Beyond the local level, Rios also examines key developments in Bolivian national musical practices through their transnational links with trends in Peru, Argentina, Chile, Mexico, and France. As the first book-length study that chronicles how Bolivia's folkloric music movement articulated, on the one hand, with Bolivian state projects, and on the other, with transnational artistic currents, for the pivotal era spanning the 1920s to 1960s, Panpipes & Ponchos offers new perspectives on the Andean conjunto's emergence as Bolivia's favored ensemble line-up in the field of national folkloric-popular music.
Author: James Tyler Publisher: Indiana University Press ISBN: 0253005019 Category : Music Languages : en Pages : 173
Book Description
James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself -- represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.
Author: Graham Wade Publisher: Alma Books ISBN: 0714544841 Category : Music Languages : en Pages : 289
Book Description
First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.
Author: Maurice Waite Publisher: Oxford University Press, USA ISBN: 0199560811 Category : Foreign Language Study Languages : en Pages : 1074
Book Description
"The leading single-volume English thesaurus explores the richness of the English language with hundreds of thousands of synonyms and antonyms, and thousands of example sentences drawn from the Oxford English Corpus; finds the word you need quickly with carefully chosen and arranged synonyms; broadens your vocabulary and finds solutions to word puzzles and crosswords with hundreds of thematic word lists; and helps express yourself more accurately with hundreds of 'Choose the Right Word' boxes exploring the difference between similar words." --Book Jacket.
Author: DK Publisher: Penguin ISBN: 0744073855 Category : Music Languages : en Pages : 482
Book Description
Produced in association with the Smithsonian and including images from The National Music Museum in South Dakota, Music: The Definitive Visual History guides readers through the progression of music since its prehistoric beginnings, discussing not just Western classical music, but music from all around the world. Telling the story of musical developments, era by era, linking musical theory, technology, and human genius into the narrative, Music: The Definitive Visual History profiles the lives of groundbreaking musicians from Mozart to Elvis, takes an in-depth look at the history and function of various instruments, and includes listening suggestions for each music style. Anyone with an interest in music will enjoy learning about the epic journey the art has taken over the years and will learn to appreciate music with a new ear.
Author: Francisco Tarrega Publisher: Chanterelle ISBN: 9780204702375 Category : Languages : en Pages : 351
Book Description
This new collected edition contains all Trrega's compositions which were published in early Spanish editions. They are presented as unaltered Reprints dating from 1902-1920.
Author: 
Author: 
Author: 
Author: Fernando Rios
Author: James Tyler
Author: Graham Wade
Author: Maurice Waite
Author: Library of Congress
Author: DK
Author: 
Author: Francisco Tarrega