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Author: Elizabeth Grosz Publisher: Columbia University Press ISBN: 0231517874 Category : Philosophy Languages : en Pages : 156
Book Description
Instead of treating art as a unique creation that requires reason and refined taste to appreciate, Elizabeth Grosz argues that art-especially architecture, music, and painting-is born from the disruptive forces of sexual selection. She approaches art as a form of erotic expression connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, not just its intention and aesthetic. By regarding our most cultured human accomplishments as the result of the excessive, nonfunctional forces of sexual attraction and seduction, Grosz encourages us to see art as a kind of bodily enhancement or mode of sensation enabling living bodies to experience and transform the universe. Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Through this framework, which knits together the theories of Charles Darwin, Henri Bergson, Gilles Deleuze, Félix Guattari, and Jakob von Uexküll, we are able to grasp art's deep animal lineage. Grosz argues that art is not tied to the predictable and known but to new futures not contained in the present. Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living. According to Grosz, art is the way in which life experiments with materiality, or nature, in order to bring about change.
Author: Elizabeth Grosz Publisher: Columbia University Press ISBN: 0231543670 Category : Philosophy Languages : en Pages : 455
Book Description
Philosophy has inherited a powerful impulse to embrace either dualism or a reductive monism—either a radical separation of mind and body or the reduction of mind to body. But from its origins in the writings of the Stoics, the first thoroughgoing materialists, another view has acknowledged that no forms of materialism can be completely self-inclusive—space, time, the void, and sense are the incorporeal conditions of all that is corporeal or material. In The Incorporeal Elizabeth Grosz argues that the ideal is inherent in the material and the material in the ideal, and, by tracing its development over time, she makes the case that this same idea reasserts itself in different intellectual contexts. Grosz shows that not only are idealism and materialism inextricably linked but that this "belonging together" of the entirety of ideality and the entirety of materiality is not mediated or created by human consciousness. Instead, it is an ontological condition for the development of human consciousness. Grosz draws from Spinoza's material and ideal concept of substance, Nietzsche's amor fati, Deleuze and Guattari's plane of immanence, Simondon's preindividual, and Raymond Ruyer's self-survey or autoaffection to show that the world preexists the evolution of the human and that its material and incorporeal forces are the conditions for all forms of life, human and nonhuman alike. A masterwork by an eminent theoretician, The Incorporeal offers profound new insight into the mind-body problem
Author: Martin Meisel Publisher: Columbia University Press ISBN: 0231540469 Category : Literary Criticism Languages : en Pages : 604
Book Description
The stories we tell in our attempt to make sense of the world—our myths and religion, literature and philosophy, science and art—are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada, and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold effect of thermodynamics. He then uses this chaotic frame to elaborate on purpose, mortality, meaning, and mind.
Author: Stephanie Wodianka Publisher: transcript Verlag ISBN: 3839433894 Category : Social Science Languages : en Pages : 253
Book Description
Cultural encounters are often being stylized not only as experiences of uncontrollability and unpredictability par excellence, but also as challenges to planning and predicting. The history, the different forms and the consequences of this phenomenon are the main issues discussed in this volume. The contributions show that chaos and control are not mutually exclusive in the "contact zone" (Mary Louise Pratt); on the contrary, they stand in relation to each other - be it as a competence or as an interpretive scheme.
Author: Sarah Horton Publisher: Intellect Books ISBN: 1789387825 Category : Art Languages : en Pages : 413
Book Description
This collection explores critical and visual practices through the lens of interactions and intersections between pattern and chaos. The dynamic of the inter-relationship between pattern and chaos is such as to challenge disciplinary boundaries, critical frameworks and modes of understanding, perception and communication, often referencing the in-between territory of art and science through experimentation and visual scrutiny. A territory of 'pattern-chaos' or 'chaos-pattern' begins to unfold. Drawing upon fields such as visual culture, sociology, physics, neurobiology, linguistics or critical theory, for example, contributors have experimented with pattern and/or chaos-related forms, processes, materials, sounds and language or have reflected on the work of other artists, scientists and scholars. Diagrams, tessellations, dust, knots, mazes, folds, creases, flux, virus, fire and flow are indicative of processes through which pattern and chaos are addressed. The contributions are organized into clusters of subjects which reflect the interdisciplinary terrain through a robust, yet also experimental, arrangement. These are 'Pattern Dynamics', 'Morph Flux Mutate', 'Decompose Recompose', 'Virus; Social Imaginary' and 'Nothings in Particular'.
Author: L. E. Modesitt, Jr. Publisher: Macmillan ISBN: 9780812570939 Category : Fiction Languages : en Pages : 818
Book Description
The biggest fantasy from L. E. Modesitt, Jr. to date, Colors of Chaos is the story of the White Chaos wizard Cerryl: his education in life and love, and his rise to power in the magicians guild of Fairhaven. This is the direct sequel to The White Order, which told of Cerryl's boyhood and youth, and takes place at the same time as the events in Modesitt's earlier novel, The Magic Engineer. Yet it stands alone, the longest Recluce novel, a portrayal of the growth and change of character and of the strengths and weaknesses of an age-old civilization held together by the power of magic. Ceryl, now a full mage in The White Order, must prove himself indispensible to Jeslek, the High Wizard. Whether through assassination, effective gorvernance of occupied territory or the fearless and clever direction of troops in battle, Ceryl faces many harrowing obstacles, not the least of which is Anya, the plotting seductress who's the real power behind the scenes of the white wizards. With his wits, his integrity, and the support of his love, the Black healer Leyladin, he must survive long enough to claim his rightful spot within the ruling heirarchy of the White Order. This is a must-read for followers of the Saga of Recluce, offering a unique, sympathetic point of view of the White Chaos wizards-the forces that throughout history have opposed the magicians of Recluce. Colors of Chaos is the ninth book in the saga of Recluce. At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.
Author: Gilles Kepel Publisher: Columbia University Press ISBN: 0231551940 Category : Political Science Languages : en Pages : 544
Book Description
The Middle East is one of the world’s most volatile regions. In recent years, from the optimism and then crushing disappointment of the Arab uprisings through the rise and fall of the Islamic State, it has presented key international security challenges. With the resilient jihadi terror threat, large-scale migration due to warfare and climate change, and fierce competition for control over oil, it promises to continue to be a powder keg. What ignited this instability? Away from Chaos is a sweeping political history of four decades of Middle East conflict and its worldwide ramifications. Gilles Kepel, called “France’s most famous scholar of Islam” by the New York Times, offers a clear and persuasive narrative of the long-term causes of tension while seamlessly incorporating on-the-ground observations and personal experiences from the people who lived through them. From the Yom Kippur/Ramadan war of 1973 to the aftermath of the Arab Spring, Away from Chaos weaves together the various threads that run through Middle East politics and ties them to their implications on the global stage. With keen insight stemming from decades of experience in the region, Kepel puts these chaotic decades in perspective and illuminates their underlying dynamics. He also considers the prospects of emerging from this long-lasting turmoil and for the people of the Middle East and the world to achieve a more stable future.
Author: Ian Buchanan Publisher: Bloomsbury Publishing ISBN: 1350015563 Category : Philosophy Languages : en Pages : 193
Book Description
What do we mean by 'assemblage' in contemporary theory? The constant and seemingly limitless expansion of the concept's range of applications begs the question, if any and every kind of collection of things is an assemblage, then what advantage is there is in using this term and not some other term, or indeed no term at all? What makes an assemblage an assemblage, and not some other kind of collection of things? This book advances beyond this impasse and offers practical help in thinking about and using assemblage theory for contemporary cultural and social research, in order to: - Answer the question: what is an assemblage? - Explain why assemblage theory is necessary - Provide clear instructions on how to use assemblage theory Ian Buchanan maps the beginnings of a brand new field within the humanities.
Author: Elizabeth A. Grosz
Author: Elizabeth A. Grosz
Author: Elizabeth Grosz
Author: Elizabeth Grosz
Author: Elizabeth Grosz
Author: Martin Meisel
Author: Stephanie Wodianka
Author: Sarah Horton
Author: L. E. Modesitt, Jr.
Author: Gilles Kepel
Author: Ian Buchanan