Changing Images of Law in Film & Television Crime Stories PDF Download

Author: Timothy O. Lenz
Publisher: Politics, Media, and Popular Culture
ISBN:
Category : Law
Languages : en
Pages : 212

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Book Description
One of the most important legal developments in the last half of the twentieth century was the change from criminal justice policies shaped primarily by liberal ideas to those shaped primarily by conservative ideas. This book examines images of law in Hollywood films and television crime dramas to better understand this conservative revolution in thinking about crime. The crime stories depicted in popular legal fiction provide interesting as well as insightful perspectives on law in American society, particularly changing images of justice and its administration as well as individual rights.

Author: Timothy O. Lenz
Publisher:
ISBN:
Category : Detective and mystery films
Languages : en
Pages : 0

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Book Description

Author: Peter Robson
Publisher: Bloomsbury Publishing
ISBN: 1847319947
Category : Law
Languages : en
Pages : 352

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Book Description
'Law and Justice on the Small Screen' is a wide-ranging collection of essays about law in and on television. In light of the book's innovative taxonomy of the field and its international reach, it will make a novel contribution to the scholarly literature about law and popular culture. Television shows from France, Canada, the United Kingdom, Germany, Spain and the United States are discussed. The essays are organised into three sections: (1) methodological questions regarding the analysis of law and popular culture on television; (2) a focus on genre studies within television programming (including a subsection on reality television), and (3) content analysis of individual television shows with attention to big-picture jurisprudential questions of law's efficacy and the promise of justice. The book's content is organised to make it appropriate for undergraduate and graduate classes in the following areas: media studies, law and culture, socio-legal studies, comparative law, jurisprudence, the law of lawyering, alternative dispute resolution and criminal law. Individual chapters have been contributed by, among others: Taunya Banks, Paul Bergman, Lief Carter, Christine Corcos, Rebecca Johnson, Stefan Machura, Nancy Marder, Michael McCann, Kimberlianne Podlas and Susan Ross, with an Introduction by Peter Robson and Jessica Silbey.

Author: S. Panse
Publisher: Springer
ISBN: 1137014180
Category : Social Science
Languages : en
Pages : 467

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Book Description
A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment.

Author: Nicole Hahn Rafter
Publisher: NYU Press
ISBN: 0814745296
Category : Law
Languages : en
Pages : 241

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Book Description
From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. The first work to bring a systematic and sophisticated criminological perspective to bear on crime films, Rafter and Brown's book provides a fresh way of looking at cinema, using the concepts and analytical tools of criminology to uncover previously unnoticed meanings in film, ultimately making the study of criminological theory more engaging and effective for students while simultaneously demonstrating how theories of crime circulate in our mass-mediated worlds. The result is an illuminating new way of seeing movies and a delightful way of learning about criminology.

Author: Steve Greenfield
Publisher: Bloomsbury Publishing
ISBN: 1847317421
Category : Law
Languages : en
Pages : 713

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Book Description
Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.

Author: Shlomo Giora Shoham
Publisher: Taylor & Francis
ISBN: 1040082351
Category : Law
Languages : en
Pages : 472

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Book Description
The second handbook in the Shoham trilogy, which includes the esteemed International Handbook of Penology and Criminal Justice and the upcoming International Handbook of Victimology, this volume is a comprehensive treatment of criminology theory. This text contains contributions from 25 of the top international scholars in the field across a wide range of disciplines. Topics include social deviance, research methods, biological and physiological explanations, personality types, and family socialization processes. The book also explores ecological and economic factors, differential association and situational crime prevention, cultural conflicts and immigration, as well as stigmas, group delinquency and juvenile delinquency.

Author: Anne Wagner
Publisher: Springer Science & Business Media
ISBN: 9048193222
Category : Law
Languages : en
Pages : 1051

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Book Description
The proposed volumes are aimed at a multidisciplinary audience and seek to fill the gap between law, semiotics and visuality providing a comprehensive theoretical and analytical overview of legal visual semiotics. They seek to promote an interdisciplinary debate from law, semiotics and visuality bringing together the cumulative research traditions of these related areas as a prelude to identifying fertile avenues for research going forward. Advance Praise for Law, Culture and Visual Studies This diverse and exhilarating collection of essays explores the many facets both historical and contemporary of visual culture in the law. It opens a window onto the substantive, jurisdictional, disciplinary and methodological diversity of current research. It is a cornucopia of materials that will enliven legal studies for those new to the field as well as for established scholars. It is a ‘must read’ that will leave you wondering about the validity of the long held obsession that reduces the law and legal studies to little more than a preoccupation with the word. Leslie J Moran Professor of Law, Birkbeck College, University of London Law, Culture & Visual Studies is a treasure trove of insights on the entwined roles of legality and visuality. From multiple interdisciplinary perspectives by scholars from around the world, these pieces reflect the fullness and complexities of our visual encounters with law and culture. From pictures to places to postage stamps, from forensics to film to folklore, this anthology is an exciting journey through the fertile field of law and visual culture as well as a testament that the field has come of age. Naomi Mezey, Professor of Law, Georgetown University Law Center, Washington, D.C., USA This highly interdisciplinary reference work brings together diverse fields including cultural studies, communication theory, rhetoric, law and film studies, legal and social history, visual and legal theory, in order to document the various historical, cultural, representational and theoretical links that bind together law and the visual. This book offers a breath-taking range of resources from both well-established and newer scholars who together cover the field of law’s representation in, interrogation of, and dialogue with forms of visual rhetoric, practice, and discourse. Taken together this scholarship presents state of the art research into an important and developing dimension of contemporary legal and cultural inquiry. Above all, Law Culture and Visual Studies lays the groundwork for rethinking the nature of law in our densely visual culture: How are legal meanings produced, encoded, distributed, and decoded? What critical and hermeneutic skills, new or old, familiar or unfamiliar, will be needed? Topical, diverse, and enlivening, Law Culture and Visual Studies is a vital research tool and an urgent invitation to further critical thinking in the areas so well laid out in this collection. Desmond Manderson, Future Fellow, ANU College of Law / Research School of Humanities & the Arts, Australian National University, Australia

Author: Bronwen Hughes
Publisher: Cambridge Scholars Publishing
ISBN: 1443862754
Category : Performing Arts
Languages : en
Pages : 310

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Book Description
This volume focuses on the transferral of a televised format from the country in which it was originally produced into a wholly different cultural and linguistic ambit. It specifically examines the British police procedural The Bill which became La Squadra when the format was licensed to be aired on Italian screens. Focusing on one specific institutional field, that of the formal police interview, the book explores the characteristic features and constituent parts of such institutional speech events: namely, the differential distribution of knowledge and rights to knowledge; the asymmetrical and adversarial strategies employed by the dyadic pair made up of interviewer and interviewee; the sequential and interactional features of answers; the legislative framework which governs investigative interviewing in the two countries in which the format was aired; and the place of the interview room scenes in the overall narrative structure of the televised episodes. What emerges from the study is not only an interesting comparison between two languages, cultures and institutions; findings also point to a different perception of reality and authenticity in the two formats being investigated. As such, the book will be of interest to students and scholars of linguistics and media studies. The cross-linguistic and cross-cultural analyses presented here serve to illustrate that the global phenomenon of international format transferral is becoming increasingly local, rooted in the culture, language and worldview of the country of arrival.

Author: Sarah E.H. Moore
Publisher: Bloomsbury Publishing
ISBN: 1137400544
Category : Social Science
Languages : en
Pages : 336

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Book Description
From video games that allow us to participate in Mafia-style violence, to newspaper reports about the latest terrorist atrocity, from detective novels that fill our bedside cabinets, to Hollywood's beloved legal dramas – the mass media is saturated with stories about crime, justice and disorder. Together they create a cultural landscape of crime that is distinctly at odds with reality, as criminologists are apt to complain. Crime and the Media attempts to make sense of this cultural landscape and its relationship with broader social trends and public attitudes. Through focussed, critical discussions about crime in the media - taking on crime news and fictional representations of cops, courts, and corrections - the text equips students with an understanding of the key theoretical concepts and methodological tools that are required to undertake media analysis. With questions for discussion, exercises and workshop sessions, as well as techniques for analysing crime in a range of media formats, the book makes an invaluable contribution to crime and media courses, and to the social sciences in general.