Author: Bellamy HoslerPublisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Music
Languages : en
Pages : 328
Book Description
Changing Aesthetic Views of Instrumental Music in 18th Century Germany
Author: Bellamy HoslerPublisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Music
Languages : en
Pages : 328
Book Description
Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany
Author: Bellamy Hamilton HoslerPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 1066
Book Description
Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany
Author: Bellamy HoslerPublisher:
ISBN:
Category : Music
Languages : en
Pages : 504
Book Description
Changing aesthetic views of instrumental music in eighteenth-century Germany
Author: Bellamy H. HoslerGerman Music Criticism in the Late Eighteenth Century
Author: Mary Sue MorrowPublisher: Cambridge University Press
ISBN: 052158227X
Category : Music
Languages : en
Pages : 271
Book Description
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
The Viennese Minor-Key Symphony in the Age of Haydn and Mozart
Author: Matthew RileyPublisher: Oxford University Press
ISBN: 0199349681
Category : Music
Languages : en
Pages : 305
Book Description
In late eighteenth-century Vienna and the surrounding Habsburg territories, over 50 minor-key symphonies by at least 11 composers were written. These include some of the best-known works of the symphonic repertoire, such as Haydn's 'Farewell' Symphony and Mozart's Symphony No. 40 in G minor, K. 550. The driving energy, intense pathos and restlessness of these compositions demand close attention and participation from the listener, and pose urgent questions about meaning and interpretation. In response to these questions, The Viennese Minor-Key Symphony in the Age of Haydn and Mozart combines historical perspectives with recent developments in music analysis to shed new light on this distinctive part of the repertoire. Through an intertextual, analytical approach, author Matthew Riley treats the minor-key symphony as a subgenre of several strands, reconstructing the compositional world it occupied. His work enables signals to be understood, puts characteristic strategies in clear relief, and ultimately reveals the significance this music held for both composers and listeners of the time. Riley gives us a fresh picture of the familiar masterpieces of Haydn and Mozart, while also focusing on lesser known composers.
E.T.A. Hoffmann's Musical Aesthetics
Author: Abigail ChantlerPublisher: Routledge
ISBN: 1351569112
Category : Music
Languages : en
Pages : 215
Book Description
Whilst E.T.A. Hoffmann (1776-1822) is most widely known as the author of fantastic tales, he was also prolific as a music critic, productive as a composer, and active as a conductor. This book examines Hoffmann's aesthetic thought within the broader context of the history of ideas of the late-eighteenth and early-nineteenth centuries, and explores the relationship between his musical aesthetics and compositional practice. The first three chapters consider his ideas about creativity and aesthetic appreciation in relation to the thought of other German romantic theorists, discussing the central tenets of his musical aesthetic - the idea of a 'religion of art', of the composer as a 'genius', and the listener as a 'passive genius'. In particular the relationship between the multifaceted thought of Hoffmann and Friedrich Schleiermacher is explored, providing some insight into the way in which diverse intellectual traditions converged in early-nineteenth-century Germany. In the second half of the book, Hoffmann's dialectical view of music history and his conception of romantic opera are discussed in relation to his activities as a composer, with reference to his instrumental music and his two mature, large-scale operas, Aurora and Undine. The author also addresses broader issues pertaining to the ideological and historical significance of Hoffmann's musical and literary oeuvre.
Enlightenment Orpheus
Author: Vanessa AgnewPublisher: Oxford University Press
ISBN: 0195336666
Category : History
Languages : en
Pages : 278
Book Description
The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries.Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time.A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.
Instrumental Music in an Age of Sociability
Author: W. Dean SutcliffePublisher: Cambridge University Press
ISBN: 110701381X
Category : Music
Languages : en
Pages : 613
Book Description
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).
The Cambridge Companion to Haydn
Author: Caryl ClarkPublisher: Cambridge University Press
ISBN: 1139827227
Category : Music
Languages : en
Pages : 354
Book Description
This Companion provides an accessible and up-to-date introduction to the musical work and cultural world of Joseph Haydn. Readers will gain an understanding of the changing social, cultural, and political spheres in which Haydn studied, worked, and nurtured his creative talent. Distinguished contributors provide chapters on Haydn and his contemporaries, his working environments in Eisenstadt and Eszterháza, and humor and exoticism in Haydn's oeuvre. Chapters on the reception of his music explore keyboard performance practices, Haydn's posthumous reputation, sound recordings and images of his symphonies. The book also surveys the major genres in which Haydn wrote, including symphonies, string quartets, keyboard sonatas and trios, sacred music, miscellaneous vocal genres, and operas composed for Eszterháza and London.