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Changing Aesthetic Views of Instrumental Music in 18th Century Germany

Changing Aesthetic Views of Instrumental Music in 18th Century Germany PDF Author: Bellamy Hosler
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Music
Languages : en
Pages : 328

Book Description


Changing Aesthetic Views of Instrumental Music in 18th Century Germany

Changing Aesthetic Views of Instrumental Music in 18th Century Germany PDF Author: Bellamy Hosler
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Music
Languages : en
Pages : 328

Book Description


Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany

Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany PDF Author: Bellamy Hosler
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 570

Book Description


Changing aesthetic views of instrumental music in eighteenth-century Germany

Changing aesthetic views of instrumental music in eighteenth-century Germany PDF Author: Bellamy H. Hosler
Publisher:
ISBN:
Category :
Languages : en
Pages : 934

Book Description


Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany

Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany PDF Author: Bellamy Hamilton Hosler
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


German Music Criticism in the Late Eighteenth Century

German Music Criticism in the Late Eighteenth Century PDF Author: Mary Sue Morrow
Publisher: Cambridge University Press
ISBN: 052158227X
Category : Music
Languages : en
Pages : 271

Book Description
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.

Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany

Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany PDF Author: Bellamy Hamilton Hosler
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 1066

Book Description


Mozart's Viennese Instrumental Music

Mozart's Viennese Instrumental Music PDF Author: Simon P. Keefe
Publisher: Boydell & Brewer
ISBN: 1843833190
Category : Music
Languages : en
Pages : 232

Book Description
A study of stylistic re-invention, a practically - and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. From close examination of a variety of works, this work shows that stylistic re-invention is a consistent manifestation of stylistic development.

Instrumental Music in an Age of Sociability

Instrumental Music in an Age of Sociability PDF Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 110701381X
Category : Music
Languages : en
Pages : 613

Book Description
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).

Aesthetics and the Art of Musical Composition in the German Enlightenment

Aesthetics and the Art of Musical Composition in the German Enlightenment PDF Author: Johann Georg Sulzer
Publisher: Cambridge University Press
ISBN: 0521360358
Category : Music
Languages : en
Pages : 224

Book Description
Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.

Studies in Eighteenth-Century British Art and Aesthetics

Studies in Eighteenth-Century British Art and Aesthetics PDF Author: Ralph Cohen
Publisher: University of California Press
ISBN: 0520361385
Category : History
Languages : en
Pages : 256

Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.