Chambers' Edinburgh Journal, No. 438, Volume XVII, New Series, May 22, 1852 PDF Download
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Author: Various Publisher: Alpha Edition ISBN: 9789354946547 Category : History Languages : en Pages : 52
Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: Various Publisher: Alpha Edition ISBN: 9789354946547 Category : History Languages : en Pages : 52
Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: Robert Chambers Publisher: ISBN: 9781406590388 Category : History Languages : en Pages : 64
Book Description
Robert Chambers (1802-1871) was a Scottish author and publisher and the younger brother of William Chambers of Glenormiston (1800- 1883) who was also a publisher and politician. The two brothers eventually united as partners in the publishing firm of W. & R. Chambers. In the beginning of 1832 William Chambers started a weekly publication under the title of Chambers's Edinburgh Journal, which speedily attained a large circulation. Robert was at first only a contributor. After fourteen numbers had appeared, however, he was associated with his brother as joint editor, and his collaboration contributed more perhaps than anything else to the success of the Journal.
Author: Marina Belozerskaya Publisher: Getty Publications ISBN: 0892367857 Category : Art Languages : en Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Various
Author: Various
Author: Robert Chambers
Author: 
Author: Various
Author: Robert Chambers
Author: Wilimena Hannah Eliot Emerson
Author: Derek Howse
Author: David Crystal
Author: Marina Belozerskaya
Author: