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Author: Jane Friedman Publisher: Princeton University Art Museum Monograph Series ISBN: 9780300174403 Category : Art, European Languages : en Pages : 0
Book Description
A beautiful presentation of fifty masterworks of late 19th- to mid-20th-century avant-garde European art from one of America's most distinguished private collections Cézanne and the Modern showcases fifty masterworks of late 19th- to mid-20th-century avant-garde European art from the Henry and Rose Pearlman Collection, one of the most distinguished private collections of modern art in the United States. Among the iconic images represented are Paul Cézanne's Mont Sainte-Victoire, Vincent van Gogh's Tarascon Stagecoach, and Amedeo Modigliani's portrait of Jean Cocteau, as well as an outstanding suite of sixteen watercolors by Cézanne. The volume opens with Henry Pearlman's "Reminiscences of a Collector," a fascinating first-person narrative, newly annotated to identify key individuals and dates mentioned in the text. An essay by art historian Rachael Z. DeLue places Pearlman in the context of mid-20th-century American collecting, and a detailed chronology illuminates Pearlman's collecting practices in relation to noteworthy events in the art world. A series of sixteen brief essays by leading scholars focuses on each of the represented artists and their works, richly illustrated with sumptuous color plates, select details, and numerous comparative images. A comprehensive checklist documenting each of the works--including detailed provenance, exhibition history, bibliographic references, and commentary by a conservator--rounds out this handsome volume, which is published to accompany the first international tour of this important collection.
Author: Jane Friedman Publisher: Princeton University Art Museum Monograph Series ISBN: 9780300174403 Category : Art, European Languages : en Pages : 0
Book Description
A beautiful presentation of fifty masterworks of late 19th- to mid-20th-century avant-garde European art from one of America's most distinguished private collections Cézanne and the Modern showcases fifty masterworks of late 19th- to mid-20th-century avant-garde European art from the Henry and Rose Pearlman Collection, one of the most distinguished private collections of modern art in the United States. Among the iconic images represented are Paul Cézanne's Mont Sainte-Victoire, Vincent van Gogh's Tarascon Stagecoach, and Amedeo Modigliani's portrait of Jean Cocteau, as well as an outstanding suite of sixteen watercolors by Cézanne. The volume opens with Henry Pearlman's "Reminiscences of a Collector," a fascinating first-person narrative, newly annotated to identify key individuals and dates mentioned in the text. An essay by art historian Rachael Z. DeLue places Pearlman in the context of mid-20th-century American collecting, and a detailed chronology illuminates Pearlman's collecting practices in relation to noteworthy events in the art world. A series of sixteen brief essays by leading scholars focuses on each of the represented artists and their works, richly illustrated with sumptuous color plates, select details, and numerous comparative images. A comprehensive checklist documenting each of the works--including detailed provenance, exhibition history, bibliographic references, and commentary by a conservator--rounds out this handsome volume, which is published to accompany the first international tour of this important collection.
Author: AndrŽ Dombrowski Publisher: Univ of California Press ISBN: 0520273397 Category : Art Languages : en Pages : 320
Book Description
"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance
Author: Joachim Pissarro Publisher: ISBN: Category : Architecture Languages : en Pages : 262
Book Description
Catalog of an exhibition held at the Museum of Modern Art, June 26-Sept. 12, 2005, the Los Angeles County Museum of Art, Oct. 20, 2005-Jan. 16, 2006, and the Musée d'Orsay, Paris, Feb. 27-May 28, 2006.
Author: Richard Shiff Publisher: University of Chicago Press ISBN: 022623777X Category : Art Languages : en Pages : 337
Book Description
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
Author: Jodi Hauptman Publisher: ISBN: 9781633451261 Category : Art Languages : en Pages : 184
Book Description
Cézanne at his most modern: a major career-spanning appraisal of his extraordinarily experimental drawings Although he is most often celebrated as a painter, Paul Cézanne's extraordinary vision was fueled by his experiments on paper. In pencil and watercolor, on individual sheets and across the pages of sketchbooks, the artist described form through multiple probing lines; realized compositions through repetitions and transformations; and conjured kaleidoscopic color through layering of watercolor. It is in these material realities of drawing where we see Cézanne at his most modern: embracing the unfinished, making process visible and actively inviting the viewer to participate in the act of perception. Published to accompany a major exhibition at the Museum of Modern Art, this is the most significant effort to date to unite drawings from across Cézanne's entire career, tracing the development of his practice on paper, exploring working methods that transcend subject, and devoting both curatorial and conservation-based research to these remarkable works.
Author: André Dombrowski Publisher: Rizzoli Publications ISBN: 084786488X Category : Art Languages : en Pages : 0
Book Description
A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.
Author: Joseph J. Rishel Publisher: ISBN: Category : Art Languages : en Pages : 608
Book Description
"The famous proclamation that Cezanne “is the father of us all” has been attributed to both Matisse and Picasso, and his influence has extended to a great diversity of artists thereafter. In this monumental book, a team of distinguished scholars offers the most comprehensive view to date on Cezanne’s vital role in shaping European and American art throughout the 20th century and into the 21st. More than forty paintings and ten works on paper by Cezanne—many of his best-known and most admired—are juxtaposed throughout the catalogue with approximately 120 works by a range of modern and contemporary artists who found in Cezanne a central inspiration. They include Max Beckmann, Georges Braque, Charles Demuth, Alberto Giacometti, Arshile Gorky, Marsden Hartley, Fernand Leger, Brice Marden, Piet Mondrian, Giorgio Morandi, Liubov Popova, and Jeff Wall, as well as Picasso, Matisse, Johns, and Kelly. The essays offer insights into the “conversation” between Cezanne and each of these other artists, who stand on a par with his greatness. Among its many features, this book contains conceptual overviews by Richard Shiff and Robert Storr as well as an illustrated chronology." -- Publisher description.
Author: Amy Guglielmo Publisher: Penguin ISBN: 0525515089 Category : Juvenile Nonfiction Languages : en Pages : 42
Book Description
An inspiring picture book biography of the artist Paul Cezanne, the painter who laid the groundwork for modern art and whom Pablo Picasso declared "the father of us all." All Cezanne wants is to be a great painter like his friends Monet, Pissarro, and Renoir. But when he shows his works, the professors, the critics, and the collectors all dismiss him: "Too flat!" "Too much paint!" "These are rough and unfinished!" Even his own pet parrot, Bisou, can't be brought to say, "Cezanne is a great painter!" And who can blame them? Cezanne doesn't care about tradition, and he doesn't follow the rules. He's painting in a way no one else has done before, creating something completely new--and he's destined to change the world of art forever. Cezanne's Parrot is a spirited celebration of creativity, determination, and perseverance--and the artist who would become known as the father of modern art.
Author: Paul Cézanne Publisher: ISBN: Category : Art Languages : en Pages : 248
Book Description
Cezanne and the Dawn of Modern Art presents selected paintings by Paul Cazanne alongside works by younger artists that reveal the powerful influence of the man hailed as the founder of modern painting. The driving forces in the reception of Cezanne's art were not art critics, art historians, or even the artist himself, but rather other artists--primarily the Fauves led by Matisse, de Vlaminck, and Derain; and the Cubists including Picasso, Braque, and Leger--all of whom absorbed and elaborated on Cezanne's revolutionary ideas about color and composition. Against this background of Cezannisme, the book presents key works by Cezanne and younger artists in revealing juxtapositions. Readers will discover analogies and variations between the works of the "father of modern art" and those of his successors in a series of related motifs--portraits, still lifes, and landscapes. This volume is, indeed, a compact history of the icons of modern art. It offers new insight into one of modern art's most complex artists, traces the influence of Cezanne's work on a succeeding generation of 20th-century artists, and examines tendencies in Cezanne's art that paved the way for both the Fauve and Cubist movements.
Author: Jane Friedman
Author: Jane Friedman
Author: AndrŽ Dombrowski
Author: Joachim Pissarro
Author: Richard Shiff
Author: Jodi Hauptman
Author: André Dombrowski
Author: Joseph J. Rishel
Author: Amy Guglielmo
Author: John Elderfield
Author: Paul Cézanne