Centre Pour L'image Contemporaine Saint-Gervais, Genève PDF Download

Author: Centre pour l'image contemporaine Saint-Gervais, Genève
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Centre pour l'image contemporaine (Saint-Gervais, Geneva, Switzerland)
Publisher: JRP Ringier
ISBN:
Category : Art
Languages : en
Pages : 228

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11th Biennial of Moving Images~ISBN 2-940271-61-5 U.S. $29.00 / Paperback, 8 x 11 in. / 172 pgs / 120 color. ~Item / March / Art

Author: Bruno Lessard
Publisher: University of Toronto Press
ISBN: 1442631910
Category : Art
Languages : en
Pages : 242

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Cover -- Copyright page -- Contents -- Acknowledgments -- Introduction -- 1 Back to the Future: The Rise of CD-ROM -- 2 In the Realm of Digital Heterotopias: Exploring CD-ROM Space -- 3 A Sensuous Gaze: Interactive Chronophotography and Relation-Images -- 4 A Cinema of One's Own: The Mediumistic Performance of the Female Body -- 5 Spaces of Desire: Mapping and Translating Lesbian Reality -- 6 In Search of Lost Space: Photographic Memories and the Digital Punctum -- Conclusion -- Notes -- Bibliography -- Index

Author: Matthieu Poirier
Publisher: Black Jack éditions
ISBN:
Category : Art, Modern
Languages : en
Pages : 102

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Galerie Thaddaeus Ropac is pleased to announce a group exhibition curated by Matthieu Poirier. The exhibition will bring together works by twenty artists of eight different nationalities to explore the notion of landscape. Landscope, the exhibition and book, intend to call into question the art historical precedent of the correlation between landscape and drawing. The exhibition thus assembles, in two successive shows (Paris and Salzburg), over one hundred works, often in atypical formats, by artists for whom drawing is often just one medium among others, and landscape, a non-exclusive genre. Under the neologistic title "Landscope" - a contraction of "landscape" and "scope" [from the Greek skopein "to behold, to observe"], landscape is regarded as both a site and a view. The landscapes brought together here are often natural, yet reject conventional narrative or narcissistic themes. As in the mirror-like illustrations of Maeterlinck's dream of a theatre without actors, these scenes systematically exclude all human presence and thus contribute to the establishment of a scenography of absence, of a paradoxical phenomenology of emptiness. Even if these landscapes are completely deserted, they nevertheless remain "event-scenes [paysages d'évènements]" (Paul Virilio), genuine locations, resulting most frequently, from the collision of formal, logical and scopic motivations, rather than as a result of a narrative. Chosen here for its manifest artificiality and its necessarily dialectic relationship with the world, drawing appears as the indispensable tool for reconsidering this notion of landscape as well as the related themes of perspective, space and representation. It is not so much the spatial landscapes that are observed here, but through their archetypal characteristics, the very notion of landscape itself.--Press release.

Author: Kunstmuseum Wolfsburg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188

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At last, the broader movements of twentieth-century Swiss art--and the individual artists behind them--are tracked through the present day in one standard-setting publication. Swiss Made: Precision and Madness sets the famous Swiss tendency toward precision and order alongside the tendency toward obstinacy and chaos, pairing canonical works with pieces made within the past 40 years. Provocative pairs include Max Bill and John Armleder, Ferdinand Hodler and Urs Lüthi, Alberto Giacometti and Rémy Zaugg, Louis Soutter and Martin Disler, Robert Müller and Sylvie Fleury, Paul Klee and Silvia Bächli, Adolph Wölfli and Ugo Rondinone. Tensions emerge between the focused and the expansive, over everyday life in the Swiss state, and naturally over the mountains. Swiss Made: Precision and Madness is of interest on its own analytic terms, and as an excellent overview of the country's art since 1850.

Author: Martha Langford
Publisher: McGill-Queen's Press - MQUP
ISBN: 077357686X
Category : Photography
Languages : en
Pages : 368

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Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.

Author:
Publisher:
ISBN: 9782940181032
Category :
Languages : en
Pages :

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Author: Angelika Nollert
Publisher:
ISBN:
Category : Installations (Art)
Languages : en
Pages : 260

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"Performative installation is a five-part series of exhibitions initiated by Siemens Arts Program in cooperation with Galerie im Taxispalais, Innsbruck; Museum Ludwig, Cologne; Museum fur Gegenwartskunst Siegen; Secession, Vienna; and, Galerie fur Zeitgenossische Kunst, Leipzig."--p.[253]. Artists include: Victor Alimpiev and Marian Zhunin, Emanuelle Antille, Maja Bajevic and Emanuel Licha, BLESS, John Bock, Monica Bonvicini, Angela Bulloch, Janet Cardiff & George Bures Miller, Brice Dellsperger, Ayse Erkmen, Andreas Fogarasi, Jef Geys, Oliver Hangl, Swetlana Heger, Jeppe Hein, Christine and Irene Hohenbuchler, Stefan Kern, Karl-Heinz Klopf, Sigrid Kurz, Dorit Margreiter, John Miller, Olaf Nicolai, Rene Pollesch, Pro qm, Lily van der Stokker, Apolonija Sustersic, and Swinger.

Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 418

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Author: Anne Sauser-Hall
Publisher:
ISBN:
Category :
Languages : en
Pages : 76

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