Author: Milwaukee Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
Center ring: the artist
Author: Milwaukee Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
Center Ring, the Artist
Author: Milwaukee Art Museum
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 142
Book Description
A catalog from the Milwaukee Art Museum for a collection of circus art presented in1981.
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 142
Book Description
A catalog from the Milwaukee Art Museum for a collection of circus art presented in1981.
CENTER RING
Center Ring: the Artist
Author: Dean Jensen
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 122
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 122
Book Description
Center Ring
Author: Robert Lewis Taylor
Publisher: Garden City, N.Y., Doubleday
ISBN:
Category : Circus
Languages : en
Pages : 264
Book Description
A collection of stories, most of which were previously published in The New Yorker magazine between 1949 and 1956.
Publisher: Garden City, N.Y., Doubleday
ISBN:
Category : Circus
Languages : en
Pages : 264
Book Description
A collection of stories, most of which were previously published in The New Yorker magazine between 1949 and 1956.
Center Ring: the Artist : Two Centuries of Circus Art : Milwaukee Art Museum, May 7-June 28, 1981
Pantomimes 101
Author: James W. Gousseff
Publisher: Dramatic Publishing
ISBN: 9780871291905
Category : Performing Arts
Languages : en
Pages : 324
Book Description
Publisher: Dramatic Publishing
ISBN: 9780871291905
Category : Performing Arts
Languages : en
Pages : 324
Book Description
Traveling the Rainbow
Author: Derrel B. DePasse
Publisher: Univ. Press of Mississippi
ISBN: 9781578062485
Category : Art
Languages : en
Pages : 214
Book Description
Reveals how the artist recorded his memories of the American railroad and the traveling circus as landscapes.
Publisher: Univ. Press of Mississippi
ISBN: 9781578062485
Category : Art
Languages : en
Pages : 214
Book Description
Reveals how the artist recorded his memories of the American railroad and the traveling circus as landscapes.
Artist's Block Cured!
Author: Linda Krall
Publisher: Walter Foster
ISBN: 1600582559
Category : Art
Languages : en
Pages : 130
Book Description
"Beginning and advanced artists alike have experienced "artist's block" at some point in their endeavors. Now artists can turn to this book in their time of need. Artist's Block Cured! provides a stimulating array of ideas for beating blank canvas syndrome and conquering other creative ailments. Broken down into four color-coded categories, beginners will find activities, lessons, quizzes, and inspiration from the Masters to help jumpstart creativity. Written by creative thinker and illustrator Linda Krall, this book is an effective and entertaining tool no artist should be without!"--Publisher's description.
Publisher: Walter Foster
ISBN: 1600582559
Category : Art
Languages : en
Pages : 130
Book Description
"Beginning and advanced artists alike have experienced "artist's block" at some point in their endeavors. Now artists can turn to this book in their time of need. Artist's Block Cured! provides a stimulating array of ideas for beating blank canvas syndrome and conquering other creative ailments. Broken down into four color-coded categories, beginners will find activities, lessons, quizzes, and inspiration from the Masters to help jumpstart creativity. Written by creative thinker and illustrator Linda Krall, this book is an effective and entertaining tool no artist should be without!"--Publisher's description.
Art Wars
Author: Rachel N. Klein
Publisher: University of Pennsylvania Press
ISBN: 0812251946
Category : History
Languages : en
Pages : 296
Book Description
A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.
Publisher: University of Pennsylvania Press
ISBN: 0812251946
Category : History
Languages : en
Pages : 296
Book Description
A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.