Author: William L. Andrews Publisher: University of Illinois Press ISBN: 0252054636 Category : Social Science Languages : en Pages : 372
Book Description
To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach.
Author: Henry Steele Commager Publisher: Unitarian Universalist Association of Congregations ISBN: 0933840152 Category : Transcendentalism Languages : en Pages : 353
Author: David B. Parke Publisher: Unitarian Universalist Association of Congregations ISBN: 9781558962460 Category : Unitarianism Languages : en Pages : 180
Book Description
This collection of writings spanning four hundred years provides a rich portrait of early Unitarian thought.
Author: Jon Cruz Publisher: Princeton University Press ISBN: 1400823218 Category : Social Science Languages : en Pages : 300
Book Description
In Culture on the Margins, Jon Cruz recounts the "discovery" of black music by white elites in the nineteenth century, boldly revealing how the episode shaped modern approaches to studying racial and ethnic cultures. Slave owners had long heard black song making as meaningless "noise." Abolitionists began to attribute social and political meaning to the music, inspired, as many were, by Frederick Douglass's invitation to hear slaves' songs as testimonies to their inner, subjective worlds. This interpretive shift--which Cruz calls "ethnosympathy"--marks the beginning of a mainstream American interest in the country's cultural margins. In tracing the emergence of a new interpretive framework for black music, Cruz shows how the concept of "cultural authenticity" is constantly redefined by critics for a variety of purposes--from easing anxieties arising from contested social relations to furthering debates about modern ethics and egalitarianism. In focusing on the spiritual aspect of black music, abolitionists, for example, pivoted toward an idealized religious singing subject at the expense of absorbing the more socially and politically elaborate issues presented in the slave narratives and other black writings. By the end of the century, Cruz maintains, modern social science also annexed much of this cultural turn. The result was a fully modern tension-ridden interest in culture on the racial margins of American society that has long had the effect of divorcing black culture from politics.
Author: William L. Andrews![Centenary Edition [of the Writings of Theodore Parker] PDF](https://books.google.com/books/content/images/frontcover/OFFDAQAAIAAJ?fife=w80-h100)
Author: Theodore Parker
Author: Theodore Parker
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Author: Henry Steele Commager
Author: David B. Parke
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Author: Arthur Hobson Quinn
Author: Jon Cruz