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Author: Lara Broecke Publisher: ISBN: 9781909492288 Category : Art Languages : en Pages : 248
Book Description
This book, a new translation (with introduction and notes) of Il Libro dell'Arte, marks a great step forward in our understanding of Cennino Cennini - his life and times - and the materials and techniques employed by artists in fourteenth century Italy. Over eighty years ago, D. V. Thompson presented his translation entitled The Craftsman's Handbook as a workshop manual aimed at readers who wished to produce a work of art by following Cennino's instructions. The present volume not only establishes more precisely what Cennino actually wrote, by correcting more than 400 errors in Thompson's text, but also includes the transcribed Italian text and very extensive notes on both the language and the technical descriptions. In addition, the author's most informative introduction places Cennino in context and accounts for the genesis of the libro dell'arte by reference to the society in which it was produced. This volume is a landmark text for students and professionals in the field of art history. Contents: Foreword; Acknowledgements; Introduction; Why a new translation?; Who was Cennino Cennini?; What is the Libro dell'arte?; The transmission and translation of the Libro dell'arte; Notes on the transcription; Notes on the translation; Il libro dell'arte: English translation and commentary and Italian transcription; Notes on substantive differences from Thompson's translation; Appendix; Bibliography.
Author: Lara Broecke Publisher: ISBN: 9781909492288 Category : Art Languages : en Pages : 248
Book Description
This book, a new translation (with introduction and notes) of Il Libro dell'Arte, marks a great step forward in our understanding of Cennino Cennini - his life and times - and the materials and techniques employed by artists in fourteenth century Italy. Over eighty years ago, D. V. Thompson presented his translation entitled The Craftsman's Handbook as a workshop manual aimed at readers who wished to produce a work of art by following Cennino's instructions. The present volume not only establishes more precisely what Cennino actually wrote, by correcting more than 400 errors in Thompson's text, but also includes the transcribed Italian text and very extensive notes on both the language and the technical descriptions. In addition, the author's most informative introduction places Cennino in context and accounts for the genesis of the libro dell'arte by reference to the society in which it was produced. This volume is a landmark text for students and professionals in the field of art history. Contents: Foreword; Acknowledgements; Introduction; Why a new translation?; Who was Cennino Cennini?; What is the Libro dell'arte?; The transmission and translation of the Libro dell'arte; Notes on the transcription; Notes on the translation; Il libro dell'arte: English translation and commentary and Italian transcription; Notes on substantive differences from Thompson's translation; Appendix; Bibliography.
Author: Cennino Cennini Publisher: Courier Corporation ISBN: 0486136620 Category : Crafts & Hobbies Languages : en Pages : 196
Book Description
Fifteenth-century handbook, written by a working artist of the day, reveals techniques of the masters in drawing, oil painting, frescoes, panel painting, gilding, casting, more. Direct link to artists of Middle Ages.
Author: Theophilus Publisher: Courier Corporation ISBN: 0486145417 Category : Art Languages : en Pages : 276
Book Description
"I have made it my concern to hunt out this technique for your study as I learned it by looking and listening." On Divers Arts, c. 1122, is the oldest extant manual on artistic crafts to be written by a practicing artist. Before Theophilus, manuscripts on the arts came from scholars and philosophers standing outside the actual profession. On Divers Arts describes actual 12th-century techniques in painting, glass, and metalwork, which the Benedictine author wished to pass on to those gifted by God with a talent for making beautiful things. Theophilus teaches, with rigorous attention to fact but also with great reverence the making of pigments for fresco painting, the manufacture of glue, the technique of gold leaf on parchment (the first recorded European reference to true paper), how to blow glass and design stained glass windows, how to fashion gold and silver chalices, and how to make a pipe organ and church bells. Precise instruction on enameling, chasing, repoussé, niello, and beaded wire work prove Theophilus's first-hand knowledge of his craft. While 90 percent of Theophilus's writing is sound technical knowledge, medieval folk lore occasionally spices his text: "Tools are also made harder by hardening them in the urine of a small red-headed boy than by doing so in plain water." But the magnificent fact of On Divers Art remains its status as the first technical treatise on painting, glass, and metalwork, for which actual specimens still survive. The editors have taken care to ensure both philological and technological accuracy for this authoritative edition of a medieval classic, a manual of great importance to craftsmen, historians of art and science, and all who delight in the making of the beautiful.
Author: Daniel V. Thompson Publisher: Courier Corporation ISBN: 0486141640 Category : Art Languages : en Pages : 175
Book Description
Tempera painting, the method in which colors are mixed with some binding material other than oil (primarily egg yolk), is the earliest type of painting known to man. The wall paintings of ancient Egypt and Babylon are tempera, as are many of the paintings of Giotto, Lippi, Botticelli, Raphael, Titian, Tintoretto, and many other masters. But in spite of the time-proven excellence of this technique — which boasts many clear advantages over oil paint — it does not receive the degree of attention from modern painters that it deserves. Part of the explanation for this neglect, surely, is the absence of sufficient information about the materials and procedures involved in tempera painting. The present volume, in fact, is virtually the only complete, authoritative, step-by-step treatment of the subject in the English language, D.V. Thompson wrote this book after an exhaustive study, over many years, of countless medieval and Renaissance manuscripts in the British Museum and elsewhere, and is unquestionably the world's leading authority on tempera materials and processes. Beginning with an introductory chapter on the uses and limitations of tempera, the author covers such topics as the choice of material for the panel; propensities of various woods; preparing the panel for gilding; making the gesso mixture; methods of applying the gesso; planning the design of a tempera painting; use of tinted papers; application of metals to the panel; tools for gliding; handling and laying gold; combination gold and silver leafing; pigments and brushes; choice of palette; mixing the tempera; tempering and handling the colors; techniques of the actual painting; mordant gilding; permanence of tempera painting; varnishing; and artificial emulsion painting. The drawings and diagrams, illustrating the various materials and techniques, infinitely increase the clarity of the discussions. As a careful exposition of all aspects of authentic tempera painting, including many of the possible modern uses for this ancient method, this book actually stands alone. No one who is interested in tempera painting as a serious pursuit can afford to be without it.
Author: Mrs. Mary P. Merrifield Publisher: Courier Corporation ISBN: 0486147339 Category : Art Languages : en Pages : 194
Book Description
DIVRecognized authority in the field discusses painting methods used by such masters as Alberti, Cennini, Vasari, and Borghini; also comments on causes of fresco destruction and how to restore works of art. /div
Author: Rebekah Compton Publisher: Cambridge University Press ISBN: 1108916058 Category : Art Languages : en Pages : 637
Book Description
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.
Author: Daniel V. Thompson Publisher: Courier Corporation ISBN: 0486142035 Category : Art Languages : en Pages : 262
Book Description
Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.
Author: Marcia B. Hall Publisher: ISBN: 9780521457330 Category : Architecture Languages : en Pages : 288
Book Description
Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can only be fully appreciated when it is regarded as the product of both the artist's hand and mind. This study utilizes the traditional sources, such as contemporary theoretical writings and iconographical analysis, but in addition draws on the scientific findings of the conservation laboratories. This is a new body of data assembled in large part since World War II, which art historians are only beginning to exploit to fill out the history of technique. Rather than writing merely a history of technique, however, the author has integrated this material with traditional approaches to cultural history. She undertakes to examine twenty major paintings of the period from Giotto to Tintoretto to elucidate how colour and technique contribute to their meaning. She gives us then, the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history.
Author: Lara Broecke
Author: Lara Broecke
Author: Cennino Cennini
Author: Cennino Cennini
Author: Theophilus
Author: Daniel V. Thompson
Author: Mrs. Mary P. Merrifield
Author: Rebekah Compton
Author: Daniel V. Thompson
Author: Giorgio Vasari
Author: Marcia B. Hall