Author: Edna Lim
Publisher: Edinburgh University Press
ISBN: 1474402895
Category : Performing Arts
Languages : en
Pages : 214
Book Description
Celluloid Singapore is a ground-breaking study of the three major periods in Singapore's fragmented cinema history, namely the golden age of the 1950s and 60s, the post-studio 1970s, and the revival from the 1990s onwards.
Celluloid Singapore
Celluloid Singapore
Author: Edna Lim
Publisher: Edinburgh University Press
ISBN: 1474435408
Category : Performing Arts
Languages : en
Pages : 320
Book Description
Examines how pre-modernist conceptions and social organizations of pleasure have impacted post-WWII film
Publisher: Edinburgh University Press
ISBN: 1474435408
Category : Performing Arts
Languages : en
Pages : 320
Book Description
Examines how pre-modernist conceptions and social organizations of pleasure have impacted post-WWII film
Chinese Cinema
Author: Jeff Kyong-McClain
Publisher: Hong Kong University Press
ISBN: 988852853X
Category : Performing Arts
Languages : en
Pages : 267
Book Description
In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies. “This edited volume offers a much-needed account of alternative ways of envisioning Chinese cinema in the special context of China and the world. Its vigorous theoretical framework, which puts emphasis on interactions in the context of China and the world, will complement and update publications in related areas.” —Yiu-Wai Chu, The University of Hong Kong; author of Main Melody Films: Hong Kong Directors in Mainland China “Chinese Cinema: Identity, Power, and Globalization offers a collection of studies of modern Chinese films and their global connections, with a contemporary emphasis. Its authors’ insightful analyses of films—famous, obscure, and new to the twenty-first-century screen—elucidate numerous contextual factors relevant for understanding the history and aesthetics of Chinese cinemas.” —Christopher Rea, The University of British Columbia; author of Chinese Film Classics, 1922–1949
Publisher: Hong Kong University Press
ISBN: 988852853X
Category : Performing Arts
Languages : en
Pages : 267
Book Description
In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies. “This edited volume offers a much-needed account of alternative ways of envisioning Chinese cinema in the special context of China and the world. Its vigorous theoretical framework, which puts emphasis on interactions in the context of China and the world, will complement and update publications in related areas.” —Yiu-Wai Chu, The University of Hong Kong; author of Main Melody Films: Hong Kong Directors in Mainland China “Chinese Cinema: Identity, Power, and Globalization offers a collection of studies of modern Chinese films and their global connections, with a contemporary emphasis. Its authors’ insightful analyses of films—famous, obscure, and new to the twenty-first-century screen—elucidate numerous contextual factors relevant for understanding the history and aesthetics of Chinese cinemas.” —Christopher Rea, The University of British Columbia; author of Chinese Film Classics, 1922–1949
The Singapore Mall Generation
Author: Dr Liew Kai Khiun
Publisher: Marshall Cavendish International Asia Pte Ltd
ISBN: 9815044583
Category : Social Science
Languages : en
Pages : 339
Book Description
Yesterday’s malls as today’s heritage. This book unearths Singapore’s latent histories, cultures and communities that grew within its now ageing modern shopping centres, envisioned in the 1960s futuristically as “Arcades in the Air”. Contributors for this edited book highlight some of such unexpected narratives from the pioneering “Planned Shopping Centres”. They include: malls as historical and photographical sites, as homes for pioneering arcade gamers, youths cultures and veteran rock musicians, and as platforms for artistic imaginations and exhibitions. As largely individually owned shops units within the buildings, the older malls have also fostered more diverse and autonomous communities and businesses. Amidst Singapore’s constantly changing urban landscape, these otherwise dated shopping centres stand precariously as venerable sites of collective social and cultural memories. Includes essays from: Chua Beng Huat, Yu-Mei Balasingamchow, Darren Soh, Roy Kheang, Eunice Lim, Elena Yeo, Steve Ferzacca, Kar-men Cheng, Wee Li Lin
Publisher: Marshall Cavendish International Asia Pte Ltd
ISBN: 9815044583
Category : Social Science
Languages : en
Pages : 339
Book Description
Yesterday’s malls as today’s heritage. This book unearths Singapore’s latent histories, cultures and communities that grew within its now ageing modern shopping centres, envisioned in the 1960s futuristically as “Arcades in the Air”. Contributors for this edited book highlight some of such unexpected narratives from the pioneering “Planned Shopping Centres”. They include: malls as historical and photographical sites, as homes for pioneering arcade gamers, youths cultures and veteran rock musicians, and as platforms for artistic imaginations and exhibitions. As largely individually owned shops units within the buildings, the older malls have also fostered more diverse and autonomous communities and businesses. Amidst Singapore’s constantly changing urban landscape, these otherwise dated shopping centres stand precariously as venerable sites of collective social and cultural memories. Includes essays from: Chua Beng Huat, Yu-Mei Balasingamchow, Darren Soh, Roy Kheang, Eunice Lim, Elena Yeo, Steve Ferzacca, Kar-men Cheng, Wee Li Lin
Keramat, Sacred Relics and Forbidden Idols in Singapore
Author: William L. Gibson
Publisher: Taylor & Francis
ISBN: 1040118135
Category : Social Science
Languages : en
Pages : 231
Book Description
Keramat, holy graves and shrines, represent physical markers of Singapore’s history as a multi‐ethnic maritime trading center. They offered sanctified spaces not only for Muslims but also for the entire community in which they emerged. Maintained by self‐appointed caretakers, the stories of keramat often interweave fact with folklore that mirror the history and sensibilities of the community. While once an abundant part of the social landscape of Singapore, many keramat were destroyed during the post‐independence rush to develop. These keramat now face a second vanishing with memories of them fading as caretakers and community members age and pass away. In parallel, many modern Muslims consider keramat as a form of shirk, or polytheism, and tacitly consent to their destruction. This book concludes by critically examining the often‐tense relationship between keramat and authority, both secular and religious, from colonial to modern times. The dilemmas of grappling with puritanical norms and grassroots elaborations in varying modes of preservation are investigated using case studies from Singapore and the wider region. A vital resource for scholars, this work contributes to a people’s history of Singapore, one that both deepens and problematizes official historical accounts.
Publisher: Taylor & Francis
ISBN: 1040118135
Category : Social Science
Languages : en
Pages : 231
Book Description
Keramat, holy graves and shrines, represent physical markers of Singapore’s history as a multi‐ethnic maritime trading center. They offered sanctified spaces not only for Muslims but also for the entire community in which they emerged. Maintained by self‐appointed caretakers, the stories of keramat often interweave fact with folklore that mirror the history and sensibilities of the community. While once an abundant part of the social landscape of Singapore, many keramat were destroyed during the post‐independence rush to develop. These keramat now face a second vanishing with memories of them fading as caretakers and community members age and pass away. In parallel, many modern Muslims consider keramat as a form of shirk, or polytheism, and tacitly consent to their destruction. This book concludes by critically examining the often‐tense relationship between keramat and authority, both secular and religious, from colonial to modern times. The dilemmas of grappling with puritanical norms and grassroots elaborations in varying modes of preservation are investigated using case studies from Singapore and the wider region. A vital resource for scholars, this work contributes to a people’s history of Singapore, one that both deepens and problematizes official historical accounts.
Eating Chilli Crab in the Anthropocene
Author: Matthew Schneider-Mayerson
Publisher: Ethos Books
ISBN: 9811459630
Category : Architecture
Languages : en
Pages : 335
Book Description
In this era of climate crisis, in which our very futures are at stake, sustainability is a global imperative. Yet we tend to associate sustainability, nature, and the environment with distant places, science, and policy. The truth is that everything is environmental, from transportation to taxes, work to love, cities to cuisine. This book is the first to examine contemporary Singapore from an ecocultural lens, looking at the ways that Singaporean life and culture is deeply entangled with the nonhuman lives that flourish all around us. The authors represent a new generation of cultural critics and environmental thinkers, who will inherit the future we are creating today. From chilli crab to Tiger Beer, Changi Airport to Pulau Semakau, O-levels to orang minyak films, these essays offer fresh perspectives on familiar subjects, prompting us to recognise the incredible urgency of climate change and the need to transform our ways of thinking, acting, learning, living, and governing so as to maintain a stable planet and a decent future.
Publisher: Ethos Books
ISBN: 9811459630
Category : Architecture
Languages : en
Pages : 335
Book Description
In this era of climate crisis, in which our very futures are at stake, sustainability is a global imperative. Yet we tend to associate sustainability, nature, and the environment with distant places, science, and policy. The truth is that everything is environmental, from transportation to taxes, work to love, cities to cuisine. This book is the first to examine contemporary Singapore from an ecocultural lens, looking at the ways that Singaporean life and culture is deeply entangled with the nonhuman lives that flourish all around us. The authors represent a new generation of cultural critics and environmental thinkers, who will inherit the future we are creating today. From chilli crab to Tiger Beer, Changi Airport to Pulau Semakau, O-levels to orang minyak films, these essays offer fresh perspectives on familiar subjects, prompting us to recognise the incredible urgency of climate change and the need to transform our ways of thinking, acting, learning, living, and governing so as to maintain a stable planet and a decent future.
Alluring Monsters
Author: Rosalind Galt
Publisher: Columbia University Press
ISBN: 0231554044
Category : Performing Arts
Languages : en
Pages : 223
Book Description
The pontianak, a terrifying female vampire ghost, is a powerful figure in Malay cultures, as loved and feared in Southeast Asia as Dracula is in the West. In animist tradition, she is a woman who has died in childbirth, and her vengeful return upsets gender norms and social hierarchies. The pontianak first appeared on screen in late colonial Singapore in a series of popular films that combine indigenous animism and transnational production with the cultural and political force of the horror genre. In Alluring Monsters, Rosalind Galt explores how and why the pontianak found new life in postcolonial Southeast Asian film and society. She argues that the figure speaks to a series of intersecting anxieties: about femininity and modernity, globalization and indigeneity, racial and national identities, the relationship of Islam to animism, and heritage and environmental destruction. The pontianak offers abundant feminist potential, but her disruptive gender politics also unsettle queer and feminist film theories by putting them in dialogue with Malay epistemologies. Reading the pontianak as a precolonial figure of disturbance within postcolonial cultures, Galt reveals the importance of cinema to histories and theories of decolonization. From the horror films made by Cathay Keris and Shaw Studios in the 1950s and 1960s to contemporary film, television, art, and fiction in Malaysia and Singapore, the pontianak in all her media forms sheds light on how postcolonial identities are both developed and contested. In tracing the entanglements of Malay feminist animisms with postcolonial visual cultures, Alluring Monsters reveals how a “pontianak theory” can reshape understandings of anticolonial aesthetics and world cinema.
Publisher: Columbia University Press
ISBN: 0231554044
Category : Performing Arts
Languages : en
Pages : 223
Book Description
The pontianak, a terrifying female vampire ghost, is a powerful figure in Malay cultures, as loved and feared in Southeast Asia as Dracula is in the West. In animist tradition, she is a woman who has died in childbirth, and her vengeful return upsets gender norms and social hierarchies. The pontianak first appeared on screen in late colonial Singapore in a series of popular films that combine indigenous animism and transnational production with the cultural and political force of the horror genre. In Alluring Monsters, Rosalind Galt explores how and why the pontianak found new life in postcolonial Southeast Asian film and society. She argues that the figure speaks to a series of intersecting anxieties: about femininity and modernity, globalization and indigeneity, racial and national identities, the relationship of Islam to animism, and heritage and environmental destruction. The pontianak offers abundant feminist potential, but her disruptive gender politics also unsettle queer and feminist film theories by putting them in dialogue with Malay epistemologies. Reading the pontianak as a precolonial figure of disturbance within postcolonial cultures, Galt reveals the importance of cinema to histories and theories of decolonization. From the horror films made by Cathay Keris and Shaw Studios in the 1950s and 1960s to contemporary film, television, art, and fiction in Malaysia and Singapore, the pontianak in all her media forms sheds light on how postcolonial identities are both developed and contested. In tracing the entanglements of Malay feminist animisms with postcolonial visual cultures, Alluring Monsters reveals how a “pontianak theory” can reshape understandings of anticolonial aesthetics and world cinema.
The Politics of Dementia
Author: Irmela Marei Krüger-Fürhoff
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110713705
Category : Social Science
Languages : en
Pages : 246
Book Description
Memory loss is not always viewed purely as a contingent neurobiological process present in an ageing population; rather, it is frequently related to larger societal issues and political debates. This edited volume examines how different media and genres – novels, auto/biographical writings, documentary as well as fictional films and graphic memoirs – represent dementia for the sake of critical explorations of memory, trauma and contested truths. In ten analytical chapters and one piece of graphic art, the contributors examine the ways in which what might seem to be the individual, ahistorical diseases of dementia are used in contemporary cultural texts to represent and respond to violent historical and political events – ranging from the Holocaust to postcolonial conditions – all of which can prove difficult to remember. Combining approaches from literary studies with insights from memory studies, trauma studies, anthropology, the critical medical humanities and media, film and comics studies, this volume explores the politics of dementia and incites new debates on cultures of remembrance, while remaining attentive to the lived reality of dementia.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110713705
Category : Social Science
Languages : en
Pages : 246
Book Description
Memory loss is not always viewed purely as a contingent neurobiological process present in an ageing population; rather, it is frequently related to larger societal issues and political debates. This edited volume examines how different media and genres – novels, auto/biographical writings, documentary as well as fictional films and graphic memoirs – represent dementia for the sake of critical explorations of memory, trauma and contested truths. In ten analytical chapters and one piece of graphic art, the contributors examine the ways in which what might seem to be the individual, ahistorical diseases of dementia are used in contemporary cultural texts to represent and respond to violent historical and political events – ranging from the Holocaust to postcolonial conditions – all of which can prove difficult to remember. Combining approaches from literary studies with insights from memory studies, trauma studies, anthropology, the critical medical humanities and media, film and comics studies, this volume explores the politics of dementia and incites new debates on cultures of remembrance, while remaining attentive to the lived reality of dementia.
The Routledge Companion to Global Literary Adaptation in the Twenty-First Century
Author: Brandon Chua
Publisher: Taylor & Francis
ISBN: 1000832112
Category : Literary Criticism
Languages : en
Pages : 475
Book Description
The Routledge Companion to Global Literary Adaptation in the Twenty-First Century offers new perspectives on contemporary literary adaptation as a dynamically global field. Featuring contributions from an international team of established and emerging scholars, this volume considers literary adaptation to be a complex global network of influences, appropriations, and audiences across a diversity of media. It offers site-specific case studies that situate literary adaptation within global market forces while challenging the homogenizing effects of globalization on local literatures and adaptation practices. The collection also provides a multi-disciplinary and transnational discussion around a wide array of topics in literary adaptation in a global context, such as soft power, decolonization, global justice, the posthuman, eco criticism, and forms of activism. This Companion provides scholars, researchers, and students with a survey of key methodologies, current debates, and ideologies emerging from a new and exciting phase in literary adaptation.
Publisher: Taylor & Francis
ISBN: 1000832112
Category : Literary Criticism
Languages : en
Pages : 475
Book Description
The Routledge Companion to Global Literary Adaptation in the Twenty-First Century offers new perspectives on contemporary literary adaptation as a dynamically global field. Featuring contributions from an international team of established and emerging scholars, this volume considers literary adaptation to be a complex global network of influences, appropriations, and audiences across a diversity of media. It offers site-specific case studies that situate literary adaptation within global market forces while challenging the homogenizing effects of globalization on local literatures and adaptation practices. The collection also provides a multi-disciplinary and transnational discussion around a wide array of topics in literary adaptation in a global context, such as soft power, decolonization, global justice, the posthuman, eco criticism, and forms of activism. This Companion provides scholars, researchers, and students with a survey of key methodologies, current debates, and ideologies emerging from a new and exciting phase in literary adaptation.
A Dictionary of Film Studies
Author: Annette Kuhn
Publisher: Oxford University Press
ISBN: 0192568043
Category : Performing Arts
Languages : en
Pages : 576
Book Description
A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.
Publisher: Oxford University Press
ISBN: 0192568043
Category : Performing Arts
Languages : en
Pages : 576
Book Description
A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.