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Author: Dante Marchetti Publisher: Glissato Edizioni Musicali ISBN: 883585251X Category : Music Languages : en Pages : 11
Book Description
Cello Quartet score of "Fascination" (four Cellos) /beginner/intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1054. "Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy.It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane'). As a song with de Féraudy's words, it was first performed by the French music-hall singer Paulette Darty, in 1905, and published the same year.With its English lyrics, by Dick Manning, "Fascination" was recorded by diverse artists including: Dick Jacobs, Nat King Cole and David Carroll, all of whose versions made the charts. In 1957, two of the more popular recordings of "Fascination" were released, Dinah Shore went to number 15 on the Billboard Most Played By Jockeys chart,while a recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song
Author: Dante Marchetti Publisher: Glissato Edizioni Musicali ISBN: 883585251X Category : Music Languages : en Pages : 11
Book Description
Cello Quartet score of "Fascination" (four Cellos) /beginner/intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1054. "Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy.It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane'). As a song with de Féraudy's words, it was first performed by the French music-hall singer Paulette Darty, in 1905, and published the same year.With its English lyrics, by Dick Manning, "Fascination" was recorded by diverse artists including: Dick Jacobs, Nat King Cole and David Carroll, all of whose versions made the charts. In 1957, two of the more popular recordings of "Fascination" were released, Dinah Shore went to number 15 on the Billboard Most Played By Jockeys chart,while a recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song
Author: Dante Marchetti Publisher: Glissato Edizioni Musicali ISBN: Category : Music Languages : en Pages : 4
Book Description
Cello 3 part of "Fascination" for Cello Quartet (four Cellos) /beginner/intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1054. "Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy.It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane'). As a song with de Féraudy's words, it was first performed by the French music-hall singer Paulette Darty, in 1905, and published the same year.With its English lyrics, by Dick Manning, "Fascination" was recorded by diverse artists including: Dick Jacobs, Nat King Cole and David Carroll, all of whose versions made the charts.In 1957, two of the more popular recordings of "Fascination" were released, Dinah Shore went to number 15 on the Billboard Most Played By Jockeys chart,while a recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song
Author: Dante Marchetti Publisher: Glissato Edizioni Musicali ISBN: Category : Music Languages : en Pages : 4
Book Description
Cello 4 part of "Fascination" for Cello Quartet (four Cellos) /beginner/intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1054. "Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy.It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane'). As a song with de Féraudy's words, it was first performed by the French music-hall singer Paulette Darty, in 1905, and published the same year.With its English lyrics, by Dick Manning, "Fascination" was recorded by diverse artists including: Dick Jacobs, Nat King Cole and David Carroll, all of whose versions made the charts.In 1957, two of the more popular recordings of "Fascination" were released, Dinah Shore went to number 15 on the Billboard Most Played By Jockeys chart,while a recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song
Author: Dante Marchetti Publisher: Glissato Edizioni Musicali ISBN: Category : Music Languages : en Pages : 4
Book Description
Cello 2 part of "Fascination" for Cello Quartet (four Cellos) /beginner/intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1054. "Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy.It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane'). As a song with de Féraudy's words, it was first performed by the French music-hall singer Paulette Darty, in 1905, and published the same year.With its English lyrics, by Dick Manning, "Fascination" was recorded by diverse artists including: Dick Jacobs, Nat King Cole and David Carroll, all of whose versions made the charts.In 1957, two of the more popular recordings of "Fascination" were released, Dinah Shore went to number 15 on the Billboard Most Played By Jockeys chart,while a recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song
Author: Dante Marchetti Publisher: Glissato Edizioni Musicali ISBN: Category : Music Languages : en Pages : 4
Book Description
Cello 1 part of "Fascination" for Cello Quartet (four Cellos) /beginner/intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1054. "Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy.It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane'). As a song with de Féraudy's words, it was first performed by the French music-hall singer Paulette Darty, in 1905, and published the same year.With its English lyrics, by Dick Manning, "Fascination" was recorded by diverse artists including: Dick Jacobs, Nat King Cole and David Carroll, all of whose versions made the charts.In 1957, two of the more popular recordings of "Fascination" were released, Dinah Shore went to number 15 on the Billboard Most Played By Jockeys chart,while a recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song
Author: Dante Marchetti Publisher: Glissato Edizioni Musicali ISBN: Category : Music Languages : en Pages : 11
Book Description
(SCORE) Fascination is a Gypsy Waltz by Dante Marchetti, arranged for string quartet. Perfect for a wide range of occasions, from weddings to parties, this piece is sure to bring a unique and beautiful atmosphere to any event. Set of parts available separately in the series.
Author: Charles L. Granata Publisher: Chicago Review Press ISBN: 1613742819 Category : Music Languages : en Pages : 257
Book Description
Featuring 100 photographs of Frank Sinatra working with orchestras and arrangers, listening to playbacks, and, of course, singing, this book tells the whole story of how he created the Sinatra sound and translated the most intense personal emotions into richly worked-out songs of unrivalled expressiveness. One of the thrills of listening to Sinatra is wondering how he did it—and this book explains it all, bringing the dedicated fan and the casual music lover alike into the recording studio to witness the fascinating working methods he introduced and mastered in his quest for recorded perfection. Revealed is how, in addition to introducing and perfecting a unique vocal style, Sinatra was also his own in-studio producer—personally supervising every aspect of his recordings, from choosing the songs and arrangers to making minute adjustments in microphone placement.
Author: Lucy Miller Murray Publisher: Rowman & Littlefield ISBN: 1442243430 Category : Music Languages : en Pages : 463
Book Description
In Chamber Music: An Extensive Guide for Listeners,Lucy Miller Murray transforms her decades of program notes for some of the world’s most distinguished artists and presenters into the go-to guide for the chamber music novice and enthusiast. Offering practical information on the broad array of chamber music works from the Classical, Romantic, and Modern periods—and an artful selection from the Baroque period of Johann Sebastian Bach’s works—Chamber Music: An Extensive Guide for Listeners is both the perfect reference resource and chamber music primer for listeners. Covering over 500 works, Murray surveys in clear and simple language the historical and musical impact of some 130 composers—20 of them living. Notably, Chamber Music includes the complete string quartets of Beethoven, Bartok, and Shostakovich, as well as 35 piano trios of Haydn. It also provides critical information and assessments of works by composers not nearly so well known, both past and present. Entries appear in alphabetical order by composer, and, in every instance, give a brief introduction to the composer’s life and work. Of particular interest are the brief spotlight contributions, from well-known figures in the chamber music world, who focus on the performance experience or offer special knowledge of the works. This work is an ideal introduction and reference for students and scholars, new listeners, and enthusiasts of the chamber music tradition in Western music. Special contributors include: ·Charles Abramovic ·James Bonn ·Michael Brown ·Eugene Drucker ·James Dunham ·Daniel Epstein ·Ralph Evans ·Jeremy Gill ·Jake Heggie ·Paul Katz ·Bert Lucarelli ·Stuart Malina ·Robert Martin ·Peter Orth ·Jann Pasler ·Susan Salm ·David Shifrin ·Peter Sirotin/Ya-Ting Chang ·Arnold Steinhardt ·Kenneth Woods ·David Yang Phillip Ying
Author: Jill Halstead Publisher: Routledge ISBN: 1351550330 Category : Music Languages : en Pages : 217
Book Description
When Ruth Gipps died in 1999, her legacy was as one of Britain's most prolific female composers. Her creative output spanned some seventy years and includes symphonies, tone poems, concertos, string quartets and various large-scale choral and chamber works. Not content with her creative activities, her boundless energy fuelled her other roles as conductor, concert pianist, orchestral musician and pedagogue. Her many talents were acknowledged but not always respected and she was a figure often dogged by controversy. She gained a reputation for being uncompromising both personally and musically, a reputation that was ultimately to leave her isolated. In the first major review of her life and work the importance of Ruth Gipps is established in two ways: first, as a pioneering woman composer and conductor whose work challenged prevailing attitudes in the era directly after the war and second, as a composer whose musical philosophy was often at odds with mainstream thinking. Although she was branded a reactionary, her position reveals a number of important counter currents in English musical life in the twentieth century. The first section of the book documents her formative years, her life as child prodigy, the disruption and opportunities offered by war, the dramatic end of her career as a concert pianist and her subsequent entry into the world of conducting. The influence of key figures such as Vaughan Williams, Arthur Bliss, Malcolm Arnold and George Weldon is explored, as is Gipps's habitually thorny relationship with a range of musical institutions including the BBC and the City of Birmingham Symphony Orchestra. In the second part of the book her compositional output is reviewed. Works are explored via the guiding themes of her creative agenda; namely anti-modernism and Englishness. The book closes with an analysis of a group of works which all have gendered narratives or readings. As Gipps regularly used personal experience as the basis for such musical narr
Author: Dante Marchetti
Author: Dante Marchetti
Author: Dante Marchetti
Author: Dante Marchetti
Author: Dante Marchetti
Author: Dante Marchetti
Author: Dante Marchetti
Author: Mark A. Radice
Author: Charles L. Granata
Author: Lucy Miller Murray
Author: Jill Halstead