Cello concerto in E minor op. 85. Variations on an original theme PDF Download

Author: Edward Elgar
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Edward Elgar
Publisher: Read Books Ltd
ISBN: 1447489969
Category : Music
Languages : en
Pages : 213

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Author: Elgar (Edward.)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Elgar
Publisher:
ISBN: 9781535190930
Category :
Languages : en
Pages : 104

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Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already gone out of fashion with the concert-going public. In contrast with Elgar's earlier Violin Concerto, which is lyrical and passionate, the Cello Concerto is for the most part contemplative and elegiac. 1.Adagio -- Moderato (approx. 8:00) 2.Lento -- Allegro molto (approx. 4:30) 3.Adagio (approx. 4:50) 4.Allegro -- Moderato -- Allegro, ma non-troppo -- Poco più lento -- Adagio. (approx. 11:30) This edition first republished in 2016 by CBy Publishing Based on reprinted first edition from London: Ernst Eulenburg, Ed.1814, n.d.(ca.1995). Plate E.E. 6802.

Author: Edward Elgar
Publisher: Eulenburg
ISBN: 3795721245
Category : Music
Languages : de
Pages : 115

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Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.

Author: Ethan Mordden
Publisher: Oxford University Press, USA
ISBN: 0195040414
Category : Music appreciation
Languages : en
Pages : 588

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This authoritative guide gives the non-musician the fundamentals of orchestral music. It begins with a general introduction to the symphony and various musical styles and then describes, chronologically, over seven hundred pieces--from Vivaldi to twentieth-century composers. Mordden also includes a glossary of musical terms and other useful aids for the music lover.

Author: Sir Edward William Elgar
Publisher:
ISBN:
Category : Concertos
Languages : en
Pages :

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Author: Edward Elgar
Publisher: Courier Corporation
ISBN: 0486418960
Category : Music
Languages : en
Pages : 114

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A tour de force for any cellist, Elgar's magnificent Cello Concerto is performed more frequently than any other except that of Dvoraacute;k. Regarded as an elegy for a lost world, the Cello Concerto was written after the composer's lengthy creative stagnation during World War I. Melodic and evocative, it exhibits a remarkable scope, ranging from tragic passion to buoyant optimism. Cellists and other music lovers will delight in this full score of Elgar's last major work, reproduced from an authoritative source.

Author: Robert Philip
Publisher: Yale University Press
ISBN: 0300120699
Category : Music
Languages : en
Pages : 969

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An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer's intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.

Author: Tully Potter
Publisher: Boydell & Brewer
ISBN: 0907689787
Category : Biography & Autobiography
Languages : en
Pages : 1444

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Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.