Author: Marcia Glidden ParkerPublisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Céleste de Chabrillan Nineteenth-century French Theatre
Author: Marcia Glidden ParkerPublisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Céleste de Chabrillan Nineteenth-century French Theatre
Author: Marcia Glidden ParkerPublisher:
ISBN:
Category :
Languages : en
Pages : 290
Book Description
Memoirs of a Courtesan in Nineteenth-century Paris
Author: comtesse Cäleste Vänard de ChabrillanPublisher: U of Nebraska Press
ISBN: 9780803282735
Category : Literary Collections
Languages : en
Pages : 358
Book Description
When Cäleste Mogador's memoirs were first published in 1854 and again in 1858, they were immediately seized and condemned as immoral and unsuitable for public consumption. For a reader in our more forgiving times, this extraordinary document offers not only a portrait of the early life of an intelligent, courageous, and infinitely intriguing Frenchwoman but also an exceedingly rare inside look at the world of the courtesans and prostitutes of nineteenth-century France. ø Writing to conciliate judges and creditors, Mogador (born Cäleste Venard in 1824) explains how with tenacity, wit, and audacity, she managed to escape a difficult childhood and subsequent life of prostitution to become, successively, a darling of the dance halls, a circus rider, and an actress, all the while attracting wealthy young men who vied for her favor. Although her account gives readers a peek into the rakish demimonde made famous by Verdi's opera La Traviata, its greatest value lies in its candid picture of a spunky, self-educated woman who doggedly transformed herself into an esteemed and prolific novelist and playwright, who fell in love with a count and married him, and who made her name synonymous with the bohemian life of the 1840s and 1850s in Paris.
Courtesan and Countess
Author: Jana VerhoevenPublisher: Melbourne Univ. Publishing
ISBN: 0522868851
Category : Biography & Autobiography
Languages : en
Pages : 226
Book Description
Céleste de Chabrillan, former courtesan and widow of the first French Consul to Melbourne, became the most prolific female stage writer in nineteenth-century France. Forever haunted by her scandalous past, Céleste fought to hold her place in an artistic world dominated by men. Courtesan and Countess tells the story not only of her struggle as a creative artist to survive and earn a living, but also of her fascinating life at the centre of the bohemian circles of Paris, surrounded by friends such as Alexandre Dumas père, Georges Bizet and Prince Napoléon. Courtesan and Countess paints a portrait of a remarkable woman and of the turbulent world of Paris during the Belle Epoque. Lost for more than eighty years until discovered by the authors in the attic of a French country manor, these are the unpublished and final set of memoirs from Céleste de Chabrillan.
Writing with a Vengeance
Author: Carol A. MossmanPublisher: University of Toronto Press
ISBN: 1442697199
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
Writing with a Vengeance examines the life and works of a nineteenth-century French courtesan, Céleste Vénard, later the Countess de Chabrillan. A notorious Paris courtesan, Chabrillan married into the nobility, taught herself to write (penning two series of memoirs) and, upon being widowed, wrote novels to support herself - ten, between 1857 and 1885. These novels and memoirs constitute exceptional literary and historical documents, particularly as very few sex workers before the twentieth century have left written records of their lives. Writing with a Vengeance intertwines the courtesan's autobiographical account of the horrors of her life on the streets with that era's political, medical, and cultural discourses surrounding prostitution. Though French society both silenced and refused to pardon the prostitute, Carol Mossman's literary analysis of Chabrillan's novels contends that it is through the process of writing itself that she arrived at self-forgiveness and ultimately refashioned for her damaged self a new identity and narrative.
Nineteenth-century French Studies
Author: Nineteenth Century French Plays
Author: Joseph Leopold BorgerhoffPublisher:
ISBN:
Category : French drama
Languages : en
Pages : 806
Book Description
Includes plays by Rene-Charles Guilbert de Pixerecourt, Louis-Benoit Picard, Casimir Delavigne, Alexandre Dumas (pere), Victor Hugo, Alfred de Vigny, Alfred de Musset, Eugene Scribe, Honore de Balzac, Alexandre Dumas (fils), Emile Augier, Edouard Pailleron, Henri Becque, Francois de Curel, Eugene Brieux, Edmond Rostand (the latter represented by Cyrano de Bergerac).
The Bohemian Republic
Author: James GatheralPublisher: Routledge
ISBN: 1000226573
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
In the mid-nineteenth century successive cultural Bohemias were proclaimed in Paris, London, New York, and Melbourne. Focusing on networks and borders as the central modes of analysis, this book charts for the first time Bohemia’s cross-Channel, transatlantic, and trans-Pacific migrations, locating its creative expressions and social practices within a global context of ideas and action. Though the story of Parisian Bohemia has been comprehensively told, much less is known of its Anglophone translations. The Bohemian Republic offers a radical reinterpretation of the phenomenon, as the neglected lives and works of British, Irish, American, and Australian Bohemians are reassessed, the transnational networks of Bohemia are rediscovered, the presence and influence of women in Bohemia is reclaimed, and Bohemia’s relationship with the marketplace is reconsidered. Bohemia emerges as a marginal network which exerted a paradoxically powerful influence on the development of popular culture, in the vanguard of material, social and aesthetic innovations in literature, art, journalism, and theatre. Underpinned by extensive and original archival research, the book repopulates the concept of Bohemianism with layers of the networked voices, expressions, ideas, people, places, and practices that made up its constituent social, imagined, and interpretive communities. The reader is brought closer than ever to the heart of Bohemia, a shadowy world inhabited by the rebels of the mid-nineteenth century.
The Feminist Encyclopedia of French Literature
Author: Eva M. SartoriPublisher: Bloomsbury Publishing USA
ISBN: 0313033455
Category : Literary Criticism
Languages : en
Pages : 673
Book Description
The earliest known literary productions by women living in Europe were probably written by French writers. As early as the 12th century, women troubadours in the south of France were writing poems. French women continued writing through the ages, their number increasing as education became more available to women of all classes. And yet, of the great number of works by women writers who preceded the current feminist movement, very few have survived. A few writers such as Marie de France, George Sand, and Simone de Beauvoir became part of the canon. But critics, mostly male, had judged the works of only a few women writers worthy of recognition. As part of the feminist move to reclaim women writers and to rethink literary history, scholars in French literature began to take a new look at women writers who had been popular during their lifetimes but who had not been admitted into the canon. This reference book provides extensive information about French women writers and the world in which they lived. Included are several hundred alphabetically arranged entries for authors; literary genres, such as the novel, poetry, and the short story; literary movements, such as classicism, realism, and surrealism; life-cycle events particular to women, such as menstruation and menopause; events and institutions which affected women differently than men, such as revolutions, wars, and laws on marriage, divorce, and education. The volume spans French literature from the Middle Ages to the present and covers those writers who lived and worked mainly in France. The entries are written by expert contributors and each includes bibliographical information. The entries focus on each writer's awareness of how her gender shaped her outlook and opportunities, on how categorizations, structures, and terms used to describe literary works have been defined for women, and the ways in which women writers have responded to these definitions. The volume begins with a feminist history of French literature and concludes with a selected, general bibliography and a chronology of women writers.
Female Journeys
Author: Claire MarronePublisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 208
Book Description
In this study of 19th- and 20th-century French and Italian women's autobiography, the author illustrates how the protagonists' development unfolds through separation from oppressive social and familial structures. Reading the selected life stories as bildungsromane and drawing on an array of both canonical and noncanonical texts in the various autobiographical subgenres, Marrone concludes that the heroines' movements away from oppressive structures are not limited to particular historical periods but are motivated by historical and cultural circumstances. She thoughtfully traces the reasons why a 19th-century protagonist might leave her country, a turn-of-the century heroine might flee her family, and a modern female character might separate from her mother, carefully examining their motivations and their goals. In telling their stories, she concludes, women writers continually challenge existing autobiographical conventions. Marrone finds that postmodern texts prove that the journey toward selfhood may be an ongoing one, one that unfolds through the creation of multiple life stories. The author begins her study with a consideration of the tradition of women's autobiography in French and Italian literature of the 19th- and 20th-centuries. Using several examples from various genres, she brings issues of gender oppression, marital abuse, sexuality, and motherhood to the forefront of the discussion. She continues by analyzing the genres of autobiography and bildungsroman—where they overlap and where they diverge, specifically in women's writing. Turning to specific authors and their works, Marrone moves on to an analysis of the writings of Cristina Trivulzio di Belgiojoso, C^D'eleste Mogador, Sibilla Aleramo, Oriana Fallaci, Marie Cardinal, and Annie Ernaux. In examining the works of these writers, the author concludes that women writers continue to attempt to define themselves in their own voices. Marrone finds that postmodern writers participate in innovative experimentation in life writing: hybrid texts, creative auto/biographies, and collective life stories. This clearly written, engaging volume is a pivotal addition to the growing field of literature on autobiography.