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Author: Philippe Vendrix Publisher: Brepols Publishers ISBN: Category : Music Languages : en Pages : 922
Book Description
JOHANNES OCKEGHEM (1410/1425-1497) est depuis la Renaissance au centre des préoccupations de théoriciens, d'amateurs, de musicologues qui se penchent sur le XVe siècle. Jugé par les uns compositeur difficile, voire énigmatique, hautement intellectuel ou même mystique, d'autres perçoivent dans sa technique musicale des éléments irrationnels que certains interprètent comme les traces d'une rationalité aboutie. Selon Erasme, il était " summo musico " et possédait une " aurea vox ". " Roy sur tous les chantres " aux dires de Nicole Le Vestu ou encore " Sol lucens super omnes " pour Molinet. Cosimo Bartoli n'hésite pas à le comparer à Donatello et le qualifie " homme de la Renaissance ". Né dans le Hainaut, il travaille quelques années à Anvers et à Moulins avant de s'installer à Tours où il exercera plusieurs fonctions officielles : premier chapelain du roi ainsi que chanoine et trésorier de la basilique Saint-Martin, il fut également mainte de chapelle à la cour de Charles VII et Louis XI. Ce volume réunit les contributions au XIe Colloque d'études humanistes qui s'est tenu au Centre d'Etudes Supérieures de la Renaissance en février 1997 à l'occasion du cinquième centenaire de la mort du compositeur.
Author: Sarah Fuller Publisher: McGraw-Hill Humanities, Social Sciences & World Languages ISBN: Category : Music Languages : en Pages : 652
Book Description
Organized chronologically, this anthology of musical scores provides a wide-ranging introduction to all the major genres of Medieval, Renaissance, and Baroque music. Within each period, selections are grouped by type to facilitate comparison and the study of specific techniques. Translations, notes on sources and editions, facsimiles of original notations, references to available recordings, maps of Europe c. 1100 and 1590, and succinct commentaries are also provided.
Author: Anna Maria Busse Berger Publisher: Cambridge University Press ISBN: 1316298299 Category : Music Languages : en Pages : 1058
Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author: Katelijne Schiltz Publisher: Cambridge University Press ISBN: 1316299899 Category : Music Languages : en Pages : 550
Book Description
Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450–1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.
Author: Mark Everist Publisher: Cambridge University Press ISBN: 1108577075 Category : Music Languages : en Pages :
Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: Alejandro Enrique Planchart Publisher: Cambridge University Press ISBN: 1108547702 Category : Music Languages : en Pages : 1313
Book Description
This volume explores the work of one of medieval music's most important figures, and in so doing presents an extended panorama of musical life in Europe at the end of the middle ages. Guillaume Du Fay rose from obscure beginnings to become the most significant composer of the fifteenth century, a man courted by kings and popes, and this study of his life and career provides a detailed examination of his entire output, including a number of newly discovered works. As well as offering musical analysis, this volume investigates his close association with the Cathedral of Cambrai, and explores how, at a time when music was becoming increasingly professionalised, Du Fay forged his own identity as 'a composer'. This detailed biography will be highly valuable for those interested in the history of medieval and church music, as well as for scholars of Du Fay's musical legacy.
Author: Jane D. Hatter Publisher: Cambridge University Press ISBN: 1108628834 Category : Music Languages : en Pages :
Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Author: Ruth I. DeFord
Author: Ruth I. DeFord
Author: Philippe Vendrix
Author: Sarah Fuller
Author: Anna Maria Busse Berger
Author: Katelijne Schiltz
Author: Lawrence Earp
Author: Mark Everist
Author: 
Author: Alejandro Enrique Planchart
Author: Jane D. Hatter