Author: Gaius Valerius Catullus
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 412
Book Description
TIBULUS (Albius, c. 54-19 B.C.), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book I mostly proclaims his love for Delia, Book 2 his passion for Nemesis. The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.
Catullus, Tibullus, and Pervigilium Veneris
Author: Gaius Valerius Catullus
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 412
Book Description
TIBULUS (Albius, c. 54-19 B.C.), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book I mostly proclaims his love for Delia, Book 2 his passion for Nemesis. The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 412
Book Description
TIBULUS (Albius, c. 54-19 B.C.), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book I mostly proclaims his love for Delia, Book 2 his passion for Nemesis. The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.
Catullus Tibullus and Pervigilium Veneris (Classic Reprint)
Author: Gaius Valerius Catullus
Publisher: Forgotten Books
ISBN: 9781334377600
Category : Poetry
Languages : en
Pages : 396
Book Description
Excerpt from Catullus Tibullus and Pervigilium Veneris Gaius valemus catullus, whose name stands not lower than third on the roll of Roman poets, was born at Verona b.c. 84; the son of a wealthy Veronese gentleman, a friend of Julius Caesar. He came from Verona to Rome about 62 Among his friends and contemporaries were C. Licinius Calvus, the poet, and M. Caelius Rufus, the latter of whom became his rival and enemy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781334377600
Category : Poetry
Languages : en
Pages : 396
Book Description
Excerpt from Catullus Tibullus and Pervigilium Veneris Gaius valemus catullus, whose name stands not lower than third on the roll of Roman poets, was born at Verona b.c. 84; the son of a wealthy Veronese gentleman, a friend of Julius Caesar. He came from Verona to Rome about 62 Among his friends and contemporaries were C. Licinius Calvus, the poet, and M. Caelius Rufus, the latter of whom became his rival and enemy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Impotency Poem from Ancient Latin to Restoration English Literature
Author: Hannah Lavery
Publisher: Routledge
ISBN: 1317027671
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
The first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
Publisher: Routledge
ISBN: 1317027671
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
The first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
Catullus
Author: Charles Martin
Publisher: Yale University Press
ISBN: 9780300052008
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
The most popular of the Roman poets, Catullus is known for the accessibility of his witty and erotic love poems. In this book Charles Martin, himself a poet, offers a deeper reading of Catullus, revealing the art and intelligence behind the seemingly spontaneous verse. Martin considers Catullus's life, habits of composition, and the circumstances in which he worked. He places him among the modernists of his age, who created a new ironic and subjective poetics, and he shows the affinity between Catullus and the modernists of our own age. Martin offers original interpretations of Catullus's poems, viewing the love poems to "Lesbia" as a unified, artfully arranged poetic sequence, and the short poems, often dismissed as unworthy of serious critical attention, as the irreverent products of a sophisticated poetic innovator. Unlike Horace, Virgil, and Ovid, Catullus did not influence our literary culture until the beginning of the modern era, but he is now regarded as a poet who speaks to our age with a singular directness. Pointing to Catullus's self-awareness, playfulness, and comic invention and to the elaborate complexity of his experiments in poetic form, Martin gives both the scholar and the general reader a fresh appreciation of his poetic art.
Publisher: Yale University Press
ISBN: 9780300052008
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
The most popular of the Roman poets, Catullus is known for the accessibility of his witty and erotic love poems. In this book Charles Martin, himself a poet, offers a deeper reading of Catullus, revealing the art and intelligence behind the seemingly spontaneous verse. Martin considers Catullus's life, habits of composition, and the circumstances in which he worked. He places him among the modernists of his age, who created a new ironic and subjective poetics, and he shows the affinity between Catullus and the modernists of our own age. Martin offers original interpretations of Catullus's poems, viewing the love poems to "Lesbia" as a unified, artfully arranged poetic sequence, and the short poems, often dismissed as unworthy of serious critical attention, as the irreverent products of a sophisticated poetic innovator. Unlike Horace, Virgil, and Ovid, Catullus did not influence our literary culture until the beginning of the modern era, but he is now regarded as a poet who speaks to our age with a singular directness. Pointing to Catullus's self-awareness, playfulness, and comic invention and to the elaborate complexity of his experiments in poetic form, Martin gives both the scholar and the general reader a fresh appreciation of his poetic art.
Bibliographical and Other Studies on the 'Pervigilium Veneris'
Author: Cecil Clementi
Publisher:
ISBN:
Category : Pervigilium Veneris
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Pervigilium Veneris
Languages : en
Pages : 70
Book Description
Ovid’s Terence
Author: Iris Brecke
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111308545
Category : History
Languages : en
Pages : 214
Book Description
This book investigates the complex reception of Terence in Ovid and a number of allusions to the Terentian comedies in the love elegies and the exilic elegiac epistle Tristia 2. The genres of Latin love elegy and New Comedy are often seen as closely connected in research, and one leading view is that Latin love elegy to a large degree springs out of the comic genre. However, though both genres are strongly rooted in social practise and presents interpersonal relationships in a non-mythological, everyday setting, there are also major differences between them. Marriage, for instance, is the conventional goal for the young lover withing the comic genre, whereas the elegiac lover should avoid it. Taking into account both the similarities and the crucial differences between the comic genre and Latin love elegy, and key elegiac topoi such as seruitium amoris and militia amoris, this book demonstrates an intricate connection between Ovid and Terence, and a complex nexus of allusions that goes straight to the core of Ovid’s elegiac authorship. Winner of the Trends in Classics Book Prize 2023
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111308545
Category : History
Languages : en
Pages : 214
Book Description
This book investigates the complex reception of Terence in Ovid and a number of allusions to the Terentian comedies in the love elegies and the exilic elegiac epistle Tristia 2. The genres of Latin love elegy and New Comedy are often seen as closely connected in research, and one leading view is that Latin love elegy to a large degree springs out of the comic genre. However, though both genres are strongly rooted in social practise and presents interpersonal relationships in a non-mythological, everyday setting, there are also major differences between them. Marriage, for instance, is the conventional goal for the young lover withing the comic genre, whereas the elegiac lover should avoid it. Taking into account both the similarities and the crucial differences between the comic genre and Latin love elegy, and key elegiac topoi such as seruitium amoris and militia amoris, this book demonstrates an intricate connection between Ovid and Terence, and a complex nexus of allusions that goes straight to the core of Ovid’s elegiac authorship. Winner of the Trends in Classics Book Prize 2023
Intertextuality and the Reading of Roman Poetry
Author: Lowell Edmunds
Publisher: JHU Press
ISBN: 0801875404
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
How can we explain the process by which a literary text refers to another text? For the past decade and a half, intertextuality has been a central concern of scholars and readers of Roman poetry. In Intertextuality and the Reading of Roman Poetry, Lowell Edmunds proceeds from such fundamental concepts as "author," "text," and "reader," which he then applies to passages from Vergil, Horace, Ovid, and Catullus. Edmunds combines close readings of poems with analysis of recent theoretical models to argue that allusion has no linguistic or semiotic basis: there is nothing in addition to the alluding words that causes the allusion or the reference to be made. Intertextuality is a matter of reading.
Publisher: JHU Press
ISBN: 0801875404
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
How can we explain the process by which a literary text refers to another text? For the past decade and a half, intertextuality has been a central concern of scholars and readers of Roman poetry. In Intertextuality and the Reading of Roman Poetry, Lowell Edmunds proceeds from such fundamental concepts as "author," "text," and "reader," which he then applies to passages from Vergil, Horace, Ovid, and Catullus. Edmunds combines close readings of poems with analysis of recent theoretical models to argue that allusion has no linguistic or semiotic basis: there is nothing in addition to the alluding words that causes the allusion or the reference to be made. Intertextuality is a matter of reading.
Jewish, Christian, and Classical Exegetical Traditions in Jerome’s Translation of the Book of Exodus
Author: Matthew A. Kraus
Publisher: BRILL
ISBN: 9004343008
Category : Religion
Languages : en
Pages : 280
Book Description
In Jewish, Christian, and Classical Exegetical Traditions in Jerome’s Translation of the Book of Exodus: Translation Technique and the Vulgate, Matthew Kraus offers a layered understanding of Jerome’s translation of biblical narrative, poetry, and law from Hebrew to Latin. Usually seen as a tool for textual criticism, when read as a work of literature, the Vulgate reflects a Late Antique conception of Hebrew grammar, critical use of Greek biblical traditions, rabbinic influence, Christian interpretation, and Classical style and motifs. Instead of typically treating the text of the Vulgate and Jerome himself separately, Matthew Kraus uncovers Late Antiquity in the many facets of the translator at work—grammarian, biblical exegete, Septuagint scholar, Christian intellectual, rabbinic correspondent, and devotee of Classical literature.
Publisher: BRILL
ISBN: 9004343008
Category : Religion
Languages : en
Pages : 280
Book Description
In Jewish, Christian, and Classical Exegetical Traditions in Jerome’s Translation of the Book of Exodus: Translation Technique and the Vulgate, Matthew Kraus offers a layered understanding of Jerome’s translation of biblical narrative, poetry, and law from Hebrew to Latin. Usually seen as a tool for textual criticism, when read as a work of literature, the Vulgate reflects a Late Antique conception of Hebrew grammar, critical use of Greek biblical traditions, rabbinic influence, Christian interpretation, and Classical style and motifs. Instead of typically treating the text of the Vulgate and Jerome himself separately, Matthew Kraus uncovers Late Antiquity in the many facets of the translator at work—grammarian, biblical exegete, Septuagint scholar, Christian intellectual, rabbinic correspondent, and devotee of Classical literature.
A Guide to Ezra Pound's Personae
Author: K. K. Ruthven
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 292
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 292
Book Description
Tracing T. S. Eliot's Spirit
Author: Anthony David Moody
Publisher: Cambridge University Press
ISBN: 0521480604
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
T. S. Eliot's lifelong quest for a world of the spirit is the theme of this book by leading Eliot scholar A. David Moody. The first four essays in the collection map Eliot's spiritual geography: the American taproot of his poetry, his profound engagement with the philosophy and religion of India, his near and yet detached relations with England, and his problematic cultivation of a European mind. At the centre of the collection is a study of the Latin poem Pervigilium Veneris, a fragment of which figures enigmatically in the concluding lines of The Waste Land. The third part of the collection is a set of five investigations of Eliot's poems, dealing particularly with The Waste Land, Ash Wednesday and Four Quartets, and attending to how they express and shape what he called 'the deeper, unnamed feelings which form the substratum of our being'.
Publisher: Cambridge University Press
ISBN: 0521480604
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
T. S. Eliot's lifelong quest for a world of the spirit is the theme of this book by leading Eliot scholar A. David Moody. The first four essays in the collection map Eliot's spiritual geography: the American taproot of his poetry, his profound engagement with the philosophy and religion of India, his near and yet detached relations with England, and his problematic cultivation of a European mind. At the centre of the collection is a study of the Latin poem Pervigilium Veneris, a fragment of which figures enigmatically in the concluding lines of The Waste Land. The third part of the collection is a set of five investigations of Eliot's poems, dealing particularly with The Waste Land, Ash Wednesday and Four Quartets, and attending to how they express and shape what he called 'the deeper, unnamed feelings which form the substratum of our being'.