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Author: Luis Pérez Oramas Publisher: ISBN: 9788585298418 Category : Art festivals Languages : en Pages : 333
Book Description
The title The Imminence of Poetics reflects the desire to look at the public and participatory nature of art, united by the process or ideology, rather than exalting the individual. Among the 110 artists selected from 21 different countries the majority come from South America: 23 from Brazil, 13 from Venezuela.
Author: Luis Pérez Oramas Publisher: ISBN: 9788585298418 Category : Art festivals Languages : en Pages : 333
Book Description
The title The Imminence of Poetics reflects the desire to look at the public and participatory nature of art, united by the process or ideology, rather than exalting the individual. Among the 110 artists selected from 21 different countries the majority come from South America: 23 from Brazil, 13 from Venezuela.
Author: Kaira M. Cabañas Publisher: University of Chicago Press ISBN: 022655628X Category : Art Languages : en Pages : 245
Book Description
Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the “art of the insane” that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório César and Nise da Silveira, who championed treatments that included painting and drawing studios; and the art critic Mário Pedrosa, who penned Gestaltist theses on aesthetic response. Cabañas examines the lasting influence of this unique era of Brazilian modernism, and how the afterlife of this “outsider art” continues to raise important questions. How do we respect the experiences of the mad as their work is viewed through the lens of global art? Why is this art reappearing now that definitions of global contemporary art are being contested? Learning from Madness offers an invigorating series of case studies that track the parallels between psychiatric patients’ work in Western Europe and its reception by influential artists there, to an analogous but altogether distinct situation in Brazil.
Author: Gabriel Pérez-Barreiro Publisher: ISBN: 9788585298630 Category : Art Languages : en Pages :
Book Description
The 33rd Bienal de São Paulo [Affective Affinities] proposes a shift in the way the exhibition itself is organized. The editorial project serves as a platform that expands the performance of the artists of the exhibition, since it allows them to explore the artist's book format as a complement to the exhibition. The catalog of the 33rd Biennial comprises a set of nineteen brochures and posters produced by the artists and curators of the exhibition, as well as the poster of the 33rd Biennial. In an effort to propose an evolution in the pervasive curatorial model in contemporary art exhibitions, Gabriel Pérez-Barreiroœs proposal to distribute decision-making power and to focus on the creative relationships between processes and artists was selected by the Fundação Bienal. As a result, the Bienal host seven different exhibitions curated by the following artists: Alejandro Cesarco, Antonio Ballester Moreno, Claudia Fontes, Mamma Andersson, Sofia Borges, Waltercio Caldas, Wura-Natasha Ogunj. The expression "Affective Affinities" recalls Goetheœs concept of Elective Affinities (1809) and Mário Pedrosaœs thesis On the Affective Nature of Form in the Work of Artʺ (1949).
Author: Museum of Modern Art (New York, N.Y.) Publisher: The Museum of Modern Art ISBN: 9780870706684 Category : Art Languages : en Pages : 360
Book Description
Dada: The Collections of The Museum of Modern Art is the first publication devoted exclusively to MoMA's unrivalled collection of Dada works. Beginning with a core group acquired on the occasion of the landmark Fantastic Art, Dada and Surrealism exhibition of 1936, enriched in 1953 by a bequest selected by Marcel Duchamp, and steadily augmented over the years, the Museum's Dada collection presents the movement in its full international and interdisciplinary scope during its defining years, from 1916 through 1924. Catalyzed by the major Dada exhibition that appeared in Paris, Washington, D.C., and at The Museum of Modern Art in 2005-6, the book benefits from the latest scholarly thinking, not only as found in the exhibition's catalogues but also in the critical responses to them, as well as in an ambitious series of seminars organized around the show. Featuring generously illustrated essays that focus on a selection of the Museum's most important Dada works, this publication highlights works in many media, including books, journals, assemblages, collages, drawings, films, paintings, photographs, photomontages, prints, readymades and reliefs. It also includes a comprehensive catalogue of the Museum's Dada holdings, including those in the Museum's Archives and Library. Edited by Anne Umland and Adrian Sudhalter, members of the Museum's Department of Painting and Sculpture, this book inaugurates an ambitious new series of scholarly catalogues on the Museum's collection.
Author: Luis Pérez Oramas
Author: Luis Pérez Oramas
Author: 
Author: Fundação Bienal de São Paulo
Author: Museu de Arte Moderna de São Paulo
Author: Manuel Borja-Villel
Author: Gabriel Pérez-Barreiro
Author: Luis Pérez-Oramas
Author: Kaira M. Cabañas
Author: Gabriel Pérez-Barreiro
Author: Museum of Modern Art (New York, N.Y.)