Author: G. S. LayardPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Catalogue Raisonné of Engraved British Portraits from Altered Plates
Author: G. S. LayardCatalogue Raisonné of Engraved British Portraits from Altered Plates
Author: George Somes LayardPublisher:
ISBN:
Category : Altered prints
Languages : en
Pages : 133
Book Description
Catalogue Raisonné of Engraved British Portraits from Altered Plates. From the Notes of G.S. Layard Arranged by H.M. Latham, Etc
Author: George Somes LAYARDCatalogue Raisonné of Engraved British Portraits from Altered Plates
Author: George Somes LayardPublisher:
ISBN:
Category : Altered prints
Languages : en
Pages : 242
Book Description
Catalogue of Engraved British Portraits
Author: British Museum. Department of Prints and DrawingsPublisher:
ISBN:
Category : Electronic books
Languages : en
Pages : 584
Book Description
The Connoisseur
Author: engraving in england in the sizteenth & seventeenth centuries- a descriptive catalogue with introductions
Author: Printed Images in Early Modern Britain
Author: Michael HunterPublisher: Routledge
ISBN: 1351908863
Category : History
Languages : en
Pages : 409
Book Description
Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.
Catalogue of a Collection of Engraved Portraits, the Largest Ever Submitted to the Public
Author: Peter Stent, London Printseller
Author: Alexander V. GlobePublisher: UBC Press
ISBN: 0774841419
Category : Art
Languages : en
Pages : 354
Book Description
From the 15th century on, engravings influenced European culture almost as profoundly as books. Like stained glass windows in the Middle Ages or television today, popular prints were designed to reach even the lowest orders of society. In the 17th century, Peter Stent, whose shop stood outside Newgate, was England's most prolific seller of popular prints, maps, and copybooks to the working and rising middle classes. His inventory of copper plates reflected the shifts of popular tastes during this period and commented directly on the turbulent events of the day. In documenting Stent's output, Alexander Globe studied the printsellers' advertising catalogues as external controls for reconstructing inventories as well as indices to contemporary tastes. From these and other contemporary sources, Globe cites every engraving and book attributable to Stent, breaking down the material into types: portraits, maps, miscellaneous sheets, and books (including works on handwriting, politics, natural history, anatomy, costume, and architecture). References and additions are made to the catalogues of Donald Wing and A.M. Hind. Globe takes the history of engraving beyond Hind by including prints from the Commonwealth, Protectorate, and early Restoration periods. Eight appendices supplement the catalogue information. They provide evidence for print identificiation, discuss paper sizes, and list Stent's artists, suppliers, and business associates. All the collectiions in which Stent items may be found are named. The volume concludes with a bibliography and indices of subject as well as post-17th century authors. Globe's introduction to Stent's work is concerned with the social, political, and economic conditions leading to the emergence of a popular printseller who catered to a different clientele from that usually studied by art historians. Stent's career illustrates the mid-17th century commercial revolution which saw the artisan's customers change from the wealthy leisure class to the worker who wanted mass-produced cheap goods. Drawing on material in a hundred libraries and museums around the world, the catalogue describes over fifteen hundred engravings, including 319 sheets and five books of portraits, 42 maps, 102 miscellaneous prints and sets (with religious, classical, heeraldic, and satirical subjects), and 86 books (on handwriting, politics, military training, natural history, figure sketches, costume, architecture, and ornament). Richly illustrated with 319 plates, Peter Stent will prove valuable not only to print dealers, art historians, museums, and libraries, but also to social, cultural, and political historians.