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Languages : fr
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Book Description
Catalogue raisonné des differens effets curieux qui composent le cabinet de feu M. Bailly ... [etc.] [1766]. Catalogue d'une collection de desseins et estampes des meilleurs maîtres des trois ecoles d'Italie, de Flandres & de France & de quelque tableaux
Catalogue d'effets curieux du cabinet de feu M. Hennin [1763]. Catalogue de tableaux, estampes, desseins ... du cabinet de Monsieur *** [1764]. Catalogue raisonné des differens effets curieux qui composent le cabinet de feu M. Bailly ... [etc.] [1766]. Catalogue de tableaux des trois écoles, de terre cuite, dessein & estampes, qui composoient le cabinet de M. D* [1766]. Catalogue de tableaux Italiens, Flamands et François; estampes des trois ecoles [1769].
Catalogue raisonné des differens effets curieux, qui composent le cabinet de feu M. Bailly, ancien garde du corps des marchands apoticaires-epiciers, & doyen de messieurs les consuls de Paris. Composé de morceaux choisis d'histoire naturelle des trois regnes, médailles antiques & modernes en or, argent & bronze ; porcelaines, tableaux, & autres curiosités. Par les sieurs Helle et Glomy
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.