Author: Brooklyn Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
Book Description
Catalogue of the Works of Art Exhibited at the Thirty-fifth Reception of the Brooklyn Art Association, Monday Evening, December 3rd, 1877
Author: Brooklyn Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
Book Description
Catalogue of the Works of Art Exhibited at the Twenty-eight Reception ...
Author: Brooklyn Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 26
Book Description
Hudson River School Visions
Author: Sanford Robinson Gifford
Publisher: Metropolitan Museum of Art
ISBN: 0300101848
Category : Hudson River school of landscape painting
Languages : en
Pages : 290
Book Description
Sanford Gifford (American, 1823-1880), a leading Hudson River School landscape painter and a founder of The Metropolitan Museum of Art, was so esteemed by the New York art world that, at his untimely death, the Museum mounted a show of his work-the first monographic exhibition accorded any artist-and published a Memorial Catalogue that, for nearly a century, remained the principal source on his oeuvre. Gifford's art, which was inspired by the work of Thomas Cole, the founder of the Hudson River School, and by that of British artist J.M.W. Turner, and enriched by his travels in Europe (from 1855 to 1857, and from 1868 to 1869), came to be called "air painting," for he made the ambient light of each scene-color saturated and atmospherically potent-the key to its expression. His approach to painting and his unique style gave rise to a highly distinctive body of work with enchanting and mesmerizing effect. This publication examines seventy paintings by the artist and includes comparative illustrations of related works by Gifford, his Hudson River School mentors and colleagues, and those painters, in addition to Cole and Turner, who exerted influence on his art, including Frederic Edwin Church and John F. Kensett. The essays discuss Gifford's place in the Hudson River School, his numerous Catskill Mountain subjects, his experiences and perceptions as a traveler both at home and abroad, and the variety of his patrons. -- Metropolitan Museum of Art website.
Publisher: Metropolitan Museum of Art
ISBN: 0300101848
Category : Hudson River school of landscape painting
Languages : en
Pages : 290
Book Description
Sanford Gifford (American, 1823-1880), a leading Hudson River School landscape painter and a founder of The Metropolitan Museum of Art, was so esteemed by the New York art world that, at his untimely death, the Museum mounted a show of his work-the first monographic exhibition accorded any artist-and published a Memorial Catalogue that, for nearly a century, remained the principal source on his oeuvre. Gifford's art, which was inspired by the work of Thomas Cole, the founder of the Hudson River School, and by that of British artist J.M.W. Turner, and enriched by his travels in Europe (from 1855 to 1857, and from 1868 to 1869), came to be called "air painting," for he made the ambient light of each scene-color saturated and atmospherically potent-the key to its expression. His approach to painting and his unique style gave rise to a highly distinctive body of work with enchanting and mesmerizing effect. This publication examines seventy paintings by the artist and includes comparative illustrations of related works by Gifford, his Hudson River School mentors and colleagues, and those painters, in addition to Cole and Turner, who exerted influence on his art, including Frederic Edwin Church and John F. Kensett. The essays discuss Gifford's place in the Hudson River School, his numerous Catskill Mountain subjects, his experiences and perceptions as a traveler both at home and abroad, and the variety of his patrons. -- Metropolitan Museum of Art website.
American Watercolor in the Age of Homer and Sargent
Author: Kathleen A. Foster
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
The American Art Review
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 420
Book Description
A journal devoted to the practice, theory, history, and archaeology of art.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 420
Book Description
A journal devoted to the practice, theory, history, and archaeology of art.
Brooklyn Loan Exhibit
Impressionism in America
Author: Ulrich W. Hiesinger
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
"This is the first book to explore in depth the development of America's premier Impressionist group, which formed amid great controversy in 1897 following the secession of its members from the once progressive Society of American Artists. Childe Hassam, John H. Twachtman, William Merritt Chase (who joined the group after Twachtman's death), Edmund C. Tarbell, Frank W. Benson, Joseph R. De Camp, Thomas W. Dewing, Edward E. Simmons, Willard L. Metcalf, Robert Reid, and J. Alden Weir ... The author discusses the beginning of the ten artists' activities as members of a sweeping reform movement at the time of the nation's Centennial Exhibition in 1876, traces their emergence as Impressionist painters in the 1880s and 1890s, and charts the course of their mature careers as members of the Ten between 1897 and 1917."--Jacket.
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
"This is the first book to explore in depth the development of America's premier Impressionist group, which formed amid great controversy in 1897 following the secession of its members from the once progressive Society of American Artists. Childe Hassam, John H. Twachtman, William Merritt Chase (who joined the group after Twachtman's death), Edmund C. Tarbell, Frank W. Benson, Joseph R. De Camp, Thomas W. Dewing, Edward E. Simmons, Willard L. Metcalf, Robert Reid, and J. Alden Weir ... The author discusses the beginning of the ten artists' activities as members of a sweeping reform movement at the time of the nation's Centennial Exhibition in 1876, traces their emergence as Impressionist painters in the 1880s and 1890s, and charts the course of their mature careers as members of the Ten between 1897 and 1917."--Jacket.
Corcoran Gallery of Art
Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Catalogue of the Third Exhibition, 1880, at Art Gallery, 845 Broadway, N.Y.
Author: Society of American Artists. Exhibition
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 0
Book Description