Author: Carnegie Institute
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 336
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Annual Reports
Author: Carnegie Institute
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 336
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 336
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
American Art Directory
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 632
Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 632
Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
American Art Directory
Author: Florence Nightingale Levy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 600
Book Description
The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916)
Author: Ronald G. Pisano
Publisher: Yale University Press
ISBN: 0300109962
Category : Art
Languages : en
Pages : 180
Book Description
The first in a beautiful four-volume complete catalogue of all known works by the beloved American artist William Merritt Chase A perennial favorite of museum visitors, the works of William Merritt Chase (1849-1916) embody the quintessential characteristics of American Impressionism: outdoor landscapes, a colorful palette, and an energetic brushstroke. He was also a portrait painter of the first rank, a master of still life, a renowned teacher, and a leader of artists' societies. This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique.
Publisher: Yale University Press
ISBN: 0300109962
Category : Art
Languages : en
Pages : 180
Book Description
The first in a beautiful four-volume complete catalogue of all known works by the beloved American artist William Merritt Chase A perennial favorite of museum visitors, the works of William Merritt Chase (1849-1916) embody the quintessential characteristics of American Impressionism: outdoor landscapes, a colorful palette, and an energetic brushstroke. He was also a portrait painter of the first rank, a master of still life, a renowned teacher, and a leader of artists' societies. This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique.
Collection of Exhibition Catalogs
Author: Archives of American Art
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
Book Description
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
Book Description
Emancipation
Author: Maggie Adler
Publisher: Univ of California Press
ISBN: 0520393309
Category : Art
Languages : en
Pages : 140
Book Description
"Emancipation critically interrogates the impact of sculpture in public life, centering around ideas of agency and emancipation in historical and contemporary expression. The fulcrum of the book will be the Amon Carter Museum of American Art's copy of John Quincy Adams Ward's bronze sculpture The Freedman (1863). Unlike conventional depictions of enslaved African Americans at this time, which showed them as powerless, this heroic figure has broken his chains. The catalogue begins with an introduction to Civil War-era works contextualizing The Freedman, then examines the work of six contemporary Black artists whose respective practices engage the mediums of sculpture and installation connected to themes of freedom or imprisonment, the long legacy of the Civil War in the United States, body, and personhood. Featuring the work of Sadie Barnette, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, as well as a reprinted short story by N.K. Jemisin, Emancipation brings contemporary issues of racial inequities, the legacy of war and conflict, and issues of freedom-or lack thereof-for Black Americans to the fore"--
Publisher: Univ of California Press
ISBN: 0520393309
Category : Art
Languages : en
Pages : 140
Book Description
"Emancipation critically interrogates the impact of sculpture in public life, centering around ideas of agency and emancipation in historical and contemporary expression. The fulcrum of the book will be the Amon Carter Museum of American Art's copy of John Quincy Adams Ward's bronze sculpture The Freedman (1863). Unlike conventional depictions of enslaved African Americans at this time, which showed them as powerless, this heroic figure has broken his chains. The catalogue begins with an introduction to Civil War-era works contextualizing The Freedman, then examines the work of six contemporary Black artists whose respective practices engage the mediums of sculpture and installation connected to themes of freedom or imprisonment, the long legacy of the Civil War in the United States, body, and personhood. Featuring the work of Sadie Barnette, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, as well as a reprinted short story by N.K. Jemisin, Emancipation brings contemporary issues of racial inequities, the legacy of war and conflict, and issues of freedom-or lack thereof-for Black Americans to the fore"--
Annual Report
Author: Cincinnati Museum Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 718
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 718
Book Description
Bay Area Figurative Art, 1950-1965
Author: Caroline A. Jones
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258
Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258
Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Birgitta Moran Farmer
Author: Kathleen Kalamarides
Publisher: Xlibris Corporation
ISBN: 1524553514
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
Birgitta Kathleen Moran Farmer, artist, wife, mother, and community volunteer was born 23 May 1881. She died 17 January 1939 leaving her husband and four children. Her life, work and legacy are enduring examples for our children and grandchildren and all her relatives as they (paraphrasing Birgitta) remember the power of good example, inform themselves in the duties of their life, improve themselves by good reading, and study the arts."
Publisher: Xlibris Corporation
ISBN: 1524553514
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
Birgitta Kathleen Moran Farmer, artist, wife, mother, and community volunteer was born 23 May 1881. She died 17 January 1939 leaving her husband and four children. Her life, work and legacy are enduring examples for our children and grandchildren and all her relatives as they (paraphrasing Birgitta) remember the power of good example, inform themselves in the duties of their life, improve themselves by good reading, and study the arts."
Texas Made Modern
Author: Shirley Reece-Hughes
Publisher: Texas A&M University Press
ISBN: 1623498899
Category : Art
Languages : en
Pages : 412
Book Description
Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the “Dallas Nine,” a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce’s artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist–inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist’s shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art.
Publisher: Texas A&M University Press
ISBN: 1623498899
Category : Art
Languages : en
Pages : 412
Book Description
Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the “Dallas Nine,” a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce’s artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist–inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist’s shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art.