Author: American Art Association
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 121
Book Description
Catalogue of the Private Art Collection of Thomas B. Clarke, New York ; Part 1: Paintings
Catalogue of the Private Art Collection of Thomas B. Clarke, New York ...
Author: American Art Galleries
Publisher:
ISBN:
Category :
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 270
Book Description
Catalogue of the Private Art Collection of Thomas B. Clarke, New York, Vol. 1
Author: Thomas Benedict Clarke
Publisher: Forgotten Books
ISBN: 9780365396673
Category : Art
Languages : en
Pages : 262
Book Description
Excerpt from Catalogue of the Private Art Collection of Thomas B. Clarke, New York, Vol. 1: To Be Sold at Absolute Public Sale on the Evenings of February 14, 15, 16 and 17 at Chickering Hall, Fifth Ave. And Eighteenth St., And on the Afternoons of February 15, 16, 17 and 18 at the American Art Galleries, Madison Square South; Paintings At that time he went around a great deal to the studios, and, as he says, he has seen the painters at work on nearly all the pictures he owns. As to his experiences with Inness; I have heard that he used to hurry away the pic tures he bought, once the painter declared them finished, for it was ten to one if he left them twenty-four hours in the studio the remarkable artist who painted them, never satis fied, filled with the desire to improve on what was already so good that it impressed the beholder as a masterpiece. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780365396673
Category : Art
Languages : en
Pages : 262
Book Description
Excerpt from Catalogue of the Private Art Collection of Thomas B. Clarke, New York, Vol. 1: To Be Sold at Absolute Public Sale on the Evenings of February 14, 15, 16 and 17 at Chickering Hall, Fifth Ave. And Eighteenth St., And on the Afternoons of February 15, 16, 17 and 18 at the American Art Galleries, Madison Square South; Paintings At that time he went around a great deal to the studios, and, as he says, he has seen the painters at work on nearly all the pictures he owns. As to his experiences with Inness; I have heard that he used to hurry away the pic tures he bought, once the painter declared them finished, for it was ten to one if he left them twenty-four hours in the studio the remarkable artist who painted them, never satis fied, filled with the desire to improve on what was already so good that it impressed the beholder as a masterpiece. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Catalogue of the Private Art Collection of Thomas B. Clarke, New York
Author: Thomas Benedict Clarke
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 262
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 262
Book Description
Catalogue of the Private Art Collection of Thomas B. Clarke, New York
Author: Thomas Benedict Clarke
Publisher: Nabu Press
ISBN: 9781289713065
Category :
Languages : en
Pages : 258
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Publisher: Nabu Press
ISBN: 9781289713065
Category :
Languages : en
Pages : 258
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The Private Collection of Thomas B. Clarke of New York. Exhibited for the Benefit of the Figure Composition Prize Fund of the National Academy of Design at American Art Gallery, New York, Dec. 28, 1883, to Jan. 12, 1884
Author: Thomas Benedict Clarke
Publisher: BoD – Books on Demand
ISBN: 338532890X
Category : Fiction
Languages : en
Pages : 50
Book Description
Reprint of the original, first published in 1883.
Publisher: BoD – Books on Demand
ISBN: 338532890X
Category : Fiction
Languages : en
Pages : 50
Book Description
Reprint of the original, first published in 1883.
The New York Market for French Art in the Gilded Age, 1867–1893
Author: Leanne M. Zalewski
Publisher: Bloomsbury Publishing USA
ISBN: 1501358324
Category : Art
Languages : en
Pages : 372
Book Description
This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this “Gilded Age picture rush,” the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors' and art dealers' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
Publisher: Bloomsbury Publishing USA
ISBN: 1501358324
Category : Art
Languages : en
Pages : 372
Book Description
This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this “Gilded Age picture rush,” the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors' and art dealers' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 880
Book Description
American Paintings
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994395
Category : Painting
Languages : en
Pages : 730
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870994395
Category : Painting
Languages : en
Pages : 730
Book Description
Mobility and Identity in US Genre Painting
Author: Lacey Baradel
Publisher: Routledge
ISBN: 1000290409
Category : Art
Languages : en
Pages : 164
Book Description
This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.
Publisher: Routledge
ISBN: 1000290409
Category : Art
Languages : en
Pages : 164
Book Description
This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.