Author: Robert P. Conway Publisher: ISBN: Category : Languages : en Pages : 486
Book Description
Since her first solo exhibition in 1935 at the age of seventeen, June Wayne has achieved legendary status among twentieth-century American artists. Best known today for her work in and influence on printmaking and fine-art lithography, one of her most renowned achievements was the founding of the Tamarind Lithography Workshop in 1959. Under her direction, this workshop became one of the most important focal points of a general revival of printmaking in the United States - a revival that gave many other famous artists, including Willem de Kooning, Louise Nevelson, and Ed Ruscha, an opportunity to experiment in this format. Her own spectacular prints earned her the estimable title the incontestable pioneer of contemporary lithography. But Wayne's artistic accomplishments are even richer than that. Throughout her career, she boldly explored a variety of media and aesthetic concepts.
Author: Caroline A. Jones Publisher: Univ of California Press ISBN: 9780520068421 Category : Art Languages : en Pages : 258
Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Author: Frank Lobdell Publisher: Hudson Hills ISBN: 9781555952358 Category : Art Languages : en Pages : 430
Book Description
The first comprehensive overview of Frank Lobdell's paintings, drawings, prints, and sketchbooks, and his long career as artist and teacher in the San Francisco Bay Area.
Author: Simon Pierse Publisher: Routledge ISBN: 1351574965 Category : Art Languages : en Pages : 315
Book Description
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588393410 Category : Art Languages : en Pages : 354
Book Description
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Author: Tiffany Bell Publisher: Yale University Press ISBN: 0300106335 Category : Art Languages : en Pages : 444
Book Description
"New scholarship and interpretation of Flavin's work also appears in the form of three critical essays by experts and an extensive chronology, comprehensive bibliography, and exhibition history. In addition, this book includes Flavin's text, "'...in daylight or cool white.' an autobiographical sketch," originally published in Artforum in 1965, and two interviews with the artist - one from 1972 and the other from 1982."--BOOK JACKET.
Author: Thomas Brent Smith Publisher: University of Oklahoma Press ISBN: 0806154101 Category : Art Languages : en Pages : 209
Book Description
Of the hundreds of foreign students who attended the Munich Art Academy between 1910 and 1915, Walter Ufer (1876–1936) and E. Martin Hennings (1886–1956) returned to the United States to foster the development of a national art. They ultimately established their reputations in the American Southwest. The two German American artists shared much in common, and both would gain membership in the celebrated Taos Society of Artists. Featuring nearly 150 color plates and historical photographs, A Place in the Sun is a long-overdue tribute to the lives, achievements, and artistic legacy of these two important artists. In tracing the lifelong friendship and intersecting careers of Ufer and Hennings, the contributors to this volume explore the social and artistic implications of the artists’ German heritage and training. Following their training in Munich, both men hoped to build careers in the spirited art environment of Chicago. Both were sponsored by wealthy businessmen, many of German descent. The support of these patrons allowed Ufer and Hennings to travel to the American Southwest, where they—like so many other talented artists—fell under the spell of Taos and its picturesque scenery. They also encountered the region’s Native peoples and Hispanic culture that inspired many of their paintings. Despite their mutual interests, Ufer and Hennings were not identical by any means. Each artist had a distinct artistic style and, as the essays in this volume reveal, the two men could not have had more different personalities or career trajectories. Connoisseurs of southwestern art have long admired the masterworks of Ufer and Hennings. By offering a rich sampling of their paintings alongside informative essays by noted art historians, A Place in the Sun ensures that their significant contributions to American art will be long remembered. A Place in the Sun is published in cooperation with the Denver Art Museum.
Author: Robert P. Conway
Author: National Collection of Fine Arts (U.S.)
Author: Caroline A. Jones
Author: Lynn Igoe
Author: Frank Lobdell
Author: British Museum. Department of Printed Books
Author: Simon Pierse
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Tiffany Bell
Author: Thomas Brent Smith