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Author: Claudia E. Zapata Publisher: Princeton University Press ISBN: 0691210802 Category : Art Languages : en Pages : 326
Book Description
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
Author: Claudia E. Zapata Publisher: Princeton University Press ISBN: 0691210802 Category : Art Languages : en Pages : 326
Book Description
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
Author: Loren Ruth Lerner Publisher: University of Toronto Press ISBN: 9780802058560 Category : Architecture Languages : en Pages : 1646
Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Author: Ralph Dekoninck (Historien de l'art.) Publisher: St. Joseph's University Press ISBN: Category : Art Languages : en Pages : 126
Book Description
"This volume includes the late Elisabeth Stopp's previously unpublished study of La vie symbolique du bienheureux Francois de Sales (1664) of Adrien Gambart (1660-68), an introductory essay by Agnes Guiderdoni-Brusle that updates and amplifies Stopp's work, and a facsimile of Gambart's emblem book. This book was inspired by the life and writings of St. Francis de Sales (1567-1622), and written for the Sisters of the Visitation monastery of Faubourg Saint-Jacques in Paris, where Gambart, a Vincentian priest, served as chaplain for over thirty years. It was published in preparation for Francis's canonization in 1665." "Stopp's study offers an English translation of the key observations made by Gambart about each of the fifty-two emblems, while the facsimile makes available Gambarts original French text. Moreover, the facsimile is reproduced in color in order to convey the tonal richness of the original emblems."--BOOK JACKET.
Author: M. Darsie Alexander Publisher: Thames & Hudson ISBN: 9781935963080 Category : Art Languages : en Pages : 395
Book Description
"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588393704 Category : Art Languages : en Pages : 378
Book Description
This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.
Author: Victoria H. Cummins Publisher: Texas A&M University Press ISBN: 1648431518 Category : Art Languages : en Pages : 743
Book Description
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.
Author: Katie Robinson Edwards Publisher: University of Texas Press ISBN: 0292756593 Category : Art Languages : en Pages : 393
Book Description
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.
Author: Claudia E. Zapata
Author: Claudia E. Zapata
Author: Loren Ruth Lerner
Author: Ralph Dekoninck (Historien de l'art.)
Author: 
Author: City Art Museum of St. Louis
Author: M. Darsie Alexander
Author: Great Britain. Patent Office. Library
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Victoria H. Cummins
Author: Katie Robinson Edwards