Author: Christie, Manson & WoodsPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1512
Book Description
Collection of Approximately 1,350 Catalogues
Author: Christie, Manson & WoodsPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1512
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 784
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts LibraryPublisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
The Athenaeum
Author: The Athenaeum
Author: James Silk BuckinghamPublisher:
ISBN:
Category :
Languages : en
Pages : 866
Book Description
European Drawings
Author: J. Paul Getty MuseumPublisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
“The” Athenaeum
Author: Ancient, Curious, and Famous Wills
Author: Virgil M. HarrisPublisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 529
Book Description
DigiCat Publishing presents to you this special edition of "Ancient, Curious, and Famous Wills" by Virgil M. Harris. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Chats on Old Miniatures
Author: Joshua James FosterPublisher:
ISBN:
Category : Miniature painting
Languages : en
Pages : 384
Book Description
The Sounds of Early Cinema
Author: Richard AbelPublisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350
Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.