Catalogue of Paintings, Sculpture, and Other Objects Exhibited at the Opening of the New Museum PDF Download

Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 32

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Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 32

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Author: National Collection of Fine Arts (U.S.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 26

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Author: Massimiliano Gioni
Publisher:
ISBN: 9780915557059
Category : Art
Languages : en
Pages : 0

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This catalogue, accompanying the New Museum exhibition Here and Elsewhere, presents the work of over 45 artists who share roots in the Arab world and a critical sensibility with regard to images and image-making. The title of the exhibition is borrowed from a 1976 film-essay by Jean-Luc Godard, Jean-Pierre Gorin and Anne-Marie Miéville. Their film, Ici et ailleurs, was conceived as a pro-Palestinian documentary, but evolved into a complex reflection on the ethics of representation. Taking inspiration from this film--which has had a strong impact on Arab artists--Here and Elsewhere examines the role of the artist in the face of historical events. An anthology of critical texts edited by Bidoun magazine highlights the critical discussions that have animated contemporary art in the Arab world. Among the artists included are Fouad Elkoury, Hrair Sarkissian, Hassan Sharif, Anna Boghiguian, Simone Fattal, Ziad Antar and Etel Adnan.

Author: Massimiliano Gioni
Publisher: Rizzoli Publications
ISBN: 0847847160
Category : Art
Languages : en
Pages : 265

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A long-overdue survey of an essential West Coast artist whose humorous works delve into America’s underbelly and evolving counterculture. Over the past thirty years, Jim Shaw has become one of America’s most visionary artists, moving between painting, sculpture, and drawings, while building connections between his own psyche and the larger political, social, and spiritual history of America. Shaw’s imagery is mined from comic books, record covers, conspiracy magazines, obscure religious pamphlets, and other cultural refuse to produce a portrait of the American subconscious out of his personal obsessions. Shaw, along with fellow Michigan native Mike Kelley, moved to California in the 1970s to attend Cal Arts and was one of a number of notable artists to emerge from the school in the early 1980s. Shaw’s work is distinguished by rigorous formal and structural analyses of neglected forms of vernacular culture. Accompanying a major exhibition, this is the first major monograph devoted to the entirety of the artist’s unique, multifaceted career.

Author: Art Institute of Chicago
Publisher:
ISBN:
Category :
Languages : en
Pages : 110

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Author: Michael Connor
Publisher:
ISBN: 9780692173084
Category : Art and the Internet
Languages : en
Pages : 400

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Net Art Anthology aims to represent net art as an expansive, hybrid set of artistic practices that overlap with many media and disciplines. To accommodate this diversity of practice, Rhizome has defined "net art" as "art that acts on the network, or is acted on by it." Rhizome prefers the term "net art" because it has been used more widely by artists than "internet art," which is more commonly used by institutions, or "net.art," which usually evokes a specific mid-90s movement. The informality of the term "net art" is also appropriate not only to the critical use of the web as an artistic medium, but also informal practices such as selfies and Twitter poems.

Author: David Wojnarowicz
Publisher: Rizzoli International Publications
ISBN: 9780847821440
Category : Art
Languages : en
Pages : 150

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A definitive look at the rebellious, multimedia works and writings of this political activist and artist.

Author: Massimiliano Gioni
Publisher: Rizzoli Publications
ISBN: 0847844560
Category : Art
Languages : en
Pages : 225

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A major survey including new and celebrated works by Turner Prize–winning artist Chris Ofili. Set to accompany the first major museum show in the United States of contemporary British artist Chris Ofili, this richly illustrated volume surveys two decades of artworks that meld figuration, abstraction, and decoration to yield hybrid juxtapositions of high and low culture. Best known for intricately constructed works featuring beadlike dots of paint, elephant dung, and images culled from popular media, Ofili’s unique lexicon combines African culture, Western art history, and hip-hop music, spanning a wide variety of sources which include the Bible, Zimbabwean cave paintings, Blaxploitation films, and William Blake’s poems. Animated by exotic characters, outlandish landscapes, and folkloric myths, Ofili’s most recent work resonates with references to the paintings of Henri Matisse and Paul Gauguin. This compelling new book offers a fresh perspective on the artist’s vital practice, which both celebrates and calls into question the power of images and their ability to address fundamental questions of representation.

Author: Art Institute of Chicago
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 336

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Book Description
The second in a series of scholarly catalogs on the permanent collections of The Art Institute of Chicago, this volume focuses on the museum's important holdings of French and British paintings of the seventeenth and eighteenth centuries. The catalog contains comprehensive entries on close to one hundred paintings, representing the full range of artistic production (portraiture, landscape, still life, genre, and history painting) in France and Britain during this period. Featured are major works by some of the most significant artists of the time: Jacques Louis David, Jean Honor Fragonard, Claude Lorrain, Nicolas Poussin, and Jean Antoine Watteau among the French; Henry Fuseli, Thomas Gainsborough, Sir Joshua Reynolds, and Benjamin West among the British. Each painting in the catalog is accompanied by complete and up-to-date documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Forty-one works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.