Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
A Catalogue of Ancient and Modern, Gold, Silver, and Copper Coins & Medals of All Nations, for Sale
Catalogue
Author: Hispanic Society of America. Library
Publisher:
ISBN:
Category : Brazilian literature
Languages : en
Pages : 985
Book Description
Publisher:
ISBN:
Category : Brazilian literature
Languages : en
Pages : 985
Book Description
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 702
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 702
Book Description
A Catalogue of ... [books] ...
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062
Book Description
English and Other Silver in the Irwin Untermyer Collection
Author: Irwin Untermyer
Publisher: Metropolitan Museum of Art
ISBN:
Category : Silverware
Languages : en
Pages : 415
Book Description
Publisher: Metropolitan Museum of Art
ISBN:
Category : Silverware
Languages : en
Pages : 415
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
Book Description
Catalogue of the Library of the National Gallery of Canada
Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 792
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 792
Book Description
English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute
Author: Sterling and Francine Clark Art Institute
Publisher: Hudson Hills
ISBN: 9781555951177
Category : Orfèvrerie (Objets)
Languages : en
Pages : 606
Book Description
In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
Publisher: Hudson Hills
ISBN: 9781555951177
Category : Orfèvrerie (Objets)
Languages : en
Pages : 606
Book Description
In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
Silver in England
Author: Philippa Glanville
Publisher: Routledge
ISBN: 1136611703
Category : Business & Economics
Languages : en
Pages : 400
Book Description
First Published in 2005. Silver is unique among the decorative arts in that its raw material is both inherently valuable and infinitely reusable. Its ownership has been a social bench-mark and its form has exercised the skills of sculptors, designers, chasers and engravers, but ultimately it could be, and normally was, melted down and refashioned quite without sentiment. Because of this constant recycling, the survival of any individual object is quite random and unrelated to its uniqueness or otherwise in its period. Hitherto plate historians have focused on individual objects almost to the exclusion of the context - social or economic - from which they came but now that context is seen as crucial in understanding historic plate. So in the first section of this book each chapter considers contemporary attitudes and usage.
Publisher: Routledge
ISBN: 1136611703
Category : Business & Economics
Languages : en
Pages : 400
Book Description
First Published in 2005. Silver is unique among the decorative arts in that its raw material is both inherently valuable and infinitely reusable. Its ownership has been a social bench-mark and its form has exercised the skills of sculptors, designers, chasers and engravers, but ultimately it could be, and normally was, melted down and refashioned quite without sentiment. Because of this constant recycling, the survival of any individual object is quite random and unrelated to its uniqueness or otherwise in its period. Hitherto plate historians have focused on individual objects almost to the exclusion of the context - social or economic - from which they came but now that context is seen as crucial in understanding historic plate. So in the first section of this book each chapter considers contemporary attitudes and usage.