Author: Christie, Manson & WoodsPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1608
Book Description
Collection of Approximately 1,350 Catalogues
Author: Christie, Manson & WoodsPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1608
Book Description
Athenaeum and Literary Chronicle
Author: James Silk BuckinghamPublisher:
ISBN:
Category :
Languages : en
Pages : 864
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
The Athenaeum
Author: Subject Index of Modern Books Acquired 1881/1900-.
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 654
Book Description
“The” Athenaeum
Author: Europe 1450 to 1789
Author: Jonathan DewaldPublisher:
ISBN: 9780684312002
Category :
Languages : en
Pages : 566
Book Description
Adeline's Art Dictionary
Author: Jules AdelineA Dictionary of Terms in Art
Author: Frederick William FairholtPublisher:
ISBN:
Category : Art
Languages : en
Pages : 496
Book Description
Unfinished
Author: Kelly BaumPublisher: Metropolitan Museum of Art
ISBN: 1588395863
Category : Art
Languages : en
Pages : 342
Book Description
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.