Author: Sotheby & Co. (London, England)Publisher:
ISBN:
Category :
Languages : en
Pages : 748
Book Description
Catalogues of Eighteenth and Nineteenth Century Paintings and Drawings
Author: Sotheby & Co. (London, England)Publisher:
ISBN:
Category :
Languages : en
Pages : 748
Book Description
Catalogues of Sale
Author: Sotheby & Co. (London, England)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 174
Book Description
British Drawings, Paintings and Watercolours
Author: Sotheby & Co. (London, England)Publisher:
ISBN:
Category : Drawing, British
Languages : en
Pages : 516
Book Description
European Drawings
Author: J. Paul Getty MuseumPublisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Irish Arts Review
Author: The Isabella Stewart Gardner Museum
Author: Boston, Mass. Isabella Stewart Gardner MuseumPublisher: Yale University Press
ISBN: 9780300063417
Category : Art
Languages : en
Pages : 170
Book Description
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
The EY Exhibition
Author: Brian LivesleyPublisher:
ISBN: 9781849761451
Category : Painters
Languages : en
Pages : 0
Book Description
When Turner died in 1851, the general view of an artist's late work was one of decline. Indeed, Turner's own painting from 1845 onwards was described as indulgent, eccentric and 'repulsive', and even his devoted champion John Ruskin commented on its 'wholly inferior value'. However, from the early 1900s there was a major reassessment of Turner's later paintings and sketches. Commentators hailed his study of light as a visionary precursor to the ideas of the Impressionists. This continued into the twentieth century, with curatorial choices in some museums presenting Turner's late and unfinished work as distinctly modern. Through a number of key themes and studies into his subject matter, technique and personal activities, this new analysis challenges the historical conceptions of Turner's late style. The idea that as an elderly artist Turner was seen as introverted and detached by the Victorian art world is set against the fact that his paintings from 1835 were some of the most popular, accessible and intellectual that he created. Meanwhile, questioning the notion that Turner's late work articulated a conclusive, radical vision that was heedless of public reaction, the texts explore how Turner had a very firm idea of the workings of the art market at that time. Fully illustrated in colour, and with contributions by some of the foremost Turner scholars, this book breaks new ground in the continuing study of the life and legacy of one of art's greatest masters.
The J. Paul Getty Museum and Its Collections
Author: John WalshPublisher: Getty Publications
ISBN: 0892364769
Category : Art
Languages : en
Pages : 306
Book Description
Provides a history of the buildings that have housed the Getty Museum collections, overviews the collections themselves, and offers a biography of J. Paul Getty
Art for the Nation
Author: National Gallery of Art (U.S.)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
Exhibition includes approximately 2% of the acquisitions made during the 1990s.
The Rivers Of France
Author: Joseph Mallord William TurnerPublisher: Legare Street Press
ISBN:
Category : History
Languages : en
Pages : 452
Book Description
This book is a classic travelogue of the rivers of France, written by the famous British painter J.M.W. Turner and his friend Leitch Ritchie. It combines vivid descriptions of the landscape and local culture with beautiful illustrations by Turner himself. The book covers all the major rivers of France, from the Seine and the Rhone to the Loire and the Garonne. It also includes practical advice on navigating the rivers and exploring the local towns and villages. Whether you're a seasoned traveler or a armchair explorer, this book is a delightful journey through one of Europe's most fascinating countries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.