Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
Book Description
The Athenaeum
The Athenaeum
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Catalogue of the Important Collection of Works of Art of the Renaissance and Eighteenth Century
Author: Christie, Manson & Woods
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 136
Book Description
European Glass in the J. Paul Getty Museum
Author: Catherine Hess
Publisher: Getty Publications
ISBN: 0892362553
Category : Art
Languages : en
Pages : 274
Book Description
The Getty Museum’s collection of postclassical European glass represents a well-defined chapter within the history of the medium. These objects—which range in date from the late Middle Ages to the late seventeenth century—originated in important Italian, German, Bohemian, Netherlandish, Silesian, and Austrian centers of production. The sixty-eight pieces presented in this catalogue include vessels made to resemble rock crystal or chalcedony; glass blown into unusually large or remarkably refined shapes; and glass decorated with ornament that is intricately applied, elegantly enameled, or gilded. Each object is described in detail, including provenance, bibliography, and relevant comparative examples. An introductory essay traces the history of European glass from classical times to the present.
Publisher: Getty Publications
ISBN: 0892362553
Category : Art
Languages : en
Pages : 274
Book Description
The Getty Museum’s collection of postclassical European glass represents a well-defined chapter within the history of the medium. These objects—which range in date from the late Middle Ages to the late seventeenth century—originated in important Italian, German, Bohemian, Netherlandish, Silesian, and Austrian centers of production. The sixty-eight pieces presented in this catalogue include vessels made to resemble rock crystal or chalcedony; glass blown into unusually large or remarkably refined shapes; and glass decorated with ornament that is intricately applied, elegantly enameled, or gilded. Each object is described in detail, including provenance, bibliography, and relevant comparative examples. An introductory essay traces the history of European glass from classical times to the present.
Principles of Intellectual Property Law
Author: Catherine Colston
Publisher: Routledge
ISBN: 1135345953
Category : Law
Languages : en
Pages : 520
Book Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135345953
Category : Law
Languages : en
Pages : 520
Book Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Vincennes and Sèvres Porcelain
Author: Adrian Sassoon
Publisher: Getty Publications
ISBN: 0892361735
Category : Decorative arts
Languages : en
Pages : 221
Book Description
This volume documents the Getty Museum's important holdings of Vincennes and Sèvres porcelain. Entries are arranged in chronological order and include descriptions, commentary, and a complete bibliography and exhibition list. Every object is illustrated in color and all incised and painted marks are reproduced. The volume also includes an index of painters, gilders, and previous owners.
Publisher: Getty Publications
ISBN: 0892361735
Category : Decorative arts
Languages : en
Pages : 221
Book Description
This volume documents the Getty Museum's important holdings of Vincennes and Sèvres porcelain. Entries are arranged in chronological order and include descriptions, commentary, and a complete bibliography and exhibition list. Every object is illustrated in color and all incised and painted marks are reproduced. The volume also includes an index of painters, gilders, and previous owners.
Athenaeum
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 936
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 936
Book Description
Copyright and Piracy
Author: Lionel Bently
Publisher: Cambridge University Press
ISBN: 0521193435
Category : Law
Languages : en
Pages : 503
Book Description
An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?
Publisher: Cambridge University Press
ISBN: 0521193435
Category : Law
Languages : en
Pages : 503
Book Description
An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?