Author: Augener, ltdPublisher:
ISBN:
Category :
Languages : en
Pages : 1358
Book Description
Catalogue of Augener & co.'s. universal circulating musical library. With (3) Supplements
Author: Augener, ltdCatalogue of Augener & Co's. Universal Circulating Musical Library with Supplements
Author: Augener & CoThe Athenaeum
Author: Athenaeum and Literary Chronicle
Author: James Silk BuckinghamPublisher:
ISBN:
Category :
Languages : en
Pages : 888
Book Description
“The” Illustrated London News
Author: The Illustrated London News
Author: The Illustrated London News
Author: AnonymousPublisher: BoD – Books on Demand
ISBN: 3382500124
Category : Fiction
Languages : en
Pages : 606
Book Description
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
A Complete History of Music
Author: W.J BaltzellPublisher: BoD – Books on Demand
ISBN: 3752405325
Category : Fiction
Languages : en
Pages : 458
Book Description
Reproduction of the original: A Complete History of Music by W.J Baltzell
... Nicolo Paganini
Author: Stephen Samuel StrattonPublisher:
ISBN:
Category : Music
Languages : en
Pages : 272
Book Description
Music in the Third Reich
Author: Erik LeviPublisher: Springer
ISBN: 1349245828
Category : History
Languages : en
Pages : 316
Book Description
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.