Catalogue of an Exhibition of Portraits (Classic Reprint) PDF Download

Author: William Faithorne
Publisher: Forgotten Books
ISBN: 9781330752883
Category : History
Languages : en
Pages : 48

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Excerpt from Catalogue of an Exhibition of Portraits Through the intercession of friends, Fai thorne was banished to France. He made Paris his home, and under the patronage of the Abb de Marolles, the great print col Iector, he studied constantly to improve and perfect his art. About 1650 he returned to London, married, and took a house near Temple Bar, where he engraved plates and sold prints - Italian, French, Dutch, etc., as well as his own. This was the period of his greatest activity. During the following thirty years he made a great variety of portraits, frontispieces, etc., retiring from print-selling in 1680 to a house in Printing House Yard, Blackfriars, where he still engraved plates and made a number of crayon portraits which were much admired. Faithorne died in 1691. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: H. Wunderlich and Company
Publisher: Forgotten Books
ISBN: 9781391004723
Category : Reference
Languages : en
Pages : 38

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Excerpt from Catalogue of an Exhibition of Portraits: Women of Celebrity, Beauty, Fashion And the hon. Mrs. Gardiner. Mezzotint, by T. Watson, after Reynolds. Hamilton, 82, first state, very rare. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Metropolitan Museum Of Art
Publisher: Forgotten Books
ISBN: 9781528571517
Category : Art
Languages : en
Pages : 104

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Excerpt from Catalogue of an Exhibition of Colonial Portraits: New York, November 6 to December 31, MCMXI John watson (1685? A Scotch man, came to the colonies in 1715 and settled at Perth Amboy, then the capital of New Jer sey. After his first visit he returned to Europe and brought back to his adopted country a number of paintings, which thus formed the first collection of pictures in this country. His own work consisted of portraits and ideal heads of kings and heroes, but Dunlap, writing in 1834, said even then, None of the pictures brought into this country or painted by him can now be found. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Pennsylvania Academy of the Fine Arts
Publisher: Forgotten Books
ISBN: 9780266511656
Category : Art
Languages : en
Pages : 164

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Excerpt from Loan Exhibition of Historical Portraits: Dec. 1, 1887-Jan. 15, 1888; Catalogue In the catalogue, which has been prepared with the utmost care, in order to make it useful here and of increasing value hereafter, will be found forty-six portraits belonging to the Academy. These have not been removed from there accustomed places on the walls, but are included in the catalogue to make the record of portraits as complete as possible. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Carnegie Institute
Publisher: Forgotten Books
ISBN: 9781333262921
Category : Art
Languages : en
Pages : 38

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Excerpt from Catalogue of an Exhibition of Early English Portraits and Landscapes Lent by Mr. John H. McFadden: April the Twenty-Sixth, Through June the Fifteenth, 1917 It would doubtless be difficult to define just how greatly, the painters of this period in uenced each other in their work, but this much is certain: the power and in uence of a really great work of art is instant and far-reaching. The most potent in uence in the develop ment of art is art itself. For instance, the in uence of Constable upon modern landscape art is fully recognized by the ablest landscape painters of our time. His powerful works, painted with great directness and sincerity and possessing as they do the essential qualities of truth and harmony, have done much to stimulate and advance the art of land scape painting. It is at least interesting to note that wherever arthas risen to a high degree of perfection it has been advanced by artists more or less closely allied, and that the artists of great genius who were born in Eng land during the eighteenth century and who worked during the same period and under the same in uences, bear an interesting relation in this respect to other groups of artists of other periods and of other countries. The Greek sculptors, Phidias, Polycletus, Myron and Calamus, lived and worked during the latter part of the fifth century b.c., the golden age of Greek art. In Italy, in Florence and Venice, at the beginning of the sixteenth century, Michaelangelo, Raphael, and Titian were painting their important frescoes. And the golden era of Dutch painting is compressed into the brief period between 1625 and 1670, the period of Frans Hals, Rembrandt, Pieter de Hooch, Meindert Hobbema, Jacob van Ruisdael, Gerard Terborch, and Jan Vermeer. In later times, the art of France was greatly advanced by two distinct groups of painters the group of 1830 and the modern impressionists. There is a prevalent impression, especially among writers, that a few great artists have been born at rare intervals, but it is very probable, if not certain, that the power and in uence in any one period of two or more men of great or exceptional intellectual power, acting and reacting through their art upon each other has been responsible for the extraordinary develop ment and achievement of art at certain times in the history of the world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

Author: South Kensington Museum
Publisher: Forgotten Books
ISBN: 9780266508380
Category :
Languages : en
Pages : 222

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Excerpt from Catalogue of the Third and Concluding Exhibition of National Portraits: Commencing With the Fortieth Year of the Reign of George the Third and Ending With the Year 1867 The Lords of the Committee of Council on Education have determined to hold, in the S Kg of 1868, a Third and concluding National Portrait Exhibition at Sou Kensington, in the Arcades overlooking the Royal Horticultural Society's Gardens. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Frederick Keppel and Company
Publisher: Forgotten Books
ISBN: 9781391710761
Category : Art
Languages : en
Pages : 20

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Excerpt from Catalogue of an Exhibition of Engraved Portraits Richard Brinsley Sheridan. Noted British dramatist, orator, and politician. Son of Thomas Sheridan. (1721 Engraved by John Hall, after Reynolds. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: J. Nilsen Laurvik
Publisher:
ISBN: 9781332524310
Category : Art
Languages : en
Pages : 170

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Excerpt from Catalogue of the Loan Exhibition of Paintings by Old Masters in the Palace of Fine Arts, San Francisco About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Grolier Club
Publisher: Forgotten Books
ISBN: 9781390014433
Category : Reference
Languages : en
Pages : 26

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Excerpt from Catalogue of an Exhibition of Engraved Portraits of Women Writers From Sappho to George Eliot: March the Seventh to March the Twenty-Third, 1895 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Frederick Keppel and Company
Publisher: Forgotten Books
ISBN: 9781396635397
Category : History
Languages : en
Pages : 26

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Excerpt from Catalogue of an Exhibition of Engraved Portraits by Robert Nanteuil (1630-1678): With an Introduction His earliest dated plates, about 1650, show strongly the influence of Claude Mellan. In general they are very quiet in tone, being practically without any deep shadows. The influence of Mellan is to be seen in the fact that the faces are almost entirely shaded with parallel lines, practically no cross hatching being used. The portraits of Ber nard de Foix and Le Bouthillier are examples of this manner. A little later, about the year 1654, his style changed, apparently under the influence of Morin. The general tone of the prints is still quiet, but a change may be noticed in the circumstance that the faces are partly shaded with very short lit tle burin strokes, which was an approach to the stipple method of Morin. The por trait of Dominique de I/igny is typical of this stage. The famous portrait of Nicolas Fouquet would also seem technically to be long to this period, although it bears the date of 1661. It was probably simply a re version to his earlier manner. From this period forward N anteuil seems to have oh tained more and more depth in his shadows, and to have used in the treatment of the faces a mixture of lines with light and very short burin strokes. The master's style steadily became broader and bolder and reached perhaps its culmination about the year 1658 to 1660. The year 1658 is marked by the wonderful portraits of Cambout, Basile Fouqaet, and Jean Loret. In these the treatment is very broad and masterly, more so, perhaps, than at any other period. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.