Author: Eugene Feral
Publisher:
ISBN: 9782014460414
Category :
Languages : fr
Pages :
Book Description
Catalogue d'une superbe collection de dessins anciens de l'ecole francaise formant le cabinet d'un amateur [Richard Lion], dont la vente aura lieu Hotel Drouot... le samedi 3 avril 1886... / Me Paul Chevallier, commissaire-priseur; [experts] M. E. Feral, peintre, 54 faubourg Montmartre, M. J. Bouillon, m.d d'estampes, succ.r de Clement, 3 rue des Saint-Peres Date de l'edition originale: 1886 [Vente. Art. 1886-04-03. Paris][Collection. Art. Lion, Richard. 1886]Reference bibliographique: Lugt, 45599Appartient a l'ensemble documentaire: VenteEST2 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Catalogue D'Une Superbe Collection de Dessins Anciens de L'Ecole Francaise Formant Le Cabinet
Author: Eugene Feral
Publisher:
ISBN: 9782014460414
Category :
Languages : fr
Pages :
Book Description
Catalogue d'une superbe collection de dessins anciens de l'ecole francaise formant le cabinet d'un amateur [Richard Lion], dont la vente aura lieu Hotel Drouot... le samedi 3 avril 1886... / Me Paul Chevallier, commissaire-priseur; [experts] M. E. Feral, peintre, 54 faubourg Montmartre, M. J. Bouillon, m.d d'estampes, succ.r de Clement, 3 rue des Saint-Peres Date de l'edition originale: 1886 [Vente. Art. 1886-04-03. Paris][Collection. Art. Lion, Richard. 1886]Reference bibliographique: Lugt, 45599Appartient a l'ensemble documentaire: VenteEST2 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Publisher:
ISBN: 9782014460414
Category :
Languages : fr
Pages :
Book Description
Catalogue d'une superbe collection de dessins anciens de l'ecole francaise formant le cabinet d'un amateur [Richard Lion], dont la vente aura lieu Hotel Drouot... le samedi 3 avril 1886... / Me Paul Chevallier, commissaire-priseur; [experts] M. E. Feral, peintre, 54 faubourg Montmartre, M. J. Bouillon, m.d d'estampes, succ.r de Clement, 3 rue des Saint-Peres Date de l'edition originale: 1886 [Vente. Art. 1886-04-03. Paris][Collection. Art. Lion, Richard. 1886]Reference bibliographique: Lugt, 45599Appartient a l'ensemble documentaire: VenteEST2 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 958
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 958
Book Description
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
The National Union Catalog, Pre-1956 Imprints
Second Catalogue of the Library of the Peabody Institute of the City of Baltimore, Including the Additions Made Since 1882
Author: Johns Hopkins University. Peabody Institute. Library
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 784
Book Description
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 784
Book Description
A Delicate Matter
Author: Oliver Wunsch
Publisher: Penn State Press
ISBN: 0271096675
Category : Art
Languages : en
Pages : 268
Book Description
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter, Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period’s reconceptualization of art. Drawing on sources ranging from eighteenth-century artists’ writings to twenty-first-century laboratory analyses, Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century’s end reimagined as the irreducible essence of art’s autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art’s meaning and purpose.
Publisher: Penn State Press
ISBN: 0271096675
Category : Art
Languages : en
Pages : 268
Book Description
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter, Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period’s reconceptualization of art. Drawing on sources ranging from eighteenth-century artists’ writings to twenty-first-century laboratory analyses, Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century’s end reimagined as the irreducible essence of art’s autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art’s meaning and purpose.
British Museum Catalogue of printed Books
General Catalogue of Printed Books
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages :
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 612
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 612
Book Description
The Fodor Collection
Author: Amsterdams Historisch Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 204
Book Description