Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Catalogue d'une nombreuse collection de dessins ancients et modernes des écoles française, italienne, hollandaise et flamande provenant de la collection d'un amateur de province dont la vente ... aura lieu Hotel des Commissaire-priseurs Rue Drouot, no 5 ... les lundi 13, mardi 14, mercredi 15 et jeudi 16 avril 1863 ... Me Delbergue-Cormont, commissaire-priseur ... assisté de M. Clement ...
Catalogue d'une belle collection de dessins anciens des écoles italienne, hollandaise, flamande, espagnole et française dont la vente aura lieu a l'Hotel des Commissaire-priseurs Rue Drouot, no 5 salle no 3 les jeudi 26 et vendredi 27 mars 1863 ... Me Delbergue-Cormont, commissaire-priseur ... assisté de M. Clement
A Critical and Historical Corpus of Florentine Painting
Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
The Fourteenth Century
Author: Klara Steinweg
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
Book Description
The Fourteenth Century
Author: Miklós Boskovits
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
Book Description
Art in France, 1900-1940
Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Catalogue des tableaux et dessins anciens et modernes des différentes écoles, très-belle collection d'aquarelles des premiers artistes hollandais et français, composant le cabinet de M.C.R., dont la vente aura lieu, Hotel Drouot ... les jeudi 21 et vendredi 22 novembre 1872 ... par le ministère de Me Escribe, commissaire-priseur ... assité de M. Horsin Déon, peintre ...
Catalogue d'un joli choix de dessins anciens des écoles italienne, flamande, hollandaise et française, formant la collection de M. Palla, dont la vente aura lieu Hotel Drouot ... les lundi 28 et mardi 29 avril 1873 ... Me Delbergue-Cormont, commissaire-priseur ... assisté de M. Feral, peintre ...
Catalogue d'une collection de dessins anciens et modrnes, aquarelles, gouaches, pastels ... dessins des écoles italienne, flamande et hollandaise, dont la vente aura lieu Hotel Drouot ... le samedi 13 mars 1875 ... Me Delbergue-Cormont, commissaire-priseur ... assisté de MM. Dhios et George, experts ...
The Museums of Contemporary Art
Author: J. Pedro Lorente
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.