Author: Johns Hopkins University. Peabody Institute. LibraryPublisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 842
Book Description
Second Catalogue of the Library of the Peabody Institute of the City of Baltimore, Including the Additions Made Since 1882
Author: Johns Hopkins University. Peabody Institute. LibraryPublisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 842
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library (London)Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 548
Book Description
Catalogue
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 152
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
The Purchase of the Past
Author: Tom StammersPublisher: Cambridge University Press
ISBN: 1108478840
Category : Art
Languages : en
Pages : 375
Book Description
Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.
The Purchase of the Past
Author: Tom StammersPublisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Catalogue of Ceramics: Norman, A. V. B. Pottery, maiolica, faience, stoneware
Author: Wallace Collection (London, England)Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 462
Book Description
Ceramics from one of the most important collection in the world.
Dictionary Catalog of the Art and Architecture Division
Author: New York Public Library. Art and Architecture DivisionPublisher:
ISBN:
Category : Architecture
Languages : en
Pages : 732
Book Description
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. SpiethPublisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.