Author: J. LewinePublisher:
ISBN:
Category : Art
Languages : fr
Pages : 722
Book Description
Bibliography of Eighteenth Century Art and Illustrated Books
Author: J. LewineMirror of the Stage
Author: Ellis TiniosPublisher:
ISBN:
Category : Art
Languages : en
Pages : 48
Book Description
"This book [exhibition catalog] has been written as an introduction to nineteenth-century Japanese colour woodblock actor prints and to the achievements of the artist Kunisada in that field [as well as to accompany the exhibition of the same name]. It is divided into three sections. In the first, I examine four topics: the social and cultural milieu that gave rise to the production of prints as items of mass consumption; the aesthetic of the actor print; the economics of print production (including consideration of the numbers issued, the prices at which they were sold and their rates of survival); and the process by which prints were produced. The second section consists of sixteen colour plates with commentaries. In the final section, I survey Kunisada's career."--from Introduction
How to Form a Library
Author: Henry Benjamin WheatleyPublisher:
ISBN:
Category : Best books
Languages : en
Pages : 274
Book Description
A Concordance to the Works of Alexander Pope
Author: Edwin AbbottPublisher:
ISBN:
Category : English language
Languages : en
Pages : 416
Book Description
Catalogue of the Library of Robert Hoe of New York
Author: Robert HoeMetamorphoses
Author: Emanuele CocciaPublisher: John Wiley & Sons
ISBN: 1509545689
Category : Philosophy
Languages : en
Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Enciclopedia Metodica Critico-Ragionata Delle Belle Arti
Author: Pietro ZaniPublisher: Palala Press
ISBN: 9781379225812
Category : History
Languages : en
Pages : 362
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Unfinished Print
Author: Peter W. ParshallPublisher:
ISBN:
Category : Art
Languages : en
Pages : 106
Book Description
The Temple of Gnidus
Author: Charles de Secondat MontesquieuPublisher: Gale Ecco, Print Editions
ISBN: 9781385750537
Category :
Languages : en
Pages : 158
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) T177494 Anonymous. By Charles Louis de Secondat, Baron de Montesquieu. Parallel French and English titlepages and text, the French title being 'Le temple de Gnide'. With a final advertisement leaf. Dublin: printed by S. Powell, 1750. 155, [3]p.; 12°
In the Wake of Galileo
Author: Michael SegrePublisher:
ISBN: 9780813517018
Category : Technology & Engineering
Languages : en
Pages : 192
Book Description
Michael Segre's elegant survey of Galileo takes a close look at the myths that have grown up around this figure of genius. Segre assesses Galileo's place in the scientific, cultural, and political communities of post-Renaissance Italy: What role did scientific experiments really play in Galileo's science? What scientific and philosophical questions did he leave unresolved for his followers to grapple with? How did his followers—scientists like Borelli and Torricelli—deal with Galileo's overshadowing presence after his death? How did Galileo's political and religious confrontations affect the course of science? Segre's portrait of Galileo and science in the generation that followed him is accessible and stimulating to the general reader, the student, and the professional historian of science alike.