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Catalogue

Catalogue PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 982

Book Description


Catalogue

Catalogue PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 982

Book Description


General catalogue of printed books

General catalogue of printed books PDF Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 544

Book Description


Bibliotheca Lindesiana ...

Bibliotheca Lindesiana ... PDF Author: James Ludovic Lindsay Earl of Crawford
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1378

Book Description


General Catalogue of Printed Books

General Catalogue of Printed Books PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 504

Book Description


Delicious Decadence ?The Rediscovery of French Eighteenth-Century Painting in the Nineteenth Century

Delicious Decadence ?The Rediscovery of French Eighteenth-Century Painting in the Nineteenth Century PDF Author: Monica Preti
Publisher: Routledge
ISBN: 1351569910
Category : Art
Languages : en
Pages : 324

Book Description
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.

Bibliography of Eighteenth Century Art and Illustrated Books

Bibliography of Eighteenth Century Art and Illustrated Books PDF Author: J. Lewine
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722

Book Description


The British Library General Catalogue of Printed Books to 1975

The British Library General Catalogue of Printed Books to 1975 PDF Author: British Library (London)
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536

Book Description


Supplement to the Universal Catalogue of Books on Art

Supplement to the Universal Catalogue of Books on Art PDF Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 668

Book Description


Catalogue of the ... Library Belonging to M.C. Coutelle, Paris, Including the Entire Library of the Late Anatole de Montaiglon ... To be Sold by Auction ...

Catalogue of the ... Library Belonging to M.C. Coutelle, Paris, Including the Entire Library of the Late Anatole de Montaiglon ... To be Sold by Auction ... PDF Author: C. Coutelle
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 630

Book Description


The Purchase of the Past

The Purchase of the Past PDF Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375

Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.