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Catalogue

Catalogue PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028

Book Description


Catalogue

Catalogue PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028

Book Description


Catalogue

Catalogue PDF Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 304

Book Description


General Catalogue (no. 293)

General Catalogue (no. 293) PDF Author: Martinus Nijhoff Publishers
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 460

Book Description


The Caxton Head Catalogue

The Caxton Head Catalogue PDF Author: James Tregaskis (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1352

Book Description


Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642

Book Description


Sale Catalogues

Sale Catalogues PDF Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302

Book Description


The Purchase of the Past

The Purchase of the Past PDF Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375

Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.

Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038

Book Description


Catalogue of Printed Books

Catalogue of Printed Books PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 492

Book Description


The Women Impressionists

The Women Impressionists PDF Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313032467
Category : Art
Languages : en
Pages : 212

Book Description
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.