Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description
The National Union Catalog, Pre-1956 Imprints
A Catalog of Books Represented by Library of Congress Printed Cards Issued to July 31, 1942
The Private Collection of Edgar Degas
Author: Julie A. Steiner
Publisher: Abrams
ISBN:
Category : Architecture
Languages : en
Pages : 160
Book Description
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.
Publisher: Abrams
ISBN:
Category : Architecture
Languages : en
Pages : 160
Book Description
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.
Catalogue de tableaux par Besnard, Bonvin, Boudin... [et al.], et aquarelles, pastels, dessins...
Cyclopedia of Painters and Paintings
Author: John Denison Champlin
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 448
Book Description
Catalogue, 1906
Author: Staten Island Academy, New Brighton, N.Y. Arthur Winter Memorial Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 114
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 114
Book Description
The Glasgow Boys
Author: Roger Billcliffe
Publisher: Frances Lincoln
ISBN: 9780711229068
Category : Art
Languages : en
Pages : 396
Book Description
At the end of the 19th century, a group of young Glasgow-based painters established an international reputation for realism and plein-air landscape painting. Led by James Guthrie, John Lavery, Arthur Melville, George Henry, and E. A. Hornel, the Glasgow Boys, as they came to be known, shared an enthusiasm for strong, fresh colors, naturalistic subject matter, and a willingness to travel outside Scotland for subjects and settings. Their enthusiasm for naturalism was equaled only by their dislike of the Scottish arts establishment. In this widely acclaimed book, Roger Billcliffe describes not only the work of the individual artists but also their rejection by local collectors and officialdom before European success caused their work to become much in demand. First published 20 years ago, the book rekindled interest in the group and their work. Now redesigned with more than 200 illustrations in color, it introduces the collective to a new generation of readers and collectors.
Publisher: Frances Lincoln
ISBN: 9780711229068
Category : Art
Languages : en
Pages : 396
Book Description
At the end of the 19th century, a group of young Glasgow-based painters established an international reputation for realism and plein-air landscape painting. Led by James Guthrie, John Lavery, Arthur Melville, George Henry, and E. A. Hornel, the Glasgow Boys, as they came to be known, shared an enthusiasm for strong, fresh colors, naturalistic subject matter, and a willingness to travel outside Scotland for subjects and settings. Their enthusiasm for naturalism was equaled only by their dislike of the Scottish arts establishment. In this widely acclaimed book, Roger Billcliffe describes not only the work of the individual artists but also their rejection by local collectors and officialdom before European success caused their work to become much in demand. First published 20 years ago, the book rekindled interest in the group and their work. Now redesigned with more than 200 illustrations in color, it introduces the collective to a new generation of readers and collectors.
Impressionism & Scotland
Author: Frances Fowle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
At the end of the nineteenth century Scotland was one of the most powerful industrial nations in the world. Huge wealth was generated in cities such as Glasgow, Aberdeen and Dundee and this period saw the emergence of a new breed of mercantile art collector, eager to invest in modern European art. This book is the first to explore the Scottish taste for Impressionism and Post-Impressionism c.1865-1930 and the impact of this art on two generations of Scottish artists. The term 'Impressionism' was then applied to artists as diverse as Corot, Whistler and the Glasgow Boys, as well as Monet, Degas and their contemporaries and the essays in this book - by leading scholars in the field - address a number of themes, including the influence of Dutch and French Realism on Scottish art, modern life imagery in the work of the Glasgow Boys, the taste for Whistler and his importance for Scottish art; William Burrell's collection of Impressionist pictures; and the impact of French art on the Scottish Colourists. Published to accompany the major exhibition Impressionism and Scotland (2008). AUTHOR: Dr Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in Art History at the University of Edinburgh. She has published widely on nineteenth century art, collecting and the art market and her publications include Monet and French Landscape (Edinburgh 2006) and (with Richard Thomson) Soil and Stone: Impressionism, Urbanism, Environment (London 2003). 160 colour & 40 b/w illustrations
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
At the end of the nineteenth century Scotland was one of the most powerful industrial nations in the world. Huge wealth was generated in cities such as Glasgow, Aberdeen and Dundee and this period saw the emergence of a new breed of mercantile art collector, eager to invest in modern European art. This book is the first to explore the Scottish taste for Impressionism and Post-Impressionism c.1865-1930 and the impact of this art on two generations of Scottish artists. The term 'Impressionism' was then applied to artists as diverse as Corot, Whistler and the Glasgow Boys, as well as Monet, Degas and their contemporaries and the essays in this book - by leading scholars in the field - address a number of themes, including the influence of Dutch and French Realism on Scottish art, modern life imagery in the work of the Glasgow Boys, the taste for Whistler and his importance for Scottish art; William Burrell's collection of Impressionist pictures; and the impact of French art on the Scottish Colourists. Published to accompany the major exhibition Impressionism and Scotland (2008). AUTHOR: Dr Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in Art History at the University of Edinburgh. She has published widely on nineteenth century art, collecting and the art market and her publications include Monet and French Landscape (Edinburgh 2006) and (with Richard Thomson) Soil and Stone: Impressionism, Urbanism, Environment (London 2003). 160 colour & 40 b/w illustrations
The Havemeyers
Author: Frances Weitzenhoffer
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 394
Book Description
Louisine and H.O. Havemeyer were among the premier art collectors of the late nineteenth and early twentieth centuries.
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 394
Book Description
Louisine and H.O. Havemeyer were among the premier art collectors of the late nineteenth and early twentieth centuries.
Hans Memlinc
Author: William Henry James Weale
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
Book Description