Author: FéralPublisher:
ISBN:
Category :
Languages : fr
Pages : 27
Book Description
Catalogue de tableaux des premiers maîtres de l'école moderne... formant en partie la collection de M. M***, de Marseille...
Author: FéralTableaux des premiers maitres de l'école moderne
Author: Hôtel DrouotCatalogue de tableaux et dessins de l'école moderne... formant la collection de M. R***..., tableaux anciens et modernes... dépendant de la collection de M. X***...
Author: Eugène FéralCatalogue de tableaux et dessins de l'école moderne, et de quelques tableaux de l'école ancienne, formant la collection de m. Paul Perier [1846].
![Catalogue de tableaux et dessins de l'école moderne, et de quelques tableaux de l'école ancienne, formant la collection de m. Paul Perier [1846]. PDF](https://books.google.com/books/content/images/frontcover/bFZ-zwEACAAJ?fife=w80-h100)
Author: Catalogue de tableaux et dessins du premier mérite, et par les premiers maitres de l'école moderne, dont la vente aura lieu, après départ de m. ...
Author: Painted Love
Author: Hollis ClaysonPublisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224
Book Description
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1290
Book Description
A Century of Artists Books
Author: Riva CastlemanPublisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
The J. Paul Getty Museum Journal
Author: The J. Paul Getty MuseumPublisher: Getty Publications
ISBN: 0892360186
Category : Art
Languages : en
Pages : 217
Book Description
The J. Paul Getty Museum Journal 6/7 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, paintings, sculpture, and works of art. This volume includes an editorial statement by the journal’s editors: Burton B. Fredericksen, curator of Paintings, Jiří Frel, curator of Antiquities, and Gillian Wilson, curator of Decorative Arts. Conservation problems are discussed along with articles written by K. Christiansen, B. B. Fredericksen, S. Holo, G. Wilson, B. L. Shifman, M. Shapiro, J. Frel, D. M. Brinkerhoff, C. C. Vermeule, G. Koch, S. Downey, l. Kilian-Dirlmeier, C. Cardon, F. Brommer, M. A. Del Chiaro, P. Visonà, J. Cody, R. Mellor, D. L. Thompson, E. Langlotz, P. Zazoff, S. Knudsen Morgan, M. Jentoft-Nilsen, and A. Manzoni.
In Defiance of Painting
Author: Christine PoggiPublisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.