Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Charles-Maurice de Talleyrand, 1754-1838
Author:
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 238
Book Description
Every since Talleyrand assumed a prominent role during the opening stages of the French Revolution, his intentions and motivations have been the subject of heated debate. The debate about his achievements and merits is far from over. This bibliography is the first to be compiled on Napoleon's foreign minister. It opens with a chronology of Talleyrand's life and an introduction summarizing the salient points in his career. It is then divided into sections covering the available archival sources, Talleyrand's own writings, contemporary pamphlets and books, and works written about him since his death. The volume opens with a chronology of Talleyrand's life and an introduction summarizing the salient points in his career and pointing to discrepancies in the Talleyrand historiography. The initial section describes the most important archival sources available in France and other countries. The second section covers Talleyrand's own publications, his parliamentary interventions, and his correspondence. Contemporary pamphlets and books, many critical of Talleyrand's secularization of Church property, are covered in the third section. The final section includes works written about Talleyrand since his death as well as works on topics related to him, such as his women and children, his portrayal in art and literature, and a list of drawings and lithographs dedicated to him.
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 238
Book Description
Every since Talleyrand assumed a prominent role during the opening stages of the French Revolution, his intentions and motivations have been the subject of heated debate. The debate about his achievements and merits is far from over. This bibliography is the first to be compiled on Napoleon's foreign minister. It opens with a chronology of Talleyrand's life and an introduction summarizing the salient points in his career. It is then divided into sections covering the available archival sources, Talleyrand's own writings, contemporary pamphlets and books, and works written about him since his death. The volume opens with a chronology of Talleyrand's life and an introduction summarizing the salient points in his career and pointing to discrepancies in the Talleyrand historiography. The initial section describes the most important archival sources available in France and other countries. The second section covers Talleyrand's own publications, his parliamentary interventions, and his correspondence. Contemporary pamphlets and books, many critical of Talleyrand's secularization of Church property, are covered in the third section. The final section includes works written about Talleyrand since his death as well as works on topics related to him, such as his women and children, his portrayal in art and literature, and a list of drawings and lithographs dedicated to him.
General Catalogue of Printed Books
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 586
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 586
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library (London)
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 490
Book Description
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 490
Book Description
British Museum Catalogue of printed Books
General Catalogue of Printed Books to 1955
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1292
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1292
Book Description
The British Museum Catalogue of Printed Books, 1881-1900
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1136
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1136
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1290
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1290
Book Description
Catalogue of the Printed Books in the Library of the British Museum
Salvator Rosa in French Literature
Author: James Patty
Publisher: University Press of Kentucky
ISBN: 0813171938
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Publisher: University Press of Kentucky
ISBN: 0813171938
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.