Author: Johns Hopkins University. Peabody Institute. LibraryPublisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 784
Book Description
Second Catalogue of the Library of the Peabody Institute of the City of Baltimore, Including the Additions Made Since 1882
Author: Johns Hopkins University. Peabody Institute. LibraryPublisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 784
Book Description
Catalogue de tableaux anciens de premier ordre des écoles hollandaise et flamande provenant de différentes successions
Author: Van Pappelendam & SchoutenPublisher:
ISBN:
Category :
Languages : fr
Pages : 40
Book Description
Second Catalogue of the Library of the Peabody Institute of the City of Baltimore
Author: General Catalogue of Printed Books to 1955
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1292
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 728
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library (London)Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
Dictionary Catalog of the Art and Architecture Division
Author: New York Public Library. Art and Architecture DivisionPublisher:
ISBN:
Category : Architecture
Languages : en
Pages : 756
Book Description
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. SpiethPublisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: Emile Bergerat
Author: