Author: Margot Gayle
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216
Book Description
Cast-iron Architecture in New York
Author: Margot Gayle
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216
Book Description
Cast Iron Architecture In America
Author: Margot Gayle
Publisher: W. W. Norton & Company
ISBN: 9780393730159
Category : Architecture
Languages : en
Pages : 294
Book Description
The first book on the life and work of 19th-century American inventor and entrepreneur James Bogardus, known for his unique grinding mill and other patented devices. However, his enduring claim to fame is his cast-iron structures, forerunners of the modern skyscraper. Modern interest in Bogardus stems from the historic preservation movement. His four surviving buildings in New York are recognized landmarks. Illustrated.
Publisher: W. W. Norton & Company
ISBN: 9780393730159
Category : Architecture
Languages : en
Pages : 294
Book Description
The first book on the life and work of 19th-century American inventor and entrepreneur James Bogardus, known for his unique grinding mill and other patented devices. However, his enduring claim to fame is his cast-iron structures, forerunners of the modern skyscraper. Modern interest in Bogardus stems from the historic preservation movement. His four surviving buildings in New York are recognized landmarks. Illustrated.
The Lofts of SoHo
Author: Aaron Shkuda
Publisher: University of Chicago Press
ISBN: 0226833410
Category : Architecture
Languages : en
Pages : 304
Book Description
A groundbreaking look at the transformation of SoHo. American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
Publisher: University of Chicago Press
ISBN: 0226833410
Category : Architecture
Languages : en
Pages : 304
Book Description
A groundbreaking look at the transformation of SoHo. American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
The Architecture of Downtown Troy
Author: Diana S. Waite
Publisher: SUNY Press
ISBN: 1438474733
Category : History
Languages : en
Pages : 226
Book Description
Tells the forgotten but surprising stories of the many handsome and significant buildings in downtown Troy, New York. Located about 150 miles north of Manhattan, on the east bank of the Hudson River, the city of Troy, New York, was once an industrial giant. It led the nation in iron production throughout much of the nineteenth century, and its factories turned out bells and cast-iron stoves that were sold the world over. Its population was both enterprising and civic-minded. Along with Troy’s economic success came the public, commercial, educational, residential, and religious buildings to prove it. Stores, banks, churches, firehouses, and schools, both modest and sophisticated, sprouted up in the latest architectural styles, creating a lively and fashionable downtown. Row houses and brownstones for the middle class and the wealthy rivaled those in Brooklyn and Manhattan. By the mid-twentieth century, however, Troy had dwindled in both prominence and population. Downtown stagnated, leaving building facades and interiors untouched, often for decades. A late-blooming urban-renewal program demolished many blocks of buildings, but preservationists fought back. Today, reinvestment is accelerating, and Troy now boasts what the New York Times has called “one of the most perfectly preserved nineteenth-century downtowns in the United States.” This book tells the stories behind the many handsome and significant buildings in downtown Troy and how they were designed and constructed—stories that have never been pulled together before. For the first time in generations, scores of Troy buildings are again linked with their architects, some local but others from out of town (the “starchitects” of their day) and even from Europe. In addition to numerous historic images, the book also includes contemporary photographs by local photographer Gary Gold. This book will inform, delight, and surprise readers, thereby helping to build an educated constituency for the preservation of an important American city. “Diana Waite has labored long to bring us the architectural history of Troy, which is said to have one of the most perfectly preserved downtowns in the United States. Great architects designed some of the city’s impressive buildings—Richard Upjohn, Leopold Eidlitz, Marcus T. Reynolds; but so did architects fairly early in their careers—such as George B. Post, who did the iconic flatiron Hall building on First Street, and the very visible Troy Savings Bank Music Hall. The book is also a wistful tour of the lost past—truly magnificent structures and sumptuous interiors that fell to the wrecking ball. And here are the stories behind major landmarks—such as the Approach staircase up to RPI (or down to Troy); the struggle to raise a monument at the center of the city to Troy’s fallen soldiers from three wars; and the complex installation of six major Tiffany windows in St. Paul’s Episcopal Church. The book is abundantly illustrated, with maps, and written in lively narrative style. Ms. Waite often quotes newspaper accounts of construction as it was happening, which vivifies her history.” — William Kennedy “Urban economist Edward L. Glaeser proclaims cities the triumph of humanity, both the ultimate expression of human culture and the engine that has propelled human progress. In this insightful and beautifully illustrated book, Diana Waite tells the story of one exceptional, mostly nineteenth-century example: Troy, New York. Troy is a rare gem, largely unspoiled by the forces that turned so many of America’s towns into wastelands of asphalt. As architects, planners, and policymakers struggle to define a twenty-first-century world that kicks the habits of our fossil-fuel-addicted modernity, that rediscovers how to make places for people, that builds strong communities, studying places like Troy takes on entirely new relevance. The Architecture of Downtown Troy paints a picture of the evolution of a historic town that provides valuable lessons for building the world of tomorrow.” — Carl Elefante, 2018 President, The American Institute of Architects “Diana Waite’s history of Troy’s downtown buildings describes the importance and diversity of this city’s distinctive architecture. Her clear narrative of Troy’s nineteenth-century growth, fires, early twentieth-century expansion, and its engagement of nationally recognized architects is excellent and supported by voluminous photographs. Troy is fortunate that twentieth-century ‘urban renewal’ occurred in a corner of the central business district, leaving intact so much of the city’s well-designed commercial, educational, and residential buildings. This new book presents an accurate, readable, and cohesive history of Troy. It is a must read.” — Matthew Bender IV “The pleasure of Troy isn’t discovering a single old building, but finding yourself lost among dozens of them. You may feel as if it were 1880, and you were strolling home to Washington Park, perhaps just for a change of collar.” — New York Times
Publisher: SUNY Press
ISBN: 1438474733
Category : History
Languages : en
Pages : 226
Book Description
Tells the forgotten but surprising stories of the many handsome and significant buildings in downtown Troy, New York. Located about 150 miles north of Manhattan, on the east bank of the Hudson River, the city of Troy, New York, was once an industrial giant. It led the nation in iron production throughout much of the nineteenth century, and its factories turned out bells and cast-iron stoves that were sold the world over. Its population was both enterprising and civic-minded. Along with Troy’s economic success came the public, commercial, educational, residential, and religious buildings to prove it. Stores, banks, churches, firehouses, and schools, both modest and sophisticated, sprouted up in the latest architectural styles, creating a lively and fashionable downtown. Row houses and brownstones for the middle class and the wealthy rivaled those in Brooklyn and Manhattan. By the mid-twentieth century, however, Troy had dwindled in both prominence and population. Downtown stagnated, leaving building facades and interiors untouched, often for decades. A late-blooming urban-renewal program demolished many blocks of buildings, but preservationists fought back. Today, reinvestment is accelerating, and Troy now boasts what the New York Times has called “one of the most perfectly preserved nineteenth-century downtowns in the United States.” This book tells the stories behind the many handsome and significant buildings in downtown Troy and how they were designed and constructed—stories that have never been pulled together before. For the first time in generations, scores of Troy buildings are again linked with their architects, some local but others from out of town (the “starchitects” of their day) and even from Europe. In addition to numerous historic images, the book also includes contemporary photographs by local photographer Gary Gold. This book will inform, delight, and surprise readers, thereby helping to build an educated constituency for the preservation of an important American city. “Diana Waite has labored long to bring us the architectural history of Troy, which is said to have one of the most perfectly preserved downtowns in the United States. Great architects designed some of the city’s impressive buildings—Richard Upjohn, Leopold Eidlitz, Marcus T. Reynolds; but so did architects fairly early in their careers—such as George B. Post, who did the iconic flatiron Hall building on First Street, and the very visible Troy Savings Bank Music Hall. The book is also a wistful tour of the lost past—truly magnificent structures and sumptuous interiors that fell to the wrecking ball. And here are the stories behind major landmarks—such as the Approach staircase up to RPI (or down to Troy); the struggle to raise a monument at the center of the city to Troy’s fallen soldiers from three wars; and the complex installation of six major Tiffany windows in St. Paul’s Episcopal Church. The book is abundantly illustrated, with maps, and written in lively narrative style. Ms. Waite often quotes newspaper accounts of construction as it was happening, which vivifies her history.” — William Kennedy “Urban economist Edward L. Glaeser proclaims cities the triumph of humanity, both the ultimate expression of human culture and the engine that has propelled human progress. In this insightful and beautifully illustrated book, Diana Waite tells the story of one exceptional, mostly nineteenth-century example: Troy, New York. Troy is a rare gem, largely unspoiled by the forces that turned so many of America’s towns into wastelands of asphalt. As architects, planners, and policymakers struggle to define a twenty-first-century world that kicks the habits of our fossil-fuel-addicted modernity, that rediscovers how to make places for people, that builds strong communities, studying places like Troy takes on entirely new relevance. The Architecture of Downtown Troy paints a picture of the evolution of a historic town that provides valuable lessons for building the world of tomorrow.” — Carl Elefante, 2018 President, The American Institute of Architects “Diana Waite’s history of Troy’s downtown buildings describes the importance and diversity of this city’s distinctive architecture. Her clear narrative of Troy’s nineteenth-century growth, fires, early twentieth-century expansion, and its engagement of nationally recognized architects is excellent and supported by voluminous photographs. Troy is fortunate that twentieth-century ‘urban renewal’ occurred in a corner of the central business district, leaving intact so much of the city’s well-designed commercial, educational, and residential buildings. This new book presents an accurate, readable, and cohesive history of Troy. It is a must read.” — Matthew Bender IV “The pleasure of Troy isn’t discovering a single old building, but finding yourself lost among dozens of them. You may feel as if it were 1880, and you were strolling home to Washington Park, perhaps just for a change of collar.” — New York Times
Badger's Illustrated Catalogue of Cast-iron Architecture
Author: Daniel D. Badger
Publisher: Courier Dover Publications
ISBN:
Category : Architecture
Languages : en
Pages : 162
Book Description
Most extensive, most ambitious, most thoroughly documented primary source of cast-iron architecture in 19th-century America. An architectural classic! 102 plates.
Publisher: Courier Dover Publications
ISBN:
Category : Architecture
Languages : en
Pages : 162
Book Description
Most extensive, most ambitious, most thoroughly documented primary source of cast-iron architecture in 19th-century America. An architectural classic! 102 plates.
Exploring New York's SoHo
Author: Alfred Pommer
Publisher: Arcadia Publishing
ISBN: 1614237026
Category : Travel
Languages : en
Pages : 172
Book Description
This historical guide reveals the events, architecture and personalities that make SoHo one of Manhattan’s most storied neighborhoods. SoHo—short for South of Houston—is a world-famous tourist destination known for its high-end fashion boutiques, innovative restaurants, and gorgeous loft apartments. But these modern luxuries are intermingled with a rich history that can still be seen in the neighborhood’s architecture and Belgian block side streets. In fact, the SoHo Cast-Iron Historic District is listed on the National Register of Historic Places. SoHo’s beautiful old buildings tell a fascinating story of urban development, decline and regeneration. It was once the center of New York's show business world and its most infamous red-light district. The richest and poorest Manhattanites walked these streets, as well as historic notables such as John Jacob Astor, Harry Houdini, Aaron Burr and P.T. Barnum. In this colorful history, local authors Alfred Pommer and Eleanor Winters reveal these and other stories of an ever-changing SoHo.
Publisher: Arcadia Publishing
ISBN: 1614237026
Category : Travel
Languages : en
Pages : 172
Book Description
This historical guide reveals the events, architecture and personalities that make SoHo one of Manhattan’s most storied neighborhoods. SoHo—short for South of Houston—is a world-famous tourist destination known for its high-end fashion boutiques, innovative restaurants, and gorgeous loft apartments. But these modern luxuries are intermingled with a rich history that can still be seen in the neighborhood’s architecture and Belgian block side streets. In fact, the SoHo Cast-Iron Historic District is listed on the National Register of Historic Places. SoHo’s beautiful old buildings tell a fascinating story of urban development, decline and regeneration. It was once the center of New York's show business world and its most infamous red-light district. The richest and poorest Manhattanites walked these streets, as well as historic notables such as John Jacob Astor, Harry Houdini, Aaron Burr and P.T. Barnum. In this colorful history, local authors Alfred Pommer and Eleanor Winters reveal these and other stories of an ever-changing SoHo.
Function and Fantasy: Iron Architecture in the Long Nineteenth Century
Author: Paul Dobraszczyk
Publisher: Routledge
ISBN: 1317131401
Category : Architecture
Languages : en
Pages : 326
Book Description
The introduction of iron – and later steel – construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven unique and original chapters chart – for the first time – the global reach of iron’s architectural reception, from the first debates on how iron could be incorporated into architecture’s traditional aesthetics to the modernist cleaving of its structural and ornamental roles. The book is divided into three sections. Formations considers the rising tension between the desire to translate traditional architectural motifs into iron and the nascent feeling that iron buildings were themselves creating an entirely new field of aesthetic expression. Exchanges charts the commercial and cultural interactions that took place between British iron foundries and clients in far-flung locations such as Argentina, Jamaica, Nigeria and Australia. Expressing colonial control as well as local agency, iron buildings struck a balance between pre-fabricated functionalism and a desire to convey beauty, value and often exoticism through ornament. Transformations looks at the place of the aesthetics of iron architecture in the late nineteenth and early twentieth centuries, a period in which iron ornament sought to harmonize wide social ambitions while offering the tantalizing possibility that iron architecture as a whole could transform the fundamental meanings of ornament. Taken together, these chapters call for a re-evaluation of modernism’s supposedly rationalist interest in nineteenth-century iron structures, one that has potentially radical implications for the recent ornamental turn in contemporary architecture.
Publisher: Routledge
ISBN: 1317131401
Category : Architecture
Languages : en
Pages : 326
Book Description
The introduction of iron – and later steel – construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven unique and original chapters chart – for the first time – the global reach of iron’s architectural reception, from the first debates on how iron could be incorporated into architecture’s traditional aesthetics to the modernist cleaving of its structural and ornamental roles. The book is divided into three sections. Formations considers the rising tension between the desire to translate traditional architectural motifs into iron and the nascent feeling that iron buildings were themselves creating an entirely new field of aesthetic expression. Exchanges charts the commercial and cultural interactions that took place between British iron foundries and clients in far-flung locations such as Argentina, Jamaica, Nigeria and Australia. Expressing colonial control as well as local agency, iron buildings struck a balance between pre-fabricated functionalism and a desire to convey beauty, value and often exoticism through ornament. Transformations looks at the place of the aesthetics of iron architecture in the late nineteenth and early twentieth centuries, a period in which iron ornament sought to harmonize wide social ambitions while offering the tantalizing possibility that iron architecture as a whole could transform the fundamental meanings of ornament. Taken together, these chapters call for a re-evaluation of modernism’s supposedly rationalist interest in nineteenth-century iron structures, one that has potentially radical implications for the recent ornamental turn in contemporary architecture.
WORKac
Author: Amale Andraos
Publisher: The Monacelli Press, LLC
ISBN: 1580934994
Category : Architecture
Languages : en
Pages : 361
Book Description
This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today. WORKac: We’ll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm’s career over the course of three Five-Year Plans (Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice. WORKac has achieved international acclaim, winning design competitions in Russia, Gabon, and China, and in 2015 the practice was named the 2015 AIANY State Firm of the Year. Showcasing projects for MoMA PS1, Edible Schoolyards NYC, Anthropologie, Diane von Furstenberg, Creative Time, and many more, the book is a tasting menu of everything the practice embraces: never assuming what architecture “is” but always imagining together what it can become. From residential interiors to futuristic masterplans of ecological cities, WORKac samples the wide spectrum of their critical, witty, and dialogued work.
Publisher: The Monacelli Press, LLC
ISBN: 1580934994
Category : Architecture
Languages : en
Pages : 361
Book Description
This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today. WORKac: We’ll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm’s career over the course of three Five-Year Plans (Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice. WORKac has achieved international acclaim, winning design competitions in Russia, Gabon, and China, and in 2015 the practice was named the 2015 AIANY State Firm of the Year. Showcasing projects for MoMA PS1, Edible Schoolyards NYC, Anthropologie, Diane von Furstenberg, Creative Time, and many more, the book is a tasting menu of everything the practice embraces: never assuming what architecture “is” but always imagining together what it can become. From residential interiors to futuristic masterplans of ecological cities, WORKac samples the wide spectrum of their critical, witty, and dialogued work.
Reglazing Modernism
Author: Uta Pottgiesser
Publisher: Birkhäuser
ISBN: 3035619344
Category : Architecture
Languages : de
Pages : 256
Book Description
The worldwide use of building envelopes in steel and glass is one of the characteristic features of modern architecture. Many of these pre- and post-war buildings are now suffering severe defects in the building fabric, which necessitate measures to preserve the buildings. In this endeavor, aspects of architectural design, building physics, and the preservation of historic buildings play a key role. Using a selection of 20 iconic buildings in Europe and the USA, the book documents the current technological status of the three most common strategies used today: restoration, rehabilitation, and replacement. The buildings include Fallingwater House by Frank Lloyd Wright, Farnsworth House by Ludwig Mies van der Rohe, Fagus Factory and Bauhaus Building by Walter Gropius.
Publisher: Birkhäuser
ISBN: 3035619344
Category : Architecture
Languages : de
Pages : 256
Book Description
The worldwide use of building envelopes in steel and glass is one of the characteristic features of modern architecture. Many of these pre- and post-war buildings are now suffering severe defects in the building fabric, which necessitate measures to preserve the buildings. In this endeavor, aspects of architectural design, building physics, and the preservation of historic buildings play a key role. Using a selection of 20 iconic buildings in Europe and the USA, the book documents the current technological status of the three most common strategies used today: restoration, rehabilitation, and replacement. The buildings include Fallingwater House by Frank Lloyd Wright, Farnsworth House by Ludwig Mies van der Rohe, Fagus Factory and Bauhaus Building by Walter Gropius.
Posh Portals
Author: Andrew Alpern
Publisher: National Geographic Books
ISBN: 0789213796
Category : Architecture
Languages : en
Pages : 0
Book Description
An illustrated tour of the elegant entrances to New York City’s most celebrated apartment houses This handsome, oversized book introduces us to the grandest entrances of New York City’s residential buildings. These posh portals come in an array of forms and styles, such as the porte cochere, with a passage to admit carriages or motor cars; the classic awning, originally meant to be retracted in good weather; and Neoclassical, Romanesque, and Gothic revivals. Architectural historian Andrew Alpern highlights approximately 140 entrances, from the nineteenth century to the present, including those of the Dakota, the first true luxury apartment house in New York; San Remo, one of Central Park West’s most impressive apartment houses; and the Ansonia, at one time the largest hotel in the world. Each entrance is accompanied by a description of its signal features and the history of the building that surrounds it. All are represented in splendid color photographs, and many by charming watercolor drawings. These ornate entrances offer a glimpse into New York’s past, as well as its future—for today, once again, entryways have begun to feature heavily in the marketing of residential buildings. Posh Portals will be an inspiration for architects and a delight for city dwellers.
Publisher: National Geographic Books
ISBN: 0789213796
Category : Architecture
Languages : en
Pages : 0
Book Description
An illustrated tour of the elegant entrances to New York City’s most celebrated apartment houses This handsome, oversized book introduces us to the grandest entrances of New York City’s residential buildings. These posh portals come in an array of forms and styles, such as the porte cochere, with a passage to admit carriages or motor cars; the classic awning, originally meant to be retracted in good weather; and Neoclassical, Romanesque, and Gothic revivals. Architectural historian Andrew Alpern highlights approximately 140 entrances, from the nineteenth century to the present, including those of the Dakota, the first true luxury apartment house in New York; San Remo, one of Central Park West’s most impressive apartment houses; and the Ansonia, at one time the largest hotel in the world. Each entrance is accompanied by a description of its signal features and the history of the building that surrounds it. All are represented in splendid color photographs, and many by charming watercolor drawings. These ornate entrances offer a glimpse into New York’s past, as well as its future—for today, once again, entryways have begun to feature heavily in the marketing of residential buildings. Posh Portals will be an inspiration for architects and a delight for city dwellers.