Author: Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 354
Book Description
Cassell's Illustrated Family Paper
Author: The Penguin Book of Classical Myths
Author: Jennifer R. MarchPublisher: Penguin UK
ISBN: 0141020776
Category : Fiction
Languages : en
Pages : 414
Book Description
The figures and events of classical myths underpin our culture and the constellations named after them fill the night sky. Whether it�s the raging Minotaur trapped in the Cretan labyrinth or the twelve labours of Hercules, Aphrodite�s birth from the waves or Zeus visiting Danae as a shower of gold, the mythology of Greece and Rome is full of unforgettable stories. All the stories of the Greek tragedies � Oedipus, Medea, Antigone � are there; all the events of the Trojan wars and of Odysseus and Aeneas� epic journeys; the founding of Athens and of Rome� These are the strangest tales of love, war, betrayal and heroism ever told and, while brilliantly retelling them, this book shows how they echo through the works of much later writers from Chaucer and Shakespeare to Camus and Ted Hughes. Full of attractive illustrations and laid out in eighteen clear chapters (the titles include �Dangerous Women� and �Heroes�), Dr Jennifer March has written a fascinating guide to the myths of classical civilization that is as readable as a novel.
The Publishers' Circular and General Record of British and Foreign Literature
Author: The Publisher
Author: ... Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 656
Book Description
The City of Beautiful Nonsense
Author: Ernest Temple ThurstonPublisher:
ISBN:
Category :
Languages : en
Pages : 316
Book Description
The Publishers' Circular and Booksellers' Record of British and Foreign Literature
Author: Educational Times
Author: Reading, Publishing and the Formation of Literary Taste in England, 1880-1914
Author: Mary HammondPublisher: Routledge
ISBN: 1351906461
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels? Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.
Author: