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Author: Susan Verdi Webster Publisher: University of Texas Press ISBN: 1477329749 Category : Art Languages : en Pages : 200
Book Description
An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city’s workshops and its widespread commerce of polychrome sculptures. Who is Caspicara? Nothing is known of Caspicara’s life, and not a single sculpture has been documented as his work. Yet traditional histories laud him as a prolific Indigenous sculptor in eighteenth-century Quito who created exquisite polychrome figures and became a national artistic icon. Drawing on extensive archival, historical, and object research, Susan Verdi Webster peels away layers of historiographical fabrication to reveal what we do and do not know about Caspicara and his work. Rather than being a solitary master, Caspicara collaborated with other, largely Indigenous artists in Quito’s protoindustrial workshops, manufacturing sculptures now credited to him alone. The high quality of Quito sculptures produced by anonymous artists turned the city into a hub of wide-ranging commerce in religious icons. The art world and post-independence Ecuadorians have lionized the one named sculptor, Caspicara, according to the Western model of the artist-genius, amplifying the market for works bearing his name and creating a national hero on par with European masters. Lost in this process were the artists themselves. Webster returns to their world, detailing their methods and labor and, for the first time, documenting a sculpture made by Caspicara.
Author: Susan Verdi Webster Publisher: University of Texas Press ISBN: 1477329749 Category : Art Languages : en Pages : 200
Book Description
An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city’s workshops and its widespread commerce of polychrome sculptures. Who is Caspicara? Nothing is known of Caspicara’s life, and not a single sculpture has been documented as his work. Yet traditional histories laud him as a prolific Indigenous sculptor in eighteenth-century Quito who created exquisite polychrome figures and became a national artistic icon. Drawing on extensive archival, historical, and object research, Susan Verdi Webster peels away layers of historiographical fabrication to reveal what we do and do not know about Caspicara and his work. Rather than being a solitary master, Caspicara collaborated with other, largely Indigenous artists in Quito’s protoindustrial workshops, manufacturing sculptures now credited to him alone. The high quality of Quito sculptures produced by anonymous artists turned the city into a hub of wide-ranging commerce in religious icons. The art world and post-independence Ecuadorians have lionized the one named sculptor, Caspicara, according to the Western model of the artist-genius, amplifying the market for works bearing his name and creating a national hero on par with European masters. Lost in this process were the artists themselves. Webster returns to their world, detailing their methods and labor and, for the first time, documenting a sculpture made by Caspicara.
Author: Michele Greet Publisher: Macmillan ISBN: 9780271034706 Category : Art Languages : en Pages : 320
Book Description
Traces changes in Andean artists' vision of indigenous peoples as well as shifts in the critical discourse surrounding their work between 1920 and 1960.
Author: Michael Handelsman Publisher: Bloomsbury Publishing USA ISBN: 031309585X Category : Social Science Languages : en Pages : 177
Book Description
Culture and Customs of Ecuador celebrates the extraordinary cultural, geographic, and ethnic diversity that has made this small country one of Latin America's most unique. Through this overview of its history, religious institutions, literature, social customs, cinema, media, and visual and performing arts, Ecuador emerges as a vibrant microcosm of Latin America. Students and other readers will learn how Ecuadorian society blends pre-Colombian, colonial, modern, and postmodern cultural forces. The underlying themes of Ecuador's continuous struggles with multiculturalism and national identity are presented with unprecedented clarity. Ecuador is a land of drama and paradox with abundant natural resources and a boom and bust economy that has prolonged dependence and instability. Despite many of the economic and social obstacles typical of developing nations, Ecuador has developed a dynamic culture. This multicultural society comes alive through engaging chapters on everything from history to performing arts. A chronology and glossary supplement the text.
Author: Sara Castro-Klaren Publisher: John Wiley & Sons ISBN: 1118661354 Category : Literary Criticism Languages : en Pages : 723
Book Description
A COMPANION TO LATIN AMERICAN LITERATURE AND CULTURE “The work contains a wealth of information that must surely provide the basic material for a number of study modules. It should find a place on the library shelves of all institutions where Latin American studies form part of the curriculum.” Reference Review “In short, this is a fascinating panoply that goes from a reevaluation of pre-Columbian America to an intriguing consideration of recent developments in the debate on the modem and postmodern. Summing Up: Recommended.” CHOICE A Companion to Latin American Literature and Culture reflects the changes that have taken place in cultural theory and literary criticism since the latter part of the twentieth century. Written by more than thirty experts in cultural theory, literary history, and literary criticism, this authoritative and up-to-date reference places major authors in the complex cultural and historical contexts that have compelled their distinctive fiction, essays, and poetry. This allows the reader to more accurately interpret the esteemed but demanding literature of authors such as Jorge Luis Borges, Mario Vargas Llosa, Octavio Paz, and Diamela Eltit. Key authors whose work has defined a period, or defied borders, as in the cases of Sor Juana Inés de la Cruz, César Vallejo, and Gabriel García Márquez, are also discussed in historical and theoretical context. Additional essays engage the reader with in-depth discussions of forms and genres, and discussions of architecture, music, and film This text provides the historical background to help the reader understand the people and culture that have defined Latin American literature and its reception. Each chapter also includes short selected bibliographic guides and recommendations for further reading.
Author: Susan Verdi Webster
Author: Susan Verdi Webster
Author: Michele Greet
Author: Agustín Moreno Proaño
Author: Jesús Alvarado Hidalgo
Author: Michael Handelsman
Author: Library of Congress
Author: Henry Grattan Doyle
Author: Pan American Union
Author: Sara Castro-Klaren
Author: Pan American Union