Author: Craig Yoe
Publisher:
ISBN:
Category : National socialism
Languages : en
Pages : 212
Book Description
Cartoonists Against the Holocaust
Author: Craig Yoe
Publisher:
ISBN:
Category : National socialism
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : National socialism
Languages : en
Pages : 212
Book Description
The Art and Politics of Arthur Szyk
Author: Steven Luckert
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 158
Book Description
"The Art and Politics of Arthur Szyk, based on the United States Holocaust Memorial Museum's exhibition of the same name, places the artist and his work into the context of the turbulent times in which he lived (1894-1951). This illustrated text examines how Arthur Szyk used his talent to support the Jewish people, attack their enemies, and awaken the world to the threat of Nazism."--BOOK JACKET.
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 158
Book Description
"The Art and Politics of Arthur Szyk, based on the United States Holocaust Memorial Museum's exhibition of the same name, places the artist and his work into the context of the turbulent times in which he lived (1894-1951). This illustrated text examines how Arthur Szyk used his talent to support the Jewish people, attack their enemies, and awaken the world to the threat of Nazism."--BOOK JACKET.
Comic Books, Graphic Novels and the Holocaust
Author: Ewa Stańczyk
Publisher: Routledge
ISBN: 042994229X
Category : History
Languages : en
Pages : 255
Book Description
This book analyses the portrayals of the Holocaust in newspaper cartoons, educational pamphlets, short stories and graphic novels. Focusing on recognised and lesser-known illustrators from Europe and beyond, the volume looks at autobiographical and fictional accounts and seeks to paint a broader picture of Holocaust comic strips from the 1940s to the present. The book shows that the genre is a capacious one, not only dealing with the killing of millions of Jews but also with Jewish lives in war-torn Europe, the personal and transgenerational memory of the Second World War and the wider national and transnational legacies of the Shoah. The chapters in this collection point to the aesthetic diversity of the genre which uses figurative and allegorical representation, as well as applying different stylistics, from realism to fantasy. Finally, the contributions to this volume show new developments in comic books and graphic novels on the Holocaust, including the rise of alternative publications, aimed at the adult reader, and the emergence of state-funded educational comics written with young readers in mind. This book was originally published as a special issue of the Journal of Modern Jewish Studies.
Publisher: Routledge
ISBN: 042994229X
Category : History
Languages : en
Pages : 255
Book Description
This book analyses the portrayals of the Holocaust in newspaper cartoons, educational pamphlets, short stories and graphic novels. Focusing on recognised and lesser-known illustrators from Europe and beyond, the volume looks at autobiographical and fictional accounts and seeks to paint a broader picture of Holocaust comic strips from the 1940s to the present. The book shows that the genre is a capacious one, not only dealing with the killing of millions of Jews but also with Jewish lives in war-torn Europe, the personal and transgenerational memory of the Second World War and the wider national and transnational legacies of the Shoah. The chapters in this collection point to the aesthetic diversity of the genre which uses figurative and allegorical representation, as well as applying different stylistics, from realism to fantasy. Finally, the contributions to this volume show new developments in comic books and graphic novels on the Holocaust, including the rise of alternative publications, aimed at the adult reader, and the emergence of state-funded educational comics written with young readers in mind. This book was originally published as a special issue of the Journal of Modern Jewish Studies.
Dr. Seuss Goes to War
Author: Richard H. Minear
Publisher: New Press/ORIM
ISBN: 1595589902
Category : Humor
Languages : en
Pages : 493
Book Description
“A fascinating collection” of wartime cartoons from the beloved children’s author and illustrator (The New York Times Book Review). For decades, readers throughout the world have enjoyed the marvelous stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know the work Geisel did as a political cartoonist during World War II, for the New York daily newspaper PM. In these extraordinarily trenchant cartoons, Geisel presents “a provocative history of wartime politics” (Entertainment Weekly). Dr. Seuss Goes to War features handsome, large-format reproductions of more than two hundred of Geisel’s cartoons, alongside “insightful” commentary by the historian Richard H. Minear that places them in the context of the national climate they reflect (Booklist). Pulitzer Prize–winner Art Spiegelman’s introduction places Seuss firmly in the pantheon of the leading political cartoonists of our time. “A shocker—this cat is not in the hat!” —Studs Terkel
Publisher: New Press/ORIM
ISBN: 1595589902
Category : Humor
Languages : en
Pages : 493
Book Description
“A fascinating collection” of wartime cartoons from the beloved children’s author and illustrator (The New York Times Book Review). For decades, readers throughout the world have enjoyed the marvelous stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know the work Geisel did as a political cartoonist during World War II, for the New York daily newspaper PM. In these extraordinarily trenchant cartoons, Geisel presents “a provocative history of wartime politics” (Entertainment Weekly). Dr. Seuss Goes to War features handsome, large-format reproductions of more than two hundred of Geisel’s cartoons, alongside “insightful” commentary by the historian Richard H. Minear that places them in the context of the national climate they reflect (Booklist). Pulitzer Prize–winner Art Spiegelman’s introduction places Seuss firmly in the pantheon of the leading political cartoonists of our time. “A shocker—this cat is not in the hat!” —Studs Terkel
Cartoons and Extremism
Author: Joël Kotek
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Abstract:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Abstract:
Survivors of the Holocaust
Author: Kath Shackleton
Publisher: Sourcebooks, Inc.
ISBN: 1492688940
Category : Juvenile Nonfiction
Languages : en
Pages : 96
Book Description
"Perhaps there is no simple, easy way to educate children about the Holocaust. Yet [this] new extraordinary work in the form of a nonfiction graphic novel for children is a valiant attempt to do just that. These testimonials... serve as a reminder never to allow such a tragedy to happen again."—BookTrib Between 1933 and 1945, Adolf Hitler and the Nazi party were responsible for the persecution of millions of Jews across Europe. This extraordinary graphic novel tells the true stories of six Jewish children who survived the Holocaust. From suffering the horrors of Auschwitz, to hiding from Nazi soldiers in war-torn Paris, to sheltering from the Blitz in England, each true story is a powerful testament to the survivors' courage. These remarkable testimonials serve as a reminder never to allow such a tragedy to happen again. Features a current photograph of each contributor and an update about their lives, along with a glossary and timeline to support reader understanding of this period in world history.
Publisher: Sourcebooks, Inc.
ISBN: 1492688940
Category : Juvenile Nonfiction
Languages : en
Pages : 96
Book Description
"Perhaps there is no simple, easy way to educate children about the Holocaust. Yet [this] new extraordinary work in the form of a nonfiction graphic novel for children is a valiant attempt to do just that. These testimonials... serve as a reminder never to allow such a tragedy to happen again."—BookTrib Between 1933 and 1945, Adolf Hitler and the Nazi party were responsible for the persecution of millions of Jews across Europe. This extraordinary graphic novel tells the true stories of six Jewish children who survived the Holocaust. From suffering the horrors of Auschwitz, to hiding from Nazi soldiers in war-torn Paris, to sheltering from the Blitz in England, each true story is a powerful testament to the survivors' courage. These remarkable testimonials serve as a reminder never to allow such a tragedy to happen again. Features a current photograph of each contributor and an update about their lives, along with a glossary and timeline to support reader understanding of this period in world history.
Karski's Mission
Author: Rafael Medoff
Publisher:
ISBN: 9780692537305
Category :
Languages : en
Pages :
Book Description
Karski's Mission: To Stop the Holocaust is a comic book based on the true story of Jan Karski (1914-2000), a Polish Catholic and member of the Polish Underground during World War II, who risked his life to carry his eyewitness account to Allied leaders of the ongoing slaughter of the Jews in Nazi-occupied Poland. Karski was born in a multicultural city of Lodz, Poland, and was educated to be a diplomat, but WWII brought his ambitions to a halt. He became a courier of the Polish Underground and during one of his perilous missions, he was captured by Gestapo and tortured. Afraid that he might give away the secrets, he tried to take his life, but was revived and then rescued by the Polish Underground. He continued his work and, in 1941, Karski went on what would become his most famous mission to witness the atrocities against the Jews in the Warsaw Ghetto. In disguise, he twice infiltrated Warsaw's Jewish Ghetto and visited a transit camp to witness the horrors. Drawing on his photographic memory, he delivered his eyewitness account to western leaders, including British Foreign Minister Anthony Eden and President Franklin Roosevelt. After the war, Karski could not return to communist Poland. He earned his Ph.D. and became professor at Georgetown University, where he served as a distinguished professor in the School of Foreign Service for forty years. A citizen of three nations - a Pole by birth, a naturalized American and an honorary citizen of Israel - Jan Karski never wavered from his commitment to speak out on behalf of oppressed people everywhere to prevent the horrors he had witnessed from repeating themselves. The comic book was written with historic precision by Dr. Rafael Medoff, founding director of The David S. Wyman Institute for Holocaust Studies and the author of 15 books about the Holocaust and Jewish history, and illustrated with bold expression by Dean Motter, artist, writer and designer, best known for the comic book sensation, Mister X. Published by Jan Karski Educational Foundation.
Publisher:
ISBN: 9780692537305
Category :
Languages : en
Pages :
Book Description
Karski's Mission: To Stop the Holocaust is a comic book based on the true story of Jan Karski (1914-2000), a Polish Catholic and member of the Polish Underground during World War II, who risked his life to carry his eyewitness account to Allied leaders of the ongoing slaughter of the Jews in Nazi-occupied Poland. Karski was born in a multicultural city of Lodz, Poland, and was educated to be a diplomat, but WWII brought his ambitions to a halt. He became a courier of the Polish Underground and during one of his perilous missions, he was captured by Gestapo and tortured. Afraid that he might give away the secrets, he tried to take his life, but was revived and then rescued by the Polish Underground. He continued his work and, in 1941, Karski went on what would become his most famous mission to witness the atrocities against the Jews in the Warsaw Ghetto. In disguise, he twice infiltrated Warsaw's Jewish Ghetto and visited a transit camp to witness the horrors. Drawing on his photographic memory, he delivered his eyewitness account to western leaders, including British Foreign Minister Anthony Eden and President Franklin Roosevelt. After the war, Karski could not return to communist Poland. He earned his Ph.D. and became professor at Georgetown University, where he served as a distinguished professor in the School of Foreign Service for forty years. A citizen of three nations - a Pole by birth, a naturalized American and an honorary citizen of Israel - Jan Karski never wavered from his commitment to speak out on behalf of oppressed people everywhere to prevent the horrors he had witnessed from repeating themselves. The comic book was written with historic precision by Dr. Rafael Medoff, founding director of The David S. Wyman Institute for Holocaust Studies and the author of 15 books about the Holocaust and Jewish history, and illustrated with bold expression by Dean Motter, artist, writer and designer, best known for the comic book sensation, Mister X. Published by Jan Karski Educational Foundation.
The Art of Controversy
Author: Victor S Navasky
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
The Poisonous Mushroom: Der Giftpilz
Author: Ernst Hiemer
Publisher: Clemens & Blair, LLC
ISBN: 9781734804225
Category : History
Languages : en
Pages : 74
Book Description
Among the most controversial of Nazi publications was a book for children, published in 1938 under the title Der Giftpilz-or, The Poisonous Mushroom. Here, the Jewish threat to German society was portrayed in the most simplistic and elemental terms. The author, Ernst Hiemer, put together 17 short vignettes or morality stories intended to warn children of the dangers posed by Jews. Jews were depicted as conniving, thieving, treacherous liars who would do anything for personal gain. 'Avoid Jews at all costs, ' was Hiemer's underlying message. Though aimed at children aged roughly 8 to 14, Hiemer's lessons were intended for all readers-older siblings, parents, and grandparents. Following Hitler's lead, and not without justification, Jews were presented as a profound threat to German society; they had to be shunned and ultimately removed from the nation, if the German people were to flourish. Long out of circulation, and banned in Germany and elsewhere, this new edition reproduces a work of historical importance-including full color artwork by German cartoonist Philipp Rupprecht ("Fips"). The book was repeatedly cited at the Nuremberg Trials as evidence of 'Nazi cruelty', and was used by prosecutors to justify a death sentence for its publisher, Julius Streicher. If only for the sake of history, the reading public should have access to one of the more intriguing and notorious publications of the Third Reich.
Publisher: Clemens & Blair, LLC
ISBN: 9781734804225
Category : History
Languages : en
Pages : 74
Book Description
Among the most controversial of Nazi publications was a book for children, published in 1938 under the title Der Giftpilz-or, The Poisonous Mushroom. Here, the Jewish threat to German society was portrayed in the most simplistic and elemental terms. The author, Ernst Hiemer, put together 17 short vignettes or morality stories intended to warn children of the dangers posed by Jews. Jews were depicted as conniving, thieving, treacherous liars who would do anything for personal gain. 'Avoid Jews at all costs, ' was Hiemer's underlying message. Though aimed at children aged roughly 8 to 14, Hiemer's lessons were intended for all readers-older siblings, parents, and grandparents. Following Hitler's lead, and not without justification, Jews were presented as a profound threat to German society; they had to be shunned and ultimately removed from the nation, if the German people were to flourish. Long out of circulation, and banned in Germany and elsewhere, this new edition reproduces a work of historical importance-including full color artwork by German cartoonist Philipp Rupprecht ("Fips"). The book was repeatedly cited at the Nuremberg Trials as evidence of 'Nazi cruelty', and was used by prosecutors to justify a death sentence for its publisher, Julius Streicher. If only for the sake of history, the reading public should have access to one of the more intriguing and notorious publications of the Third Reich.
Was the Cat in the Hat Black?
Author: Philip Nel
Publisher: Oxford University Press
ISBN: 0190635088
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people. Was the Cat in the Hat Black? presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.
Publisher: Oxford University Press
ISBN: 0190635088
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people. Was the Cat in the Hat Black? presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.