Petrarch's Africa PDF Download

Author: Francesco Petrarca
Publisher:
ISBN: 9780300020625
Category : Poetry in Latin, ca 750-1350 English texts
Languages : en
Pages : 289

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Author: Alfonsina Russo Tagliente
Publisher:
ISBN: 9788891825230
Category : Art
Languages : en
Pages : 312

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Author: Carolina López-Ruiz
Publisher: Oxford University Press
ISBN: 0197654428
Category : History
Languages : en
Pages : 787

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The Phoenicians created the Mediterranean world as we know it--yet they remain a poorly understood group. In this Handbook, the first of its kind in English, readers will find expert essays covering the history, culture, and areas of settlement throughout the Phoenician and Punic world.

Author: Irene Rossi
Publisher:
ISBN: 9783110607192
Category :
Languages : en
Pages : 240

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Book Description
Although a relevant number of projects digitizing inscriptions are under development or have been recently accomplished, Digital Epigraphy is not yet considered to be a proper discipline and there are still no regular occasions to meet and discuss. By collecting contributions on nineteen projects - very diversified for geographic and chronological context, for script and language, and for typology of digital output - this volume intends to point out the methodological issues which are specific to the application of information technologies to epigraphy. The first part of the volume is focused on data modelling and encoding, which are conditioned by the specific features of different scripts and languages, and deeply influence the possibility to perform searches on texts and the approach to the lexicographic study of such under-resourced languages. The second part of the volume is dedicated to the initiatives aimed at fostering aggregation, dissemination and the reuse of epigraphic materials, and to discuss issues of interoperability. The common theme of the volume is the relationship between the compliance with the theoretic tools and the methodologies developed by each different tradition of studies, and, on the other side, the necessity of adopting a common framework in order to produce commensurable and shareable results. The final question is whether the computational approach is changing the way epigraphy is studied, to the extent of renovating the discipline on the basis of new, unexplored questions.

Author: Andrea Ercolani
Publisher:
ISBN: 9789042936805
Category : Phoenicia
Languages : en
Pages : 0

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Book Description
The Encyclopaedic Dictionary of Phoenician Culture (EDPC) is the result of a wide-ranging international project and is intended to be an in-depth and up-to-date standard reference work for Phoenician studies. It is a series in the form of an encyclopaedia with the structure of a dictionary, comprising about 2,000 entries, written by circa 200 contributors from 20 different countries. Current knowledge on the Phoenicians and Carthaginians (with close attention to their various interactions with other cultures) will be presented as a sequence of themed volumes, all closely interrelated, dealing respectively with religion, language and written sources, socio-economic life, and archaeological sites of both the Levant and the Central and Western Mediterranean. As part of a collection, each volume should be considered as belonging to a set: in one sense independent but at the same time inseparable from the others in respect of both the amount of information and the network of cross-references linking the various lemmata. The present volume, dedicated to historical characters, is a compendium of historical and historically documented individuals, arranged alphabetically and organized using criteria that are meant to be as consistent as possible. Like the thematic volumes to follow, the present volume is a reference work: it is based on a piece by piece reconstruction of the whole of 'Phoenician' history (understood in its widest sense) through its various protagonists at every level.

Author: Rhoda Schnur
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Education
Languages : en
Pages : 1134

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Author: Jonathan Coe
Publisher: Europa Editions
ISBN: 1609457935
Category : Fiction
Languages : en
Pages : 213

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A NEW YORK TIMES EDITORS’ CHOICE FROM THE AWARD-WINNING AUTHOR OF THE ROTTERS’ CLUB AND MIDDLE ENGLAND In the heady summer of 1977, a naïve young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good. While Calista is thrilled with her new adventure, Wilder himself is living with the realization that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history. In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema’s most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it's time to let go? “Outstanding... In a sense, the novel toward which Coe’s fiction has always been heading.”—Los Angeles Review of Books

Author: Albert Russell Ascoli
Publisher: Cambridge University Press
ISBN: 1316409287
Category : Literary Criticism
Languages : en
Pages : 294

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Petrarch (Francesco Petrarca, 1304–74), best known for his influential collection of Italian lyric poetry dedicated to his beloved Laura, was also a remarkable classical scholar, a deeply religious thinker and a philosopher of secular ethics. In this wide-ranging study, chapters by leading scholars view Petrarch's life through his works, from the epic Africa to the Letter to Posterity, from the Canzoniere to the vernacular epic Triumphi. Petrarch is revealed as the heir to the converging influences of classical cultural and medieval Christianity, but also to his great vernacular precursor, Dante, and his friend, collaborator and sly critic, Boccaccio. Particular attention is given to Petrach's profound influence on the Humanist movement and on the courtly cult of vernacular love poetry, while raising important questions as to the validity of the distinction between medieval and modern and what is lost in attempting to classify this elusive figure.

Author: Tobias Gregory
Publisher: University of Chicago Press
ISBN: 0226307565
Category : Literary Criticism
Languages : en
Pages : 261

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Book Description
Epic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief. From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.

Author: David Quint
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444

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Book Description
Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.